Hysteria In Wide Sargasso Sea And The Yellow Wallpaper

After she has gone crazy, her husband is no longer able to control and repress her. It is tragic how the narrator tries to listen to her husband but finds that she is sicker, how she feels more hopeless towards John as time passes, how she decides and manages to fight back by using secret resistance, and eventually how she goes crazy under a patriarchal

Then after this she kinda just went beyond crazy. “I’ve got out at last, in spite of you and Jane. And i’ve pulled off most of the paper, so you can 't put me back.” She wanted the woman in the yellow wallpaper to escape so she helped her out. Because her husband traumatized her she was always nervous and emotional.

However, we later see a shift in her feelings towards the wallpaper as she states that she is growing “really fond of the room in spite of the wallpaper” and comes to a realization that it may be “because of the wallpaper” (Par 94) As her opinions on the wallpaper begin to change, the progression of her mental instability becomes increasing visible. She begins to build a relationship with the wallpaper and claims that “There are things in that paper that nobody knows about” (Par 22) her. As this relationship with the wallpaper builds, her sanity begins to slip, and the hallucinations begin in a somewhat minor manor. In her first mention of “the woman” she says that the pattern on the

The Yellow Wallpaper by Charlotte Perkins Gilman is a short story set in the 1890s about a female narrator who struggles with postpartum depression. She moves into a home for the summer with her husband, John. Since she has this sickness, John forbids her from doing any sort of activities other than some houes work. If she was doing anything, her husband would want her to rest to help with her illness. This was a common "cure" known at the rest cure back then.

No one could see that the narrator is completely unstable because she is withdrawn from everyone as an effect of her depression. By the time the husband notices her state of mind, it is too late. The narrator is mentally gone and stuns the husband. As the husband faints, Jane is too withdrawn to respond; therefore, she continues her routine although her husband’s body is lying in the way. She loses her sanity because she has to find companionship in wallpaper since she could not associate with any living beings.

Stuart Hellie Ms. Meyers American Literature I 2_ March 2023 Hysteria in Modern and Past Societies According to Merriam-Webster, hysteria is defined as “ a psychoneurosis marked by emotional excitability and disturbances of the psychogenic, sensory, vasomotor, and visceral functions. When people in past or present societies let their emotions control their actions, it negatively affects how that society functions and the individual people within it. Hysteria has been shown throughout The Crucible and other events throughout history.

She proceeds to explain the contributing factors of the narrator succumbing to her “disease” of hysteria which was isolation from social interaction and the restriction of her own thoughts. She points out that the narrator is confined to a simple square room with nothing to offer in terms of mental health therapy. The narrator’s lack of the ability to interact with anything or anyone leads to infatuation with the wallpaper, which turns out to be “the

Essentially, it is the physical and subsequent metaphorical entrapment of the female protagonist by her husband in The Yellow Wallpaper that leads to a loss of her identity. In addition to physical descriptions, a sense of identity can be established through the delivery of relationships with others, and moral beliefs. In The Yellow Wallpaper, the interplay of characters plays a key role in defining the narrator’s identity through the imbalance of power in her marriage with John. Gilman arguably presents the narrator’s descent into madness through her inability to create a new identity counter to John’s entrapment of her.

The heavy bedstead, which was nailed to the ground, was another feature that represents the room as a jail cell. Therefore, the room that she is prisoned shows how the madness benefited her to gain control and achieve a way to escape her confinement. In conclusion, the diverse literature 's do share a common theme that shows women fighting to overcome societal expectations due to the female gender not valued as thinkers capable of being their equals and mental illness can be caused by society’s stereotypical

Secondly, throughout the story, the narrator describes seeing an evolving woman trapped inside of the wall. Although readers can assume that this woman is merely a product of the narrator’s mind, the woman can also be seen as a symbol of the narrator and her feelings of being trapped. Eventually, the woman in the wall aids the narrator in her escape. In conclusion, many elements of the narrator’s increasing madness throughout The Yellow Wallpaper contributed to her freedom from the confines of the room, the confines of society, and the confines of her

However as time moves on, and the woman in the wallpaper becomes more and more real to her, it’s clear that her mental state is rapidly depleting. Her first description of a figure in the wallpaper came when she stated that the wallpaper had a “recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (219). By the time the story ends, the narrator had turned into the

The story “The Yellow Wallpaper” written by Charlotte Perkins Gilman in 1892 shows mental illness through the narrator first hand. The theme in this story is going insane verses loneliness as well as being trapped. These themes are shown through the main character (the narrator of the story) as she works through her own mind, life, and surroundings. First, the theme of the woman’s state of mind is the main focus in this story.

John constantly tries to "fix" the narrator by giving her "phosphates or phosphites - whichever it is, and tonics, and journey's, and air, and exercise" as well as forbidding her to work until she is well again. The narrator feels depressed and alone, especially since her child has been taken away from her and everybody is too focused on "fixing" her to see the problems she is dealing with. This causes her to form an attachment to the yellow wallpaper plastered around her room as her mental state deteriorates. As her state of mind worsens, she begins to think that she is seeing a woman trapped in the wallpaper. The narrator believes that the wallpaper pattern changes because the trapped woman shakes the walls and creeps around the room over and over, when in reality, it is the narrator who is continuously crawling around the room, scraping the wallpaper from the walls.

Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.

Madness as Identity Fragmentation The main focus of this essay is to prove that the madness experienced by a few of the characters in Wide Sargasso Sea is not necessarily an inherent mental illness, but rather a consequence of the stress that colonialism, patriarchy and/or the consequence of existing between spaces has placed on the identity of each of the individuals. Madness in this sense is the fragmentation of an identity, something that both Antoinette and Rochester experience as they find themselves displaced in the world of Wide Sargasso Sea. Wide Sargasso Sea is a complex post-colonial feminist text. The story is deeply psychological, and offers insight into a story never told.