Ghosts In The Woman Warrior

“Farewell to Manzanar” by Jeanne Wakatsuki recaps the early life of Jeanne as a Japanese American during World War 2. It tell the story of how she ended up in the internment camp Manzanar and how it changed not only her, but all those she held dear. We see her develop from a young child all the way to an adult visiting the now dismantled camp with her children. The book takes a look into many aspects of life and the difficulties one faces throughout it. The book is also very accessible to all people.

In the novel "Ghost Wall," written by Sarah Moss, the author explores the theme of how traditions and expectations can confine and restrict the characters, preventing them from personal growth and freedom. Moss adeptly portrays this notion through the experiences of Silvie, the protagonist, and her family during an immersive archaeological reenactment. Firstly, the weight of tradition imposes rigid roles and responsibilities on the characters. Silvie's father, Bill, is deeply entrenched in his belief of an idealized past, where ancient practices are revered.

It is unclear whether the ghosts she sees are real or simply a product of her

New Spirits: Americans in the Gilded Age, 1865-1905 written by Rebecca Edwards provides readers with many different individual accounts to illustrate the transformative time of America during the Gilded Age. The work shows the cultural, social, political and economical elements of the age that aided in forming the America we have today. Edwards’s purpose in writing New Spirits is to offer readers new insights on the era by eliminating predetermined stereotypes one may have established before reading the work. Edwards wants readers to put aside their prior knowledge to understand just what it was like to live in the Gilded Age by providing readers with the consequences and achievements of people during the time.

Maxine Hong Kingston's use of talk stories in The Woman Warrior emphasizes that individuals will find a more fulfilling life if they defy the traditional gender norms place on them by society. While contemplating beauty standards in Chinese society in “No Name Woman” Maxine Kingston thinks, “Sister used to sit on their beds and cry together… as their mothers or their slaves removed the bandages for a few minutes each night and let the blood gush back into their veins” (9). From a young age girls are expected to be binding their feet and are told that it is to look beautiful, but in reality that is not why. When a womans feet are bound they are restrained and silenced. These girls could be free and happy but they are restrained by men through this binding.

In the book “The Joy Luck Club”, by Amy Tan, Jing-Mei Woo is asked to take her mother’s place in the Joy Luck Club. As she settles in she finds more about her mom then she knew when she was alive. She finds out that her mother had two covert twin daughters that she left back in China. As the story develops Jing-Mei is egged to find a way to go meet her sisters and fulfill her mother’s lifelong dream. “The Yellow Raft in Blue Water” by Michael Dorris is about three generations of Indian women Rayona, Christine, and Ida.

Ms. NS expressed that she was often frustrated with her siblings that her family had been always the one to cook, clean for her and took her to the doctor’s office. Ms. NS reported that her grandfather left her grandmother when Ms. NS was still little. She stated that, because her grandfather had never been involved with her mother’s life, she neither knew who he was nor where he had been for all these years. Ms. NS recalled that she unknowingly ran into her grandfather at her uncle’s wife’s funeral one day, as she randomly greeted visitors. Ms. NS described that her mother came behind her and spoke in a low voice that this old gentleman was her

The Spirit Catches You and You Fall is a novel based on the clash of two cultures---the Hmong culture and the American culture. A little Hmong girl is diagnosed with epilepsy which her parents believe is caused by spirits. Because of this belief, they try to cure her illness not with western medication but their own Hmong ways. There is a huge misunderstanding between the parents and the doctors that Anne Fadiman explores. Anne Fadiman provides readers with a vivid, detailed history of the Hmong in Laos to their involvement in the Vietnam War to their struggles in America that explains this clash.

For example, she believes that her father Ewen is the best doctor in town and questions him as to why he is not the one attending to Beth, and that she feels “something sinister about it.” Ewen then says that “doctors never attend members of their own family.” Her father’s words, as strange as it may seem, actually make sense but it also means something unspoken. Vanessa, realizing what it is finds comfort in her father’s arms. Ewen tells her half- heartedly that her mother will be fine even though he does not really know if it is actually the case.

The poem that I chose is Ghost Dance by Sara Littlecrow-Russell. The title is something that sounded familiar to me, but the reason I chose to read this poem originally was that it told a story rather than describing something, someone, or a feeling, which had been a common theme among the poems that I had been browsing. I also knew that I wanted to recite a poem that used a more low tone rather than an upbeat one, which is something that the majority of this poem had. Subtle and major tone changes and pauses were more easily visualized for me while reading this the first few times more than some of the previous poems I had read. Finally, I had realized that the poem is something that I already had some knowledge on from another class that I had been taking during the year.

The “Black-Eyed Women” The short story “Black-Eyed Women” is within the book The Refugees, written by Viet Thanh Nguyen. The characters throughout the short story share similar qualities as the undead. This being said, the 38-year-old Vietnamese refugee is the narrator of the short story who works as a ghostwriter; who has lived in silence with her mother for a good amount of time. The idea of a ghost’s embodiment is proven through the ultimate struggle one may face during catastrophic periods.

The Woman Warrior is a “memoir of a girlhood among ghosts” in which Maxine Hong Kingston recounts her experiences as a second generation immigrant. She tells the story of her childhood by intertwining Chinese talk-story and personal experience, filling in the gaps in her memory with assumptions. The Woman Warrior dismantles the archetype of the typical mother-daughter relationship by suggesting that diaspora redefines archetypes by combining conflicting societal norms. A mother’s typical role in a mother-daughter relationship is one of guidance and leadership. Parents are responsible for teaching a child right from wrong and good from evil.

In the essay “The No Name Woman” by Maxine Hong Kingston, the story of living in a traditionally male-dominated Chinese society with a very dysfunctional family structure is told. The villages would look upon the men as useful, and women as useless to their society. Kingston, the main character, learns this first hand from how her aunt was treated. Kingston’s aunt, The No Name Woman, is victimized by a male-dominated society by being shunned for an illegitimate child. As a woman, the odds were automatically against you in their society.

The purpose of a ghost story is to leave the reader feeling frightened and unaware of what the truth of reality is. Nguyen's Black-Eyed Women flips all our perceptions of what a ghost is and why they visit the living. The ghost stories told in this story affect the narrator by forcing her to confront the discomfort of her reality. The narrator realizes she has been ignoring discomfort about her brother dying for her, and s the guilt and that she lived. She loses her identify, and sense of security, however her brother's ghost arrives to mend this disconnect.

Henrik Ibsen has written many significant plays about women in the 19th century. One of his most significant works is “Ghosts”. The play “Ghosts” talks about women and the idea of “duty”. The play talks about the idea of the “duty” of women as mothers and wives. The play also talks about how society in the 19th century are the ones that identifies the meaning of “duty” therefore they put women in a mold that they have to follow.