Symbolism In Giovanni's Room

Topic will be on gender relations and marriage in Renaissance Florence. The book “Giovanni and Lusanna” was written by historian Gene Brucker and its plot is well documented in the history book of Florence. In his book, Brucker discusses subject of love and marriage, customs and social rules of the Italian Renaissance. The main hero is a courageous Lussana di Benedetto , daughter of a Florentine artisan and widow of line-cloth manufacturer, who decides to challenge social and political hierarchies by in initiating a suit against Giovanni, a son of wealthy merchant family that is connected to the Medici’s, who she argued was her husband (Love and Marriage)One of the main themes of the book is the love and marriage

In the book, The Cage Riva once said, "But we need much more than laughter to make us well. It does not cure tuberculosis or put calcium back into my bones. " The Cage to bring us back to the dark times of the holocaust he also makes us believe that in the darkest times there is still hope to move on. Even when they take all you love and something you have affection for all go away, but there is still hope to live for no matter what times you are going through. One of those things is family and that is important because they could take everything you love and all your personal belongings but you still have a family which is more important than anything, like Riva said “But we cannot let the Nazis destroy our minds.

Zadie Smith’s “The Girl with The Bangs” is a vivid account of a romantic relationship between two incompatible characters with vastly different personalities. Told from a first person perspective, it traces the narrator’s journey through an unusual relationship with the girl Charlotte, exploring what it is like “being a boy” – enthralled by a girl’s physical features and thus willing to tolerate any faults of any magnitude (188). His optimism and attraction to Charlotte eventually leads him to grief, where, blinded by their relationship, he is caught unawares and replaced by another boy. Yet, he also achieves an epiphany: that the relationship is built on irrational obsessions and motives and is thus ultimately unsustainable. Told in introspection,

Throughout his “Divine Comedy,” Dante Alighieri encounters with two women, who are antithetical to one another in terms of their roles in the context of love. These two women; Francesca di Rimini and Beatrice, have similar emotional experiences since both have relationships outside marriage; yet, they have different roles when Dante explores the notion of love. The reader meets the first woman, Francesca, in Inferno, while meets the second, Beatrice, in Paradiso. In other words, one of them is being punished, whereas the other woman holds divine position. Thus, the female characters within the poem represents two distinct roles of women: either as a pure and holy being, or as a sinful entity.

feminism is the advocacy of women’s rights based on the equality of the sexes. Since before time women have been less than and it is shown by how women get paid less and are seen as dependent to men. In the play A Doll’s House written by Henrik Ibsen Nora was keeping a secret from her husband Helmer, but because she went behind his back brought lots of scandal to their door. In the short story “The Yellow Wallpaper” written by Charlotte Perkins Gilman Jane has a problem with the wallpaper and lets it consume her to the point that she went crazy. Both stories belittled women however they differed in coping with oppression and their freedom from oppression.

“The Metaphor,” by Budge Wilson, is a short story about a young girl, Charlotte, coming of age. It begins with Charlotte as a seventh grader stuck between the two poles of her life: her teacher and mother. During the course of this bildungsroman, there are many techniques the author uses to strengthen and amplify its theme of growing up. Through the use of motif, juxtaposition, and symbolism, the reader is aware of the protagonist’s growth. In the story, the most potent motif is the metaphor.

In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female narrator is greatly troubled by the suppression of her imagination by her husband and her ultimate isolation due to this subordination. These feelings are reflected through the author’s use of setting as the narrator’s dreary and malicious descriptions of the house and the wallpaper mirrors her emotional position. Throughout the reading, the reader is exposed to the narrator’s in-depth loss of touch with reality as she sinks further and further into her own reality. As she becomes more isolated, her descriptions of the house become more abstract as she begins to focus on the wallpaper and starts to see herself as being hidden behind it.

In the extract from “Maestro” by Peter Goldsworthy, the author discusses the protagonist, Paul, and how he and his family moved from the South to Darwin. They stay in a motel room the first night and the next day they visit their new house. It shows the relationship between the family and their environment, expressing their feelings about the situation. In the prose extract, the author illustrates a rough atmosphere which the protagonist immediately loves, unlike his family, in order to create characterisation through the family’s first impression of the new town. The text conveys Nancy as a strong-willed person by her initial rejection of her new circumstances and then she improves them by quickly moving forward with the situation, showing

In the book James Baldwin shows how various types of love show themselves, specifically through Fonny and Tish’s relationship as well as through FOnny;s parents relationship. Through these examples we are able to get a look at Baldwin’s possible ideas of love, sex, and gender.   Baldwin writes"He took my face in his hands, and held it, and he kissed me. 'Now, don't besmeared,' he whispered. ' Don’t be scared.

In the novel Giovanni’s Room by James Baldwin, the protagonist David’s obsession with maintaining a traditionally masculine façade is what leads to the demise of all of his relationships. David’s masculine presentation and insecurity over his own homosexuality are frowned upon by Western society in the 1950s, the novel’s setting. This general societal consensus leads to David’s internalization of homophobia, eventually leading to the ruin of his relationships with family, friends, lovers, and himself. Western society’s view of homosexuality and masculinity at that time is the primary reason for the expiry of David’s relationships.

Throughout his Divine Comedy, Dante Alighieri encounters with two women, which are antithetical to one another in terms of their roles in the context of love. These two women, Francesca di Rimini and Beatrice have similar emotional experiences with their lovers, both having relationships outside marriage; yet they have opposite interpretations of what they experience and where their fates led them. The reader meets Francesca in Inferno, while meets Beatrice in Paradiso. In other words, one of them is being punished, whereas the other women is placed at a divine level. Thus, the female characters within the poem represents two distinct roles of women: either as a pure and holy being, or as a sinful entity.

Righteous Religion James Baldwin, a writer from Harlem, New York, is particularly studied because of how he addresses race in the United States. Though he saw himself as a “witness to the truth,” Baldwin becomes a leader in black freedom particularly in his collection of essays, The Fire Next Time (The Chicago Tribune). In the essays explored in class, “My Dungeon Shook” and “ Letter from a Region in My Mind,” religion is a reoccurring theme that played an integral part in Baldwin’s life. Although the streets would usually be seen as a more dangerous and deteriorating lifestyle than the church; chapters from The Fire Next Time demonstrate that the institution of the black church created an equally negative and lasting impression that mirrored the impact of street life. Though “My Dungeon Shook” focuses less on religion and more on identity, the first paragraph introduces religion with a negative implication attached.

David realizes he can’t grasp the idea of the way they live, so he comes to the conclusion that they are unnatural. Towards the end you see that “us” is who we start to emphasize with David (normal society) because he starts to find the Tomekys

David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.

Hysteria was first discovered in Egyptian texts dating back to 1900 BC. However, in the 19th century, the epidemic began to spread in Europe and the U.S. Exclusively to women, hysteria caused a variety of side effects such as sexual desire, emotional eruptions and nervousness. It was not until psychologist Sigmund Freud debunked the illness in the 1890’s, that hysteria was pronounced a misconception. Although the myth of the disease disappeared, the stigmas surrounding women’s behavior were still present. In Wide Sargasso Sea, by Jean Rhys, and The Yellow Wallpaper, by Charlotte Perkins Gilman, the female protagonists slowly slip into insanity due to the authority of their husbands.