POST-PRODUCTION
The post-production phase of movie making consists of creating and adding special visual effects and titles, adding music and sound effects, and, finally, processing, editing, and printing the finished product in the motion picture laboratory. Special visual effects using models have become well known through such movies as "2001: A Space Odyssey" and "Star Wars." Contrary to popular opinion and some press reports, special-purpose, hard-wired machines, not computers, were used to control cameras and models in these and other recent movies. Not until 1979 with the release of "Buck Rogers" (Universal), "The Black Hole" (Disney), and "Star Trek" (Paramount) will the public view special effects created with the aid of computer-controlled
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For the time being, however, musical scores for movies are still totally created by composers and arrangers. The use of original music always introduces the possibility of copyright infringement. To minimize the problem at Universal, new scores are translated by an operator into codes which are matched against a stored database of copyright music. Matches exceeding the legally acceptable number of bars are flagged. Sound editing, like film editing, is a particularly tedious, time-consuming and therefore costly task. The sound editor views a reel of film, noting the sounds and footage required.
From a library index, he selects a tentative list of sounds. A technician retrieves the sounds and transfers them to tape. The editor then begins the cutting and modifying process. If the sound he needs is too short he must create a physical loop of the tape so the sound repeats without obvious repetitious characteristics. Synchronizing the sound to the film is literally a cut-and-try process. The assembled edited cuts are mixed down onto a final track and then mixed with music and dialogue. Sound quality is degraded with
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The Automated Computer Controlled Editing Sound System (ACCESS) developed by Mini-Micro Systems, Inc. for Neiman-Tillar Associates eliminates manual handling of tape and allows electronic synchronization. It provides immediate availability of sound effects which have been digitized and stored on magnetic disk packs. Sounds may also be modified via computer-assisted controls. While cutting editing time by 80 percent, use of ACCESS has also improved the quality of sound produced. The microcomputer-based system was used for the sound editing of "I Want To Hold Your Hand," "Sorcerer," "The Island of Dr. Moreau" and other feature films. Final print production involves cutting the original negative, adding special optical effects, and performing color correction. Computers probably first entered the motion picture production cycle in the film processing laboratories which perform these functions. Academy Awards for contributions to movie making that involved the use of computers were first earned by these labs. In 1972 DeLuxe General, Inc. received a Class III (Technical Achievement) Academy Award for a computer system that performs color positive process analysis. Using photographic test results and considering interlayer effects. the system compares sample densities to the laboratory reference densities. In the same yertr non solicited Film Industries received a Class II (Science and Engineering) Academy Award for the
Editing is a part of post-production in creating a video or a film. It is the important part to create a sequence. On the production phase, the scene of the film were taken one by one but it not taken accordingly, it is editor's job to combine this scene together to make this film accordingly as shown in storyboard and script. Each take can contain extra notes from the director or the cinematographer. This is the first time the editor sees the film, and since it is shot out of sequence, it is out of context of the story.
Before the 1930s Before the invention of the "talking picture," all movies were completely silent. The mixture of music into the film scene is speculated to have happened for many reasons. Music was already a commonplace element in the theatres and it was brought over to films not only because of tradition, but to add a depth to the two-dimensional image that appeared upon the screen. An added benefit was that it covered up the cacophony of noise that spewed from the projector.
Rhythmic editing, usually dictated by music, describes an assembling of shots or sequences according to the rhythmic pattern. It can be a narrative, as in the movie Sherlock Jr, or a music video type collage, as in Sam Hunts Take Your Time. In both cases, music takes the center stage and dialogue is suppressed. In Sherlock Jr, there are many forms of editing which highlight the films magnificence.
A special effect without a story is a pretty boring thing”, said George Lucas after completing the Star Wars trilogy. Most of the special effects in the original film were detailed models that were designed by professional artists. Although models are
In Hollywood, it’s rare, very rare for a name to be associated with as many great projects as John Williams is. Aside from producer Jerry Bruckheimer, I can think of no one but Williams to sit on that throne, and rightfully so. The films he composed for are now either cult classics, regarded as genre-starters or artistic masterpieces. It is virtually impossible to list all of Williams’ scores, specially when most, if not all, are considered works of art that deserves full on explanation of their whys and hows. Having said that, some of his work reached and surpassed your good ol’ epicness level to reach a whole new level. Of those works, the most notoriously known is Star Wars.
“Only in dreams can men be truly free,” says Robin William, a famous actor. From time immemorial, human never ceased to pursue freedom, but in fact, many impossibilities exist. However, this still cannot stop their aspiration to freedom, in this case, movie come into the world, for from a very large extent, movie satisfied people’s fantasy. Especially when the technique of special effect at present age grow more and more mature these days, human can create any visual effects they want, and even in the past, when the technique has not yet matured, people use simple theatrical properties and cut the films to create special effect. Hugo, a movie that brings people back to the old days, contains a large number of elements that demonstrated people’s
This essay will discuss the uses, strategies and the meanings that are generated by editing in cinema. The films that this essay will be focusing on are Psycho and Singin’ in the Rain. Both of these films are very different to each other and therefore use editing in varying ways in order to give the audience a different perception of the characters as well as the setting that these characters are involved in. Psycho focuses on building suspense for the audience throughout the film using editing, camera work and sound. This essay will be primarily focusing on editing with the discussion of camerawork where relevant.
It uses cinematography and film techniques such as misé en-scene, shot duration,
Parallel editing was present in the film wherein it was edited in a way that two scenes were alternating to make it appear that they were happening simultaneously (Lorber, 2010). High and low angled shots were also present, and panoramic shots as well. The editing that I liked the most was in the scene when The Machine Man was made to look like Maria. The surge of electricity in this particular scene and the orbits going up and down The Machine Man was what amazed me. It is shocking that in order for this to happen, the people responsible for editing had to film this frame by frame so imagine the hours, days, weeks or even months that were put into this particular scene.
Sound affects how the viewer perceives the reality created in a film. There are many tactics the sound designer can implement for the director to completely change how the visuals of a scene are interpreted or to enhance the interpretation that already exists due to visuals alone. The sound editor and sound designers for films use tools such as dialogue, loudness, pitch, narration, music, and silence to influence the perception of the audience. Even in the silent film era, musical accompaniment played an integral part of the mood created by the movie. Sounds are integral to establishing the audience’s perception of a film’s world.
An Analysis of The Sound Track For The Movie Wall-E This essay will give an analysis of sound design used in the movies and how it is as important as the moving pictures to the movie. When you use the processes of recording, editing and mixing of sounds you greatly enhance the quality of the movie. This essay is an overview of producing high quality sound from elements like music, the recording of common every day sounds and the use of hi-tech equipment. Whether it takes place in the production stage or the post- production stage of sound design.
The film industry utilizes this technology in ways such as special effects, animations and the creation of characters. The beginnings of the increasing use of computers to create images in Hollywood can be traced back to the 1970s, such as special effects in 1973’s Westworld, a film of the sci fi genre, in which a two minute long sequence used the pixelization process, a computer generated effect still used to this date. It has been theorized that this movie, despite its low budget, offset the start of the CGI “revolution. ”(http://www.newyorker.com/tech/elements/how-michael-crichtons-westworld-pioneered-modern-special-effects) A major turning point in cinema CGI was in the 1982 sci fi Disney movie, Tron.
The 3D Animation production pipeline of the typical animated video or movie is usually divided into three key stages: Pre-Production, Production and Post-Production. Whether it is a big blockbuster movie or a 30-second film, the process is always similar. It starts with the Pre-Production process. Pre-Production
(Holfmann) Good film score helps a director to narrate his/her story and enhance the audience’s
- Animated movies use artificial images like talking pigs to tell a story. These movies used to be drawn by hand, one frame at a time, but are now made on