Both the play Real Women Have Curves by Josefina Lopez and the movie adaptation make an attempt to communicate the message of female empowerment through their respective protagonists, Estela and Ana. Men resolve most of Ana’s problems, whereas Estela relies on herself and other women. The play conveys the theme of female empowerment because it is female-centric, successfully addresses the issues of body image, and focuses on women’s independence and self-validation. Lopez’s play serves as an example of what can happen when women uplift and depend on each other, as opposed to men. In comparison to the movie, the play undermines male dominance by focusing on women’s efforts to solve their own problems. First of all, there aren’t even men in the cast of the play, …show more content…
In the play, Estela goes on a date with a man she calls El Tormento where he forces himself on her and tells her that she is beautiful even though she is fat. Estela leaves the date and severs ties with El Tormento because she wants “to be taken seriously, to be considered a person...”(59). Estella doesn’t need El Tormento to validate her self-esteem. When he tries, she leaves him because she realizes he only wants her for body. In the movie, Ana uses Jimmy to validate her self-esteem by losing her virginity to him to contest her mother’s wishes, and then leaves him before he has the chance to leave her. This shows that despite her efforts to show independence, she displays insecurity by assuming Jimmy will leave her in the first place. This is inversely related to the play because Estela finds validation within herself, whereas Ana seeks validation externally from a man. Both seems display an attempt at validation, but only in the play is the protagonist shown rejecting the idea of a woman’s validation of self-esteem being solely based on the opinion or desire of male
Even though the article and the play have different storylines, both of them draw parallels when it comes to masculinity. Geoffrey Canada’s article,
In “No Exit,” Estelle is the final prisoner, who was obsessed with her look. She was desperately needs man’s attention and wants to see herself in the mirror to make sure that she is still as gorgeous as when she got send to the hell. She was strongly believed that she does not belong in hell, because her beauty and wealth. She think she has higher place in society, and she is prettier than everyone else, at this moment she is comparing herself to Inez, the other female prisoner. Estelle is like the evil step mom, who will do anything to get to the place that she wanted.
Much of the preservations in the play are for men who have even denied the women their privacy. Susan Glaspell shows women as weak and only able to do weak responsibilities such as housekeeping and staying at their
Through the short story, she shows the message that If a person doesn’t see their true value they may constantly try to change themselves. It is shown through the literary elements of Imagery, Simile, and Verbal Irony. “Our skin was diagnosed by the department of beauty as ‘shallow’ we definitely needed some strong foundation to tone down that olive”[pg.39] Alaverse’s use of imagery is spread throughout the story, she uses this tone most when she is describing how much distaste she had for herself, or how she needed to change herself to be like the models seen on the television, magazines or her classmates. Throughout the story, she has an internal urge to be something she’s not. “We complained about how short we were, about how our hair frizzed and how our figures didn’t curve like those on T.V” [pg.39]
The movie Real Women Have Curves was about a Mexican- American your woman by the name of Ana. Ana struggle to accept the traditions of her family that were heavily enforced by her mother Carmen. Ana has just graduated high school, quit her job, and dreams about attending college. Her mother had a different plan than Ana. After finding out that Ana has quit her job she forces Ana to come work in her sister Estela’s dress factory.
Connie's mother looked at her daughter with disgust as she talked down to her about her looks. This was because Connie could not live up to what her sister was. Connie’s family just wants her to be like her sister so much so that Connie was always compared to June; “June did this, June did that” (324). When Connie’s family leaves, she “sat with her eyes closed in the sun, dreaming and dazed with the warmth about her as if this were a kind of love, the caresses of love” in this way she feels as her family leaves her she dreams of what it would feel like to be loved (326). Connie feels this way because she has yet to feel love in such this way leaving her vulnerable.
The movie “Real Women Have Curves” tells the story of Ana Garcia, a high school graduate on her way to pursuit the American dream. Ana lives in barrio in Eastern Los Angeles, she is a brilliant student whom teacher really admire. Although she wants to go to college, her family, especially her mother, Carmen, tells her not to. In her mother’s eyes, Ana is a spoiled child who only thinks of herself. As the movie rolls along, the conflict between Ana and Carmen grows larger and Carmen turns into Ana’s biggest obstacle in achieving her American dream.
The characters in the play reveal some of the gender stereotypes through the way they are presented in the beginning of the play, “The sheriff and Hale are men in the middle life… They are followed
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
The play takes place in the 1950s in New Orleans containing a diverse population. However, is race discriminated against, those who go against classifed gender roles are often discriminated and have trouble finding their way in society. Although gender equality has
A Doll’s house is a realistic three act play that focuses on the nineteenth century life in middle class Scandinavian household life, where the wife is expected to be inferior and passive whereas the husband is superior and paternally protective. It was written by Henrik Ibsen. The play criticised the marriage norms that existed in the 19th century. It aroused many controversies as it concludes with Nora, the main protagonists leaving her husband and children in order to discover her identity. It created a lot of controversies and was heavily criticised as it questioned the traditional roles of men and women among Europeans who believed that the covenant of marriage was holy.
In today’s world, gender expectations and roles of men and women are a highly debated topic. However, the reconsidering of these expectations is not a new phenomenon. Set in Verona, Italy, the play Romeo and Juliet by William Shakespeare explores the reversal and fluidity of characteristics usually assigned to a specific gender. In this play, two young people fall in love and end up tragically taking their lives as a result of their forbidden love. Shakespeare suggests that men are not necessarily masculine, women are not necessarily feminine, and that when people are forced by society to act the way their gender is “supposed” to, problems will arise.
Where they become more accustomed to being a woman and they even start to use being a woman to their advantage. Judith Butler argues that this movie is just a movies that is meant for entertaining . She also argues that by acting as woman the men confirm the existing gender roles.
Men were seen as masculine and powerful. Shakespeare heavily illustrates the sixteenth century stereotypical gender roles throughout his play, Twelfth Night. During Shakespearean times, women were prohibited from performing on stage, instead, men played their roles. In Twelfth Night, the imitation of the opposite gender originates from necessity and fear. Viola dressed as a man named Cesario to protect herself when she arrives upon foreign land.
She realizes that by marrying Edgar she has alienated herself and concealed her own nature in order to become his