Richard Bruneelleschi Accomplishments

His Design would consist of two domes, one small Dome on the inside, and a larger dome on the outside. The first problem to overcome, was lifting all the materials up to the dome, so he invented a crane that was better then any other crane in the world. He strengthened the dome collapsing,

Brendon Marrocco, from Staten Island, New York, enlisted in the United States Army on January 15, 2008. He was sent to Fort Benning, Georgia, for basic training the following May. After completion, Marrocco volunteered to serve in the Army Infantry and was assigned to the 3rd Brigade, Alpha Company, 2nd Battalion, 27th Regiment of the 25th Infantry Division based at Schofield Barracks, Hawaii. In late October 2008, as a private first class, Marrocco’s unit deployed to Iraq, where he was stationed at Forward Operating Base Summerall, to serve a twelve-month deployment. This is where his life would take a drastic turn.

The complex architecture and craftsmanship involved in building the cathedral shows the technology that the builders of that time had. Finally, there was a school built into the

Filippo Brunelleschi was a goldsmith in 15th century Florence, Italy. He was known from an early age as being a child genius because of his mastery of art in all mediums and also of mechanics. He had no formal training in it nor in architecture, though he was able to design and supervise the construction of the dome of the Florence Cathedral. His design was a turning point in architecture during the Renaissance. His motivation was a prize of 200 gold pieces for winning the competition that the leaders of the city were holding in order to solve the problem of how to build the dome.

Rafid Mirza Benjamin Banneker was born on November 9, 1731. He was the son of an ex-slave named Robert and his wife, Mary Banneky. He was a free black man who owned a farm near Baltimore, his state of birth. Since both of his parents were free, Benjamin was born free as well. He was taught to read by his grandmother, and he attended a small Quaker school for a little while.

In 1418, the Florentine fathers wanted to solve the problem of the giant hole in the ceiling of the cathedral in Florence, so they announced a contest for the ideal dome design with a prize of 200 gold florins and “eternal fame” to whoever presented the best design. Filippo Brunelleschi presented a design that consisted of two domes, but refused to reveal many of the details of the design until after his design had been chosen out of fear that his ideas would be stolen. Some of the fears with building a dome were, “Could a dome weighing thousands of tons stay up above the existing walls? Was there enough timber to build a dome? Could a dome be built above an octagonal floor plan without it collapsing inward?”

Again not only I am amazed when looking at this building but my husband is. Since he is a high rise building inspector he knows all about rebar, reinforced structures and concrete and such things and he thinks it is awesome that it stands. He said even with all the modern equipment and stuff we have in modern times, like rebar, specialized types of concrete and heavy equipment, it would be a task to safely get it done. When Michelangelo first saw the Pantheon in the early 1500s, he proclaimed it of “angelic and not human design.” Surprisingly, at that point, this classic Roman temple, converted into a Christian church, was already more than 1350 years old and it still stands today.

Reading the article that I chose, I learned that the self-supporting structure of the octagonal “Dome” of Santa Maria del Fiore in Florence, by Brunelleschi, has been a subject of research and discussion on the way in which it was built. Brunelleschi never left sketches that showed construction methods, and this led many architects to wonder how he built an octagonal dome pointed of 45 meters and with the walls of a thickness of 4.25 meters. The first theory, accepted in academic circles, was by Rowland Mainstone, who in 1977 stated that Brunelleschi built the dome as if it was a circular one.

The cathedral was built as a result of Florentine ambition. Every city in Italy during this time period competed with each other by making great architectural masterpieces, which were typically cathedrals. The competitive Florentines viewed their own cathedral, Santa Reparata, as inadequate

Not only did he paint the Sistine Chapel Ceiling, he also designed the St. Peter’s Basilica together with the others, which are Donato Bramante, Carlo Maderno and Gian Lorenzo Bernini.

A contest was held for a design for the doors of Florence cathedral. 34 judges could not agree on winner so Brunelleschi and Ghiberti were awarded together Brunelleschi refused and left the town. Ghiberti's winning piece

The Pantheon and Brunelleschi 's Dome in Florence both share a common idea of the dome in ancient history. They were built and different times, the Pantheon and Brunelleschi 's Dome differ in both design and architecture. This paper is going to analyze the Pantheon in Rome and Brunelleschi 's Dome in terms of their constructional and design techniques, and their historical circumstances of the construction of them both. The Pantheon is one of the remaining and properly maintained buildings of the first century.

Whether intentional or not, by the time Michelangelo finished the Sistine Ceiling in 1512 he had created an enduring legend, that even today is the subject of much study and conjecture. However, because of the monumental scale of the chapel, a detailed study of the iconography in its entirety is would be daunting to even the most skilled and learned scholar. However, because the viewer today is most often separated from or completely uninformed about sixteenth century Italy there are many different interpretations of these iconic images. That being said, many books have been published and many studies were done to try and determine the true nature of the Sistine Ceiling, and the significance of each scene.

In the year 1403, he apprenticed metalsmith and sculptor Lorenzo Ghiberti who was also a native florentine. A couple of years later, Ghiberti was commissioned to manufacture bronze doors for the Florence Cathedral which Donatello

The Oxford University Museum of Natural History is an exemplary example of an Oxford structure employing Gothic-influenced themes. Since Gothic architecture is a style of architecture that flourished in Europe during the High and Late Middle Ages, you would expect to discuss a cathedral. However, even though the Gothic era had ended some three hundred years prior, Henry Acland’s visually stunning as well as artifact-rich neo-Gothic Oxford University Museum of Natural History is captivating in capturing the very spirit of Gothic architecture. Despite running over budget by almost 300% and having a few incomplete areas such as the inner archway, the Museum certainly stands equal to its earlier predecessors when it comes to its Gothic styling. The architecture of The Oxford University Museum of Natural History is based on Gothic themes and this assertion will be supported by the examination of its pointed arches, ribbed vaults, and flying buttresses, all of which constitute the primary characteristics of Gothic design.