Analysis Of Augustus Egg's 'The Travelling Companion'

1- Talking about inspirations, I need to divide into three different categories: concept, style, and material. The idea for this series of drawings comes from human life cycle and I visualize it based on my personal surreal imagination. The human 's life cycle always start by a zygote, then the zygote becomes an embryo, after born there are two main stages, first is before adulthood when there are many conflicts and variances that shape the personality, another stage is the adulthood when the character is totally formed and all those conflicts become part of the personality. During the whole cycle, changes are needed for the evolution. I decided to show these changes with limbs and their different gestures which express diverse feelings.

I. Revolutions positively acquire the individuals’ equivalent social, commercial, and political opportunities. II. Encouraging societal opportunities were displayed in revolutions within the restored working classes and the adjustments in social classes. A. “New views about power and authority in government were spreading among the Third Estate.

Craft examines the usual roles of the Victorian men and women, passive women especially, requiring them to “suffer and be still”. The men of this time were higher up on the important ladder of that era. Craft believes the men are the “doers” or active ones in

Stemming from those problems, changes by the people have lead Napoleon to obtain power to lead the revolution and more, while the Napoleon reign ends to pave way to a constitutional monarchy after royalties return to France. In this constitutional monarchy, it gave rights to the lower class and equalities between the people and much more. Is this not what the people of

And furthermore, recognize the symbolism documented in the painting for iconographic analysis. In doing so, this will highlight and comment on important characteristics of Omnibus Life in London as it yields new information regarding the emerging shift in social inequality. Through formal analysis, the visual characteristics of the work present an interesting insight into the painting. The first emotion that I experienced with this work was claustrophobia and crowdedness. Part of the feeling spawned from the three-dimensionality of the painting.

One of the many characteristic features of the Victorian culture was its patriarchal ideas about women. This culture looked upon sexual activity as a negative matter amongst women. The theme of sexuality is very significant

THE AUTHORITARIAN REPUBLIC: THE CONSULATE, 1799-1804 1. Identification: Napoleon, being in charge of the Consulate, restored France and ended the revolution. His reforms brought back the traditions of the Old Regime, but they also reconstructed France. 2. Summary: Napoleon established new reforms that applied to everyone equally.

Assignment Four – The Family Group by Charles Umlauf Charles Umlauf created The Family Group sculpture in 1960. The location of the sculpture is outside of the McCombs School of Business at the University of Texas at Austin. Its green color distinguishes the sculpture from the many other sculptures around the university and from the background of the business school. Much of the evidence in the paper will come from the structure and form of the sculpture. The sculpture depicts the wife leaning on the husband showing a traditional family structure.

In a traditional culture at the time, the female image was inferior to men in many different aspects. Women have an inferior intelligence compared to men, inferior role in society, and inferior status. Later on, women were respected more as wives and mothers. Women remained in homes, raising children, and “rescuing men’s souls and leading them to the holy paradise” (). In his writing, Nathaniel Hawthorne creates a new female-image, one that focuses on remaining a pure reputation.

An initial reaction to this artwork is a feeling of mourn with an explosion of emotions. At first, the artwork serves as a symbol of sorrow, despair, and melancholy. The title of the work adds a dry, bland sense to the meaning behind the drawing. Through observing the drawing more strenuously, the work becomes more of a symbol of war and a cry for help. The despair and troublesome times that the working class went through during war is characterized in this artwork.

It may skew her thinking and at times be subjective. The intended audience is someone who is studying literature and interested in how women are portrayed in novels in the 19th century. The organization of the article allows anyone to be capable of reading it.

Men in this particular era had the ability to participate in anything they wished, while women were limited to their actions and rights. If a woman and a man performed the same action that influenced the society in which they lived, the man would be appraised much more than the woman. Also, during the Victorian era, it was "no surprise to see just how limited professional opportunities once were for women" (Jihang 51). Professionals of the highest rank were set in their ways of giving men the upper hand on every opportunity for prosperous and beneficial jobs. Bram Stoker lived in a time where good things were taking place, such as the amelioration of catholic rituals, but also where negative issues were prevalent, such as the seclusion of women.

This piece is important because it is exceptional compared to well-known artists. It has an philosophical interpretation that can relate to viewers’ lives. It is visually unusual compared to other art because it does not have a specific subject, and the crypticness is fascinating because it has viewers thinking deeply about its meaning as they begin to understand the visuals. It is a substantial piece of art because if one is having a difficult time in life, one can glance at The Deep and feel a sense of comfort of not feeling

The mood of this painting is nurturing and humble. The painting is more life like the any other portrait of Mary and Jesus because Jesus does not have a halo on his head and his

III. SOCIAL INFLUENCE AND PREJUDICE The society in the Victorian Era was amidst a great change. Having in mind the fact that they were moving from a pastoral life to industrialization, their lifestyle changed. As with every transition, there is the issue of adapting to changes because people tend to hold onto their principles.