Critical analysis of the Pantheon. The pantheon is a nearly 2000-year-old roman temple that still inspires architects and artist alike. The structure was originally built in c. 27 BCE and dedicated by Marcus Agrippa. Comprised of a 142ft wide 142ft tall rotunda under a coffered concrete dome connected to a Greek style porch. It remains the best preserved roman structure to date being the only structure of its size and age to have survived intact. The lighting in the pantheon changes based on the time of day casting shadows differently throughout the day, while the vertical as well as the horizontal lines perfectly draw attention the oculus, these artistic elements as well as its rich history are what keeps this structure in use today. The pantheon is a combination of the Roman rotunda and Greek portico designs to form a temple of all the gods from which it gets its namesake. The focal point …show more content…
Within the pantheon almost all lines draw the viewers eyes to the Oculus. Another key element of the pantheon aside from the Oculus are the coffers, in addition to providing weight reduction within the dome the concentric rings created by the coffers radiate out from the Oculus carrying the ring down to meet the wall mimicking the Oculus (see fig. 1). Also present within the coffers are vertical line that converge at the Oculus. Both elements that bring attention to the focal point of the building. This trend continues onto the walls where the rectangular window like recesses in the walls are adorned with a pediment pointing upwards, likewise on the floor where rounded pillars are again capped with a pediment. furthermore, the floor of the pantheon is a collage of shaped with alternating circles and squares decorating the floor mirroring the square coffers and circular Oculus
The Temple of Apollo dominated the site, as well as the Sacred Way that zigzags up to it. The temple was rebuilt after being burnt down in Doric order, with six columns on the short sides, fronting
The primary purpose of this structure may be said to have been worship of the patron goddess of Athens, Athena. It was built to replace earlier temples which had been destroyed at the site. Such function demonstrates the incredible importance of the goddess to the Greeks. This testament is given not only by the size of the temple, but also its impeccable construction. The style of the building is of the Doric order, yet also
1). While the statute is not placed at the center of the building’s facade, it is still the focus of the exterior of the building. This is due to statue’s relatively large size, which covers around nine of the windows that lie behind it. Additionally, since it is displayed on the face of the upper level windows, and distends out of the building, and towards the street, it is in the line of vision of most passerbys. The focus is not the entrance of the building, as the ceiling of the entrance is pushed under the floor of the upper
This temple was designed by the architect Kallicrates. Temple of Athena Nike (built around
The Romans were smart enough to have shade at roof level that was controlled by pulleys. The arena’s stories are framed by columns in the Doric, Ionic, and Corinthian orders, which influenced the structure of many other buildings in the following centuries. The structure of the Colosseum is also seen in today’s sports stadiums. The Colosseum had 80 entrances! No need in waiting in
The Greek Parthenon is an extravagant and intricately detailed result of what say to be the “Golden Age of Athens,” and others believe this to be a result of Athens overstepping and abusing their power. Despite these opposing viewpoints of why the Pantheon came to be, it is without a doubt a sculptural and architectural feat, that continues to be highly studied and praised. It is a prime example of the Doric style architecture. The build up to the construction of the Parthenon is not simple. It indirectly took two major and then many minor Persian invasions, internal conflict, and possibly some swindling of money.
Although there is no large atrium and narthex as pictured on page 263, the worship space is nearly the same. Upon the entrance of the church, the nave is larger than the neighboring aisles and has ionic and Corinthian columns on either side of the nave (Sayre, p.263). The neighboring aisles also have a row of ionic and Corinthian columns that line the aisle. There were pews and kneelers for worshipers placed in between the columns and next to aisles on either side of the nave. At the end of the nave behind the altar, there was an almost semi-circular apse (Sayre, p.263).
The focal point of the sanctuary is the temple of Aphaia and the altar opposite its east façade that is connected to the temple with an inclining ramp. A terrace masonry wall encloses the sanctuary and provides the level ground upon which the temple was built. Visitors gain entrance by the way of a modest propylaeum. Just beyond the entrance a tall column was crowned by a sphinx, which is now housed at the Aegina museum.
The bath houses used arches, domes and vaults to make them both aesthetically beautiful and to work as functional spaces. The Romans also made spectacular private homes for those who could afford them, and designed and built innovative apartment type buildings for those who couldn’t afford a private residence. As with the Greeks, the Temples of Rome were a great architectural achievement. These temples are a significant source of their architectural history and still today are some of the most visible remains from their culture. Unlike the Greeks who believed in having an equal emphasis in their design on all sides of their temples, the Romans put the emphasis on the front of their buildings.
Introduction: The Two Buildings; Parthenon in Athens and Pantheon in Rome are both classical heritage of the former world powers. Both buildings were temple built and dedicated to the gods of Athens and Romans. The excellent strength and the durability of these temples are unimaginable. Going by the length of time that these buildings have been in existence, one cannot but admires the brilliance of the ancient Greek and Roman architects for such excellent edifices that have outlived many generations, and yet remain a symbol of ancient Greek and Roman history.
“One of life's most painful moments comes when we must admit that we didn't do our homework, that we are not prepared.” I must say right now that I agree with Merlin Olsen. We are striving to work against vortex drag, but we are tending to exchange one problem for another. So far to reduce vortex drag we have to have longer more narrow wings, yet this sacrifices maneuverability. So I say it is time for us to do a bit more homework and cut away this
The Pantheon in Rome is a very unique building, that even after 2,000 years it is still being used in today 's world. That alone speaks volumes of how well the building was first built, but also the care and maintenance that keeps the Pantheon standing. The Pantheon was built as a Roman Temple, under the ruler of Augustus. Now, used as a church in Rome dedicated to St. Mary, but when first built it is thought to be dedicated to all gods. This Parthenon is very much different from the Parthenon of Athens.
Considering that Rome’s citizens believed in the gods the Pantheon in Rome Italy is a great representation since it was created for all gods. Ranging from the columns to the dome and the magnificent art in the inside of the Pantheon they all play a significant part in demonstrating important events. Its amazingly constructed dome being one of the largest at the time illustrated their knowledge and power in creating a temple. This temple however was not initially built by Romans but rather Athenians and was not claimed to be Roman until later when Romans started to invade more parts of the cities. The architecture was reconstructed by Hadrian and the credit was given to Augustus as Hadrian did not take it.
The people of Athena consider her as their patron. They started that structure in 447 B.C., when the Athenian Empire was at the highest point of power. This building was completed in 438 B.C. This building is the most important surviving building of Classical Greece. Another old building that is in Greece again and it is called Minoan Palace of Knossos.
The main dome has an outer wood shell structure, inside the shell is a gold mosaic, at night the dome can be illuminated with light to a give an amazing glowing look. Interior: In the inside of the men’s prayer hall, the internal wall are clad in off-white and gray Italian marble, with carving of Qur’anic calligraphy as well as geometric patterns, and niches of Persian designs. The ceiling have marble centered with floral pattern, aligned with Islamic arches, and the Mihrab is made out of blue mosaic with Muqarnas design.