The No Name Woman Analysis

The book The Immortal Life of Henrietta Lacks, written by Rebecca Skloot and examines the life of Henrietta Lacks and her peculiar situation with her mysterious cells. This paper will focus on chapter two in the novel and how it becomes the most important part of the book when it comes to understanding Henrietta’s life story. Chapter two is called “Clover (1920-1942)”, the chapter itself dissects the early life of Henrietta and the challenges she had growing up. In this chapter, it goes over the gender, economic, and racial obstacles that greatly impacted her. It is important to understand the socio-economic conditions that led Henrietta to be treated less than human.

Toni Jordan’s non-linear historical fiction novel Nine Days follows the joyous and tragic moments experienced by four generations of the Westaway family within Melbourne’s inner eastern suburbs. Within the parameters of her novel, Jordan thoroughly examines the ramifications experienced by women living in a patriarchal society. By depicting several generations of Westaway women over the course of 70 years, Nine Days provides an insight into the progression of gender roles and societal attitudes towards women from the 1940s into the 21st century, highlighting the freedom and agency that women in the modern era now have. Through stories of hope and devastation, Jordan presents a candid discussion on traditional family ideology, the challenges

Throughout Janie’s childhood, her grandmother taught her the proper attitudes and actions of an African American woman from a noble, loveless marriage to housewife duties shaping Janie into a refined and confined woman. Her grandmother attempts to instill certain morals and values of women that Janie feels are hindering her from living a life she wants. Her grandmother wants to impart wisdom and love to Janie and her future by making sure Janie is well taken care of when and after she dies. For example, Janie’s grandmother thinks getting married without love and taking care of the house is a perfectly fine and respectable life, but Janie feels ironically imprisoned and enslaved in the house and to the man her grandmother arranged her first

Maxine Hong Kingston's use of talk stories in The Woman Warrior emphasizes that individuals will find a more fulfilling life if they defy the traditional gender norms place on them by society. While contemplating beauty standards in Chinese society in “No Name Woman” Maxine Kingston thinks, “Sister used to sit on their beds and cry together… as their mothers or their slaves removed the bandages for a few minutes each night and let the blood gush back into their veins” (9). From a young age girls are expected to be binding their feet and are told that it is to look beautiful, but in reality that is not why. When a womans feet are bound they are restrained and silenced. These girls could be free and happy but they are restrained by men through this binding.

Essay 1 In “There is No Unmarked Women”, Deborah Tannen explains how women are forcibly “marked” no matter what. During a small work conference, Tannen observes many women’s appearance. She looks at their haircuts, clothing and the makeup they wear. She feels the women are all “Marked”, while men wear nothing to stand out.

Her image of a prim and proper Southern gentlewoman clashes with the down-to-earth, easy-going lifestyle of the lower middle class. Her incongruity as a refined Southern gentlewoman in an industrial, lower-middle class New Orleans neighbourhood marks her status as an outsider and contributes to her final

They show the harsh and cruel reality of the surrounding environment that women live in without framing that reality in beautiful frame. This is obvious in William Dean Howells’s “Editha” and Henry James’s “Daisy Miller”. Both Editha and Daisy share the same characteristic of the New Woman. These two women redefine the feminine ideology of women who suffer from following the social norms of their culture. They believe that women should have freedom as well as men, and they are responsible for making decisions in their lives without under

Deborah Tannen, a professor of linguistics at Georgetown University, is a popular author in the United States of America. Mostly of her focus in her articles and books is on the expression of interpersonal relationships in contentious interaction. Tannen became well known after her book You Just Don’t Understand: Women and Men in Conversation was published. However, this was not her only claim to fame. Along with this book, she also wrote many other essays and articles including the popular article “Marked Women, Unmarked Men.”

Gender roles are present everywhere and are more and more prevalent the further back you go. They define relationships and heavily influence people's actions. Gender roles can hurt those that are trapped in them because they are not allowed the freedom of living like they want. In The Crucible by Arthur Miller, one key relationship in the story is wrecked by gender roles.

Equal treatment of the sexes is a cause many have been fighting for, for decades, and in this case, centuries. Slight rebellious acts of women bending gender norms can be seen as far back as Shakespearean plays, in particular, Twelfth Night and Much Ado About Nothing. Olivia from Twelfth Night, and Beatrice from Much Ado About Nothing showcase characteristics of being opinionated, assertive, and strong-willed; qualities that were rarely seen during that time period. Much Ado About Nothing was written around 1598 and Twelfth Night was written around 1601, which was the Elizabethan era. During the Elizabethan era, women were raised to think that they were inferior to men.

Lorraine Hansberry’s A Raisin in the Sun presents the rise of feminism in America in the 1960s. Beneatha Younger, Lena Younger (Mama) and Ruth Younger are the three primary characters displaying evidences of feminism in the play. Moreover, Hansberry creates male characters who demonstrate oppressive attitudes towards women yet enhance the feministic ideology in the play. A Raisin in the Sun is feminist because, with the feminist notions displayed in the play, women can fulfil their individual dreams that are not in sync with traditional conventions of that time.

Harper Lee’s To Kill a Mockingbird, is set in the 1960’s, a time when men and women had specific and restrictive roles in society. Men were the ones to work and earn money for their families and women were expected to a caring and obedient homemakers. In many ways, those gender stereotypes are still very present today. The contrasting opinions of Atticus Finch and Aunt Alexandra provide the reader with the different views on how men and women should be raised, which in turn, affects the readers thoughts and opinions on the gender expectations and roles that are present in today’s society.

The Cult of True Womanhood in “The Yellow Wallpaper” In her essay “The Cult of True Womanhood: 1820-1860”, Barbara Welter discusses the expected roles and characteristics that women were supposed to exhibit in accordance with the extreme patriarchy of the nineteenth-century America. The unnamed narrator in “The Yellow Wallpaper” is seen to conform and ultimately suffer from this patriarchal construct that Welter labels the Cult of True Womanhood. The narrator falls victim to this life of captivity by exhibiting several of the fundamental characteristics that Welter claims define what a woman was told she ought to be.

The story’s author focuses on the customary false teaching because of a girl named Laura, who is the child of the upper class for, in order to explore, and social values and ethical Victorian women who kept back by the impact on their way

The setting in “The Horse Dealer’s Daughter” continues to convey the theme that women have been oppressed by society. Mabel faces oppression in the small english town where the story takes place. She explains that being a women does not matter as much when a family has money, but when they are poor she has to walk down the streets with her eyes low and avoid eye contact as she buys the cheapest item in every store (Lawrence 458). This shows that when a woman is seen as being represented by someone with power, in this case it is her father, then they are given a little respect. However, when a women is looked at just as herself and not as a rich man’s daughter she is not seen a colleague to men but as an object that is to be pitied.