The Joy Luck Club Hero's Journey Analysis

Because of this photo of the narrator, they can recognize each other without saying, and then they “run toward each other, all three of us embracing, all hesitations and expectations forgotten.” It is the magic of the photo, it is more the magic of family connection. In this setting, their first meeting is smooth since the photo of Jingmei connects them well. Finally, the last photo in the story is a flash of the Polaroid which is taken for these three girls, it is like a picture of the family, represents the moment of reuniting.

Through analyzing the stories about their lives’ hardships and experiences, it is revealed that Suyuan’s American Dream is achieved by Jing-mei by going back to her own country, retrieving her two sisters, and makes the family whole again. The story of Suyuan and Jing-mei chasing their American Dream teaches us a lesson: Never gives up your dreams casually. One day, you will be thankful for your persistence, when the dream comes

“For unlike my mother, I did not believe I could be anything I wanted to be, I could only be me.” (Tan 24). With this statement you can see that she does not agree with her mother. Jing-Mei’s Mother was raised in Chinese culture, therefore she is very strict and demanding to Jing-Mei to do what she wants. From doing a chore, to hobbies or even Jing-Mei’s passion.

The application of a first person perspective better captures the events and their emotional significance. Tan writes of young adult Jing-mei Woo and her discovery and meeting of her half-sisters who were lost during war stricken times and had been considered

This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication. One of the difficulties between Jing-Mei and her mother is their different cultural backgrounds, which is supported by two points from the story. Firstly, Jing-Mei and her mother both disagreed on the opportunities that existed in America. According to Singer, Amy Tan uses “two entirely

ONLY A TEACHABLE HEART VIVIENNE J. WARNER CHALLENGE ENGLISH MRS. PEARSON MAY 18TH, 2016 As the creator of the 25 epic hero steps, Joseph Campbell said: “We must let go of the life we have planned to accept the one that is waiting for us” because every epic hero must put aside his own plans for his life to accept the one that was meant for him. In order to maintain the title of an epic hero, a champion must complete the hero's journey steps. The words from Joseph Campbell describe the journey of our once comfortable hobbit, Samwise Gamgee’s transition to becoming an epic hero in The Lord of the Rings as a epic hero must be willing to step out of something they are traditionally comfortable with.

As seen by the mothers’ and daughters’ behavior towards each other in The Joy Luck Club, it is difficult to preserve one’s culture when one is exposed to a new environment or country. With a difference of two distinct generations between them, the four main pairs often come across cultural collisions. Other than facing the age gap, these mothers and daughters also have to deal with a language and communication barrier. Already, at the beginning of the story, Jing-Mei Woo is able to understand how the mothers of the “Joy Luck Club” are displeased with their daughter’s rejection of their Chinese culture. She speaks to herself, admitting that “they are frightened.

Suyuan Woo had a hard life growing up. She gives birth to two girls, but is forced to leave them in China, where she grew up. She goes onto live in America, where she marries and has June and Waverly. The secret of her twin daughters remains hidden to her daughters, until the time is right.

Her intentions are not meant for heartbreaks, but for the well-being of her babies. Support Point # 2- Suyuan’s top priority is to educate Jing-mei as ideal daughter; however, high expectations are difficult to achieve causing problems and leading bitterness into the relationship. Support Point

In the words of Jing-Mei in the last line of the story, “Together we look like our mother. Her same eyes, her same mouth, open in surprise to see, at last, her long-cherished wish” (Tan 159). Throughout her life, Suyuan, their mother, held onto the hope that she would see her daughters again. In this hope, she named Jing-Mei in connection to her sisters, keeping the “long-cherished wish” that someday her daughters would reconcile and complete their family circle. The occasion that

Both her and her mom want her to be a prodigy of Beyonce. Both of their parents want them to become a prodigy of somebody. Jing-Mei’s mom wants her to be a prodigy of Shirley Temple. One other allusion in “Two Kinds” and modern day society is Peter Pan. Peter Pan never wants to grow up and neither does Jing-Mei.

“The Hero’s Journey” is term for a narrative style that was identified by scholar Joseph Campbell. The narrative pattern would depict a character’s heroic journey, and categorize the character’s experiences into three large sections: departure, which contained the hero’s call to adventure, fulfillment, which consisted of the hero’s initiation, trials, and transformation, and finally the return. The novel The Joy Luck Club by Amy Tan investigates the relationship and actions of four Chinese women and their daughters. The character Lindo Jong’s youth in China exemplifies the three part heroic journey in how she leaves the familiar aspects in her life, faces trials in the home of her betrothed, ..... Departure:

Family in Chinese Culture As shown in Amy Tan's short stories A Pair of Tickets, Immortal Heart, and Two Kinds, one can see the importance of family in Chinese culture. In the piece A Pair of Tickets, it is shown how hard Jing-mei's mother Suyuan looks for the twin babies she is forced to leave behind. Her effort is shown when Jing-mei's father recalls the travels, saying, "We went to many different cities, back to Kweilin, to Changsha, as far south as Kunming. She was always looking out of one corner of her eye for twin babies, then little girls" (Tan, A Pair of . . . " 163, 164).

but she is also nervous because she is going to meet her twin half-sisters, whom she has never met before and she will have to tell them about their mother’s death. Her mother had to abandon the half -sisters and her dream was to have a family reunion but before that could have happened she had passed away. Jing understood the language they were speaking but couldn’t speak it

As a whole, while the story was very depressing at times, it still has an underlying tone of family ideals, as the relationship between the mother and daughter still remained despite the arguments they had. In my opinion, I think the author’s message that she wished to convey was that despite any event that may occur, family members will always be there support you. This is shown in how, despite Jing Mei’s failures at becoming a prodigy, her mother still supported her and did not give up hope on helping her daughter becoming a successful person. As such, it strengthens the idea that “family will always be there for you”, no matter what hardships come their way. In addition, it helped to add a sense of togetherness in the short story, as it inadvertently revealed how much Jing’s mother actually loved her, despite her tough exterior.