A Pair Of Tickets Analysis

Tamra Gould is a senior at Edmond North High School who has shown exceptional talent in photography and exceptional character in her reaction to society’s expectations. While Gould has always expressed an interest in photography, it was not until a photo of hers received first place at a UCO competition that she truly began to recognize her talent. Gould specifically prefers to photograph people who lack self-confidence or people who are looked down upon by society or viewed as “special” or “weird.” A few of her favorite subjects include her little brother, who has Down Syndrome and her little sister, who has been bullied all throughout school. “My goal is to show them in a way that people would never expect and show their true beauty,” said

The Red Umbrella, by Christina Diaz Gonzalez and Immigration photo by Jose Hernandez-claire both show the subject of family separation. In both of these text the author and artist use similar and different techniques to show that Immigration can bring stress and sadness to families. In both The Red Umbrella and the Immigration photo they share some similar techniques. They share the similar technique of figurative language.

The girl’s succeeding Google searches about the scarlet flowers bring about a display of the images

Glass Imagery The ability for a writer to construct a piece that is easily relatable to the reader is something that requires time work. Imagery, engulfs the reader and carries him or her into the mind of the writer, enabling the reader to relive or experience that which the writer is trying to convey. Jeannette Walls relies greatly on this, in order to elaborately recreate her memories so that the reader may better understand her feelings toward her past. Her memoir recalls events in her life that shaped her into the woman she is today.

Her uncle, Pietro Modotti, maintained a photography studio. She spent much of her free time there, learning how to properly take pictures. Later on though, she caught a greater interest in acting and at the age of 16, she immigrated to the United States to join her father in San Francisco, California who had moved for a better job opportunity. Later in the U.S, Tina’s father ran a photography studio in San Francisco. Her passion for photography grew more and she knew she had a skill for it.

Imagine that you are in a crisis, you cannot only just grab what you can carry but what is of utmost importance to you…what would you carry with you? In the short story “The Things They Carried” we follow US Soldiers in the Vietnam war who are trekking through the jungle. The story touches on different characters and things of importance that they carry on their person for comfort, need and those without monetary value but sentimental value. I carry a picture of my sons 1st school picture, its not just a wallet size picture I bought either.

In a photo of her mother, Joan Nutzhorn, dated 1927, she captures a quiet, resigned beauty of a woman who seems to have seen so much, yet still has hope in the good of people. A woman with an iron will such as what Lange developed during her teens and twenties would not have been possible without such an example. She found this same sense of quiet strength in one of her most widely used and recognized photos titled Migrant Mother. A photo of a Native American 'Okie ' who had relocated with her six children and extended family to California in the 1930 's was within Lange 's portrait wheelhouse. She felt drawn back to the place where this woman lived with her total of eleven children, all on the verge of starvation and death due to work and food shortages and set about taking a series of photos that led to the final version of Migrant Mother.

Lange decided to take up photography after taking an internship in the NYC art studios. In the 1930s, Lange decided to join the FSA. In the next five years she traveled the country documenting rural hardship. The iconic photograph, “Migrant Mother” communicates the paralyzing fear that was widely acknowledged to be a defining characteristic of the depression and experienced by many Americans irrespective of income. By depicting what was known to be a generalized anxiety within the specific form of a woman’s body, that emotion is both made real and constrained by conventional attributions of her surroundings.

Two of her children cling to each of her shoulders facing away from the camera. The dirt on their faces suggests they have no home and have been traveling through harsh outdoors to find a home and a job. The very basics of the picture don’t tell us much. Just that these people were suffering during the depression, so we can conclude that she took the picture just to show the effects of the depression right? As that would not be a wrong answer it is not all the picture tells us or is meant to

Our group used serval images for illustration. We added some photos of Jenny Zhang in the section of “Jenny Zhang as a writer”. These images helped the audience to get a clearer impression of Jenny Zhang as a person. Besides, we also used image illustration in the section of political purposes. There were two images of Asian American people protesting about racial issues, which corresponded to the political purposes of the poem.

The children’s bonding experiences grow more through their troubles. They look out for each other. In one chapter, Jeanette talks about how her and her siblings had to ride in the back of a U-Haul and they had

A photograph can mean so much to different people, but it’s ultimate purpose is to capture an important moment in someone’s life and be able to hold onto a physical copy of a memory. Photographs enact a certain nostalgia for the past, the good times or perhaps an important person or location; it’s a memory you want to last indefinitely. It’s a subject many people don’t touch on when they examine a film like Blade Runner (1982), but director Ridley Scott’s film does place an emphasis on the importance of photographs and what they can mean to people. The film depicts photos as a gateway to nostalgia, the immortalization of important figures and how photographs can deceive their owners. When you hold onto a photography they are generally a preserved version of a past memory that is important or a time of happiness.

​Sharon Olds in the poem, “On the Subway,” reveals the encounter of a black boy and a white lady as they travel on a train. Olds was able to establish the contrast of the two people with different races by the use of imagery, tone, and poetic devices. ​Olds was able to use imagery to enhance her writing and to contrast the difference between the black boy and the white woman. “His feet are huge, in black sneakers laced with white in a complex pattern like a set of intentional scars.” In this image Olds describes the boy who is separated from her by using a simile to compare the complex pattern to the intentional scars.

A photograph is more than just a simple image; it tells a story. A story beyond a particular moment in time, it holds secrets and memories. The eagerness to comprise a moment in the perfect shot seems to become an obsession for many. In Kim Edwards ' novel The Memory Keeper 's Daughter, Edwards uses photography as a motif which coincides with the novel 's idea of secrets. David Henry, the antagonist of the novel, becomes fascinated with photography after choosing to give away his daughter and compresses his guilt with photography.

I believe, Ayad brings these two theses together in the final paragraph: “In fact, even if the original photographer saw the image as artistic, subsequent events compel us to try to see the image of the Polish girl with Nazis as journalism. In this endeavor, we must uncover as much as possible about the surrounding context. As much as we can, we need to know this girl’s particular story. Without a name, date, place, or relevant data, this girl would fall even further backward into the chapters of unrecorded history.” (Ayad, par.