The Dancer Under Klimt Analysis

Las Dos Fridas, translated to The Two Fridas, is a self portrait created by Frida Kahlo in 1939 through oil paint on canvas. The piece includes two portraits of Kahlo, of which bare two separate and contrasting images. In comparison, Kahlo painted both a dark unibrow and a faint mustache in addition to bold red lips. The two are seen intermingling hands. In contrast, the Kahlo on the left side is wearing a white and lacy gown with floral designs embroidered on the bottom of the dress, mimicking european wear.

Both the cups and saucers and their elongated shadows are the main focal point. The crisp clean lines and the accentuated strong tonal contrast creates abstract imagery.

Alfred Stieglitz believed that there was much more to a portrait than the face. He explored this type of work by photographing various body parts of his wife Georgia O’Keefe. In this photo titled, Neck, the sharp lines of the jaw and the positon of the neck draw you into this photo. The glimpse of the fingers balances the photo to draw emphasis to the elements of the lines. It is a modern approach to the style that Stieglitz was well-known for in his work.

The artist was going for a more realistic and naturalistic depiction of this young woman. There is not anything that seems out of the ordinary or non-human. She has an average shape and proportion to her. Though it is not perfect, there is also a sense of symmetry within the painting, but if cut in half neither side is identical to the other. Tekosis is almost perfectly symmetrical and the two images either side of her are in the same general locations, but not exact.

The Parisians: A Not So Glamorous Lifestyle The text The Painted Girls by Cathy Marie Buchanan is set in the late 1800's in Paris, France. In the early 1800's, the arts were the heart of European culture and played a large part in defining the European culture in its years to come. With dance as one of the most popular forms of entertainment, it quickly shot to fame and was thoroughly enjoyed, especially in the Romantic Era.

She is now referred to as the first taste of the ‘80s towards the end of this decade. She was a mystical and magical artist that kept improving her talents and still performs to this day. Her style was very bohemian and she was referred as the “Gypsy Queen” of the time. She wore long drapey dresses that showed very little skin and flowed as she danced around the stage. Most of the time she wore chunky heels or black leather boots.

Though ballet wasn’t originally intended for women, it was inevitable that the female race would rise above and eventually dominate this powerful yet delicate art. Femininity in ballet developed considerably after the reign of men in this art form during the 15th and 16th centuries, when men in mask and costume portrayed women in productions, and King Louis XIV’s elaborate productions starring himself in the 17th century. The Romantic Era ushered in a real exploration into the roles of gender, and ballets became a woman’s forte, full of love, sexuality, and femininity. During the early days of dance in ancient times of primitive civilizations such as the Aztecs and Maya, gender roles were not important to society.

Melvin Williams Arth 1381 Professor Zalman 13 November 2014 Visual Analysis The painting, The Basket Chair c.1885 by Berth Morisot, and the painting The Orange Trees c. 1878 by Gustave Caillebotte, are both magnificent and interesting pieces that I got the opportunity to see. The paintings are both wonderful pieces and their composition overall is very impressive. Both paintings have different aspects in the way the artist displayed modernism, formal characteristics, class and gender, and the subject matter of the painting itself.

Simple colors and just using pastels and charcoal shows that the artist put a lot of thought into this image. Using pastels, the artist wanted to bring the picture to life, and using charcoal makes it seem the artist wanted to suggest a mix emotions about why she is sitting down. Blending the soft, light colors of blue, white, brown, etc. gives an airy sense of childlike appearance. Some of the lines on the young dancer’s dress makes one believe the artist wanted the picture to be for young dancers like the one shown.

Frida Kahlo created many glorious pieces. One of her most intriguing pieces is The Two Fridas. The image is quite symbolic and meaningful. Kahlo was a Mexican artist greatly known for her self portraits and the pain, passion and feminism of her paintings. The name of the piece I choose to analysis is Las dos Fridas, also known as The Two Fridas.

The divine details in this painting help the viewer understand her true and mixed emotions that are portrayed by the Frida on the left. While the Frida on the right side is her current self who has defeated all the inner turmoil she once had. The purpose of this painting is simple but a complicated all at the same time. Frida’s was conveying a message to her viewers that marriage a journey of beautiful memories, but also comes with tragedy in some cases. It relates to our culture and era of time, from the idea of how easy it is to get a divorce, but how the scars are still within our souls.

The painting “Self-Portrait with Her Daughter, Julie” by Élisabeth Vigée Lebrun shows the artist’s daughter as an extension of herself not only meant to exalt her love for her child but also to show herself in a flattering light as the devoted and beautiful mother. “Self Portrait

These art pieces were based on the dependence on female sexuality. Lempicka's work allowed her to express her individualistic self-expression. Lempicka's Four Nudes painting “exudes eroticism and powerful femininity” (Tamara De Lempicka Paintings). In what is considered to be one of her most famous paintings, “Lempicka depicts herself sitting at the wheel of a green Bugatti sports car, wearing fashionable brown driving gloves, a close-fitting hat that resembles a helmet, and a scarf that billows in dramatic, sharp folds to her right” (Tamara De Lempicka Paintings).

This essay examines one of the many self-portrait paintings by Frida Kahlo called ‘broken column’ (1944). In this painting Kahlo portrays herself as a complete full bodied woman while also reflecting her broken insides. She stands alone against a surreal barren fissured landscape that echoes the open wound in her torso. A broken stone column replaces her damaged spine and is protected by a white orthopaedic corset, while sharp nails pierce into her olive naked flesh. Frida is partially nude except for the corset and white bandages.

Thus, Magritte most likely created this canvas painting in hopes to bring awareness to the way overthinking and being psychologically overwhelmed can become suffocating, eliminating the chance for intimacy in a romantic relationship between two people. Because of this, it will cause much frustration and continuous strain. These are the things that many people were ignoring, but Magritte urged for the public to think