The great Dome of Santa Maria del Fiore, erected by Filippo Brunelleschi remains one of the wonders of Renaissance architecture. Along with the Cathedral’s dome, Brunelleschi was known for his magnificent inventions and arcthecural designs. In the process of marking his legacy, Brunelleschi was challenged socially and politically by rival artist and patrons of his time. Despite countless obstacles, Brunelleschi was a man that thrives in challenging situations. The secretive nature of Brunelleschi had made both his personal life and the engineering of the dome a mystery. BUT his biographers Antonio di Tuccio Manetti (King 19) and Giorgio Vasari (King 33) have left behind documents that helped Ross King, the author of Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, create fascinating details about the greatest achievements and invention of Filippo Brunelleschi. The administrators of the Opera del Duomo, a guild of wealthy Wool Merchants who funded the construction of the dome for …show more content…
In its first round in 1347, by killing four-fifth of the population, the plague depopulated Florence (King 5). The Black Death impacted socio-economy and culture of Florence. The Black Death has indirect was one factor for the birth of the Renaissance in Florence (Brunelleschi’s Quest for Success 1). The plague first introduced by Genoese fleet who were carrying Black Rat and other spices from Asia (King 5). As a result of the devastating loss, the wealthy started patronizing artist to bring happiness and a new sense of hope back to Florence. The competition between the patrons and the artist set the grounds for the Renaissance era. (Brunelleschi’s Quest for Success 1). After the death, thousands of Florentines, The Guild of Cloth Merchants, as a civic duty, was determined to sponsor a new set of bronze doors for the Baptistery of San Giovanni, “to appease the Wrathful deity” (King
It impacted art in some aspects and it helped with the ascension of the Renaissance. This paper argues that The Black Death did indeed contribute to the start of the Renaissance in Europe. The Black Death was a tragedy that Europe and perhaps the whole world had never experienced before. The plague may have originated from China and was brought to the
The disastrous mortal disease known as the Black Death spread across Europe in the years 1346-53. The frightening name, however, only came several centuries after its inspection. The tragedy was extraordinary. In the course of just a few months, 60 per cent of Florence’s population died from the plague, and probably the same proportion in Siena.
The Black Death was a deadly disease that wiped out almost half of Europe’s population during the 14th century. Also known as the bubonic plague, the sickness emerged from the bacteria yersinia pestis that was carried by fleas on rats and was brought to Europe by merchant ships. It swept through Europe and racked up an immense number of fatalities, anywhere from 20 to 50 million. The Black Death significantly impacted Europe and caused major cultural, economic, religious, and social changes. Because the Black Death killed millions of people, it greatly affected the economy by creating labor shortages, changes in social structure, and extensive inflation Due to the death toll of the Black Death, labor shortages greatly impacted Europe.
This building was constructed and designed by a member of the Silk Workers Guild named Filippo Brunelleschi. A famous historian, Giorgio Vasari, explains how Brunelleschi “drew up a model for the house and loggia of the Innocenti with his own hands” and that the model was kept “in the audience of the Guild headquarters where it was much valued.” Brunelleschi knows that the placement and design of this establishment helped spread awareness throughout the Guild and the city; which ultimately helped obtain donations for the construction of the Hospital. According to records, Brunelleschi turned over his head responsibilities to his friend and pupil, Francesco della Luna. January 25th 1445, was the official opening of the institution, even though the construction was not yet complete.
This essay is about the influence of the Medici family on Florentine art and the development of humanist thought. The Medici family had a lot of power for four generations (1418-1494) as they were a wealthy family who owned banks and got their money from “banking interests”. They “molded and manipulated, controlled and cajoled, persuaded and poked” the citizens of Florence until 1494, when the angry citizens overthrew the Medici family. The family created their own “personal work of art” in Florence by filling up the city-state with classical antiquity. They had so much of control over their citizens that later on, the citizens accepted and followed the way of living that the Medici family demanded.
The Black Death was a disease that had a catastrophic impact on Europe. Reaching Europe in 1347, the plague killed an estimation of one-third of the population in the first wave. Each document varies with its reasons for the cause of the plague and how to deal with it. The first document Ordinances against the Spread of Plague seemed to blame Pisa and Lucca for the plague and thus, began to forbid contact with those places. It was forbidden for citizens of Pistoia to go to, or have contact with anyone or anything from Pisa or Lucca.
As the medieval times began to draw to an end, an era of a new found sophistication and artistic contribution was about to begin. In Florence, Italy, in around the years 1350 to 1400 a new era started arose, the Renaissance. Unlike the Medieval times, the Renaissance valued art, education, and individual skill. This is called this humanism; humanism is broken into 3 categories, individualism, secularism, and classicism. The De’ Medici family was a wealthy family who gained control and power over much of Florence by using their individual skill, political power, and their intellectual intelligence.
The Rucellai Madonna was a panel painting commissioned to the Sienese painter Duccio di Buoninsegna by the officials of the Florentine lay confraternity, the Laudesi of Santa Maria Novella in 1285. It was originally located in the Rucellai Chapel of church Santa Maria Novella. WHEN it was moved to Galleria degli Uffizi. This paper introduces the social background under which the painting was made and explores Duccio’s renovation in creating this painting. Background brotherhood and commission The Confraternity of the Laudesi of Santa Maria Novella was founded in 1244 - 1245 by St. Peter Martyr, an early Dominican friar, during his stay in Florence.
Florence, known as the birthplace of Renaissance, stood as the wealthiest city during the 15th century, has experienced a dramatic growth on economy and artistic activities. It is known for its richly inherited culture from the ancient Roman and renowned for its artistically abundant collection on art works, craft and architectures masterpiece. Also, it offers the greatest culture in Europe with the numerous constructions of churches and palazzo, which are the relative prosperity that followed the wealth merchants with the economic growth. The arrival of the Medici family has played an important part in shaping the city’s destiny. From the projects we mentioned before, we can derive the conclusion that the family had a great influence on the
It was the Spring of 1348, and the citizens of Europe were malnourished due to limited food supplies for such a large population. This made them more susceptible to the outbreak of the Black Death. The Black Death originated in Asia, then moved westward into Sicily. From Sicily, the plague crept its way up through Europe infecting millions of people, in total killing more than one third of Europe’s population. In fact, over fifty percent of the population of Siena died, along with fifty percent of Paris, eighty percent of Florence, and over two thirds of Venice.
Michelangelo famously carved many sculptures throughout his lifetime. One of his most famous pieces is the Rome Pietà. The French cardinal Jean de Bilhères Lagraulas commissioned Michelangelo to carve a memorial piece for his own burial in 1497 (Wallace, 243). The Pietà is currently on display in St. Peter’s Basilica on a pedestal as an altarpiece. William Wallace’s article “Michelangelo’s Rome Pietà: Altarpiece or Grave Memorial?” discusses whether the Pietà should be viewed as an elevated altarpiece or at eye level as a memorial through historical context and the intention of how the work was made to be viewed by an audience.
The Pantheon and Brunelleschi 's Dome in Florence both share a common idea of the dome in ancient history. They were built and different times, the Pantheon and Brunelleschi 's Dome differ in both design and architecture. This paper is going to analyze the Pantheon in Rome and Brunelleschi 's Dome in terms of their constructional and design techniques, and their historical circumstances of the construction of them both. The Pantheon is one of the remaining and properly maintained buildings of the first century.
The Influence of the Medici When describing the Renaissance the first elements that come to mind is the rebirth of art. While art is one of the main things that took a new form there was also a restructuring in economics, education, and a change with those in political positions. There has always been a family in power throughout all of history, and while those families in power did have certain control over some of the areas around them. There was no family that was ever in such full control like the Medici family. The Medici family is known as the “Godfathers of the Renaissance”.
The High Renaissance is a term used to describe the period in art history that began in 1495 and ended between 1519 and 1520—the years Leonardo da Vinci and Raphael died respectively. Certainly, over that quarter century, into the Cinquecento, several artists flourished; a notable few becoming forever legendary. Undoubtedly, the period was dominated by Leonardo, Raphael and Michelangelo. Yet these “Renaissance men” were most revered for their awe inspiring artworks. Even though artwork, specifically paintings and sculptures, were the defining point throughout the High Renaissance, architecture also took on new prominence.
The history formed throughout the Renaissance period is one that is very unique to the European society. The Renaissance was a significant period of time where, art was painted, architectures were formed and Europe evolved considerably from the middle Ages. The images I have chosen to represent this period of time have been displayed in a three-part collage. The three sections chosen represent: The Early Renaissance (1400 - 1500), High Renaissance (1495 - 1527) and Mannerism (1527 - 1600).