Summary Of Becoming La Mujer

The setting allows the reader to understand how people without honour are seen as outcasts of the society and the existence of a woman’s virginity is seen as a measure of her honour, as well as a precious commodity, which can purchase the family’s social advancement, through a marriage of convenience. Ángela states that Santiago deflowered her, but since “…she looked for it in the shadows…”, even though “She only took the time necessary to say the name.” we question this piece of information and its reliability, due to it being precise but also vague at the same time. Due to their sister stating this, Pablo and Pedro Vicario are ordered to reinstate their “…sister’s lost honour…”, ironically by their mother, to meet the expectations of the community and it is up to them to spiritually retrieve their sister’s virginity by killing Santiago. This means the brothers cannot back down from “…the horrible duty that’s fallen on them…” as “…there’s no way out of this…”.

The title of the book “Virgins” communicates more than the first sexual act. It depicts the inability to make personal decisions without basing off other people’s opinions and beliefs. The story is an analysis of the progression of two females and their interaction with men. Though different, each girl has a different perception of sexual anatomy and hence Evans is able to communicate his message that virginity or sexuality is something that is a sole decision of someone despite whether they have had vaginal sex or not. Throughout the story, Erica is unsure with men.

Lola takes advantage of her deteriorating mother whose illness represents the declining hold of the norms over Lola. Since her mom “will have trouble lifting her arms over her head for the rest of her life,” Lola is no longer afraid of the “hitting” and grabbing “by the throat” (415,419). As a child of a “Old World Dominican Mother” Lola must be surrounded by traditional values and beliefs that she does not want to claim, so “as soon as she became sick” Lola says, “I saw my chance and I’m not going to pretend or apologize; I saw my chance and I eventually took it” (416). When taking the opportunity to distinguish herself from the typical “Dominican daughter” or ‘Dominican slave,” she takes a cultural norm like long hair and decides to impulsively change it (416). Lola enjoyed the “feeling in [her] blood, the rattle” that she got when she told Karen to “cut my hair” (418).

Everyday people are judging and being judged by others with unique criteria that we, as inhabitants of Earth deem necessary checkmarks to be met to afford and be afforded tokens of civility. In Judith Ortiz Cofer’s “The Myth of the Latin Woman” the memoir is brimming with personal accounts of fetishiztation and discrimination the author experiences as a Latin woman that have vast influence on her life. Throughout the text Cofer conveys the significance of how deep the status “exotic” to describe Latina women is held inside the minds of people which the author alludes to on page 879, “I thought you Latin girls were supposed to mature early,” [1] after being given a sudden, non-consensual kiss at a dance by her date. The author expresses the cultural dissonance between

“The common denominator all Latinos have is that we want some respect. That 's what we 're all fighting for” - Cristina Saralegui. Judith Ortiz Cofer published the article, “The Myth of the Latin Woman,” where she expresses her anger towards stereotypes, inequality, and degradation of Latin Americans. Cofer explains the origins of these perceived views and proceeds to empower Latin American women to champion over them. Cofer establishes her credibility as a Latin American woman with personal anecdotes that emphasize her frustration of the unfair depiction of Latinos in society.

This caused her to alienate herself since her mother asked her to keep a part of herself hidden from the world by binding her and making sure no one found out she menstruated ealy (Anzaldúa 1983, 221). This will later isolate her further but ultimately lead her to reflect on the racism that surrounds her. In addition, Anzaldúa’s identity also suffer because she denied her heritage and the traditions that with it. She mentions that she felt ashamed of her mother and her loud tendencies, it is an archetype that most Hispanic mothers are loud by nature, and the fact that her lunches, or “lonches”, consisted

Women have social pressures to conform to particular ways of behaving and looking. The pressures are so huge not all women are aware of such situations. The women are so use to living to conformed ways we label the ones who actually act normal as “weird and abnormal”. Piercy shows how we are unconscious of what’s happening, how a regular girl that is going through puberty judge so badly for being normal. Our social and cultural construct on women’s values society has created has only been about making a profit.

Molding of the Perfect Woman: An Analysis of Jamaica Kincaid’s “Girl” “…on Sundays try to walk like a lady and not like the slut you are so bent on becoming…” (Kincaid, 320). This phrase accurately represents the point that is being made in this passage. In Jamaica Kincaid’s piece, “Girl”, her mother is giving her advice on how to be and act like a proper woman. Her mother describes everything from how to properly do laundry to how to set a table for all occasions (Kincaid, 3-4).

Both the play Real Women Have Curves by Josefina Lopez and the movie adaptation make an attempt to communicate the message of female empowerment through their respective protagonists, Estela and Ana. Men resolve most of Ana’s problems, whereas Estela relies on herself and other women. The play conveys the theme of female empowerment because it is female-centric, successfully addresses the issues of body image, and focuses on women’s independence and self-validation. Lopez’s play serves as an example of what can happen when women uplift and depend on each other, as opposed to men.

Lorena Garcia wrote “She is Old School Like That,” this piece is about sex talks between mothers and daughters in the Latin American community. She examines the way which these talks are given and at what point in the life of the daughters they are given. Garcia points to the different methodology the Latina mothers used when talking to their daughters, and their reactions when they found out their daughters were engaging in sexual activity. Garcia claims that there is a certain pattern in which the Latina mothers behave. These women are the operation with a new definition of sexuality influenced and shaped by the heteronormative and patriarchal society.

After reading Shiela Jeffries Chapter 6 on Women Friendship and Lesbianism, I felt as though I was reading something out of a Shakespeare play. The chapter had all the trademarks of a tragedy gone array, full of confusion. It’s understand that men could or would understand the complex nature of the relationship between women. While I was quite taken back by the chapter where the writer described her “inclination to hang myself oftener than once with the last month”. It is difficult for any outsider to understand the closeness, bond or friendship that exist between gender and race.

Moreover, this restriction on expressing sexuality encourages passive behavior amongst women. In addition, linking a woman’s ethics to her body reinforces the double standard related to sexuality between men and women. Ultimately, being sexual is “stigmatized in women, but encouraged in men” (Heldman, Part 2). This double standard, combined with the expectations of passivity, reinforces the concept of rape culture. Women are expected to refrain from sex in order to embody purity and thus, are defined by what they do not do.

She talks about the dangers of female sexuality because it could ruin her life. She tells how to get the power of domesticity. She also tells her how her daughters sexual reputation should be instead of what it is. Even though female sexuality can be a diverse topic, Kincaid was able to stick to one view of female

The novel ‘Nada’ written by Carmen Laforet is a twisted heart-breaking tale about a year in the life of the 18-year-old female protagonist Andrea. Throughout this year, Andrea spends in Barcelona with her relatives, she developed various relationships, both homosexual and heterosexual. For the purpose of this essay I will discuss Andrea’s highly affective homosexual relationships with her best friend Ena and her aunt Gloria and how she views and describes both woman differently. I will also briefly contrast her homosexual relationships with that of her heterosexual relationships with Pons and her uncle Román. I will begin with discussing Adrea’s relationship with Gloria, as this relationship began before her relationship with Ena did.

There are elements of realism intricately woven within the fabric of the novel. Its depiction of sexuality is a positive portrayal of lesbian love, both sexual and non-sexual love. While Celie compares male sex organs to frogs, Sofia is tired of Harpo’s mechanical lovemaking. On the other hand, Celie’s act of lovemaking with Shug is devoid of any guilt and is liberating. Further, it is a powerful ‘womanist’ text showing productive and strong bonds between women characters and their work culture which together combat the elephantine patriarchal exploitation.