Donnie Darko Lighting

Numerous types of lighting were exposed in Jaws. The natural light makes the pictures more accurate. The capability to adjust the vividness makes the frightening parts even creepier. It lets the viewers to recognize that the shark is routing towards somebody. Pair of methods are negative space, darkness, lighting for serenity.

When Deckard and the other police enter the apartment to find what they believe to be a fish scale, they open the door and step into dramatic lighting created with venetian blinds. During many scenes, light frequently flashes across the faces of the characters as if a car or person is moving between them and the light source. The light gives the film more overall movement,

BLOOD SIMPLE’s mise-en-scene starts off with the lighting of the car ride, it is dark, the characters’ are draped in shadows, the outside world is a blur, and the mood is being set for the follow on scenes. BLOOD SIMPLE’s opening composition also establishes a central theme for the audience that this movie will be gloomy, have immoral implications and be filled with betrayal. The lighting in the movie is constant throughout with heavy shadows, low backlighting, which is until the last scene where the light brightens as the action falls. Key props were found throughout the film, however one of the major props was Abby’s hand gun.

To represent this low key lighting is used in Charlie’s home to show that the reality of his life is there living in poverty. This pattern continues in the cult classic Edward Scissorhands. The town that Edward is welcomed into is in high lighting to signify that it is the life that he never had. He wants to be accepted and loved and this is the place that his wish comes true. Unfortunately we know that his fantasy is unrealistic and there is no way he can live normally.

Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.

These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The

When lighting an exterior scene with a wide shot, not much could be done to balance levels. But when the director goes for a close-up or a medium shot, he uses diffusion or bouncing light to hide the hard quality of light from the sun. Diffusion and bounced light is in the movies since the late 1910’s and early 1920’s. Keeping the exposure of the actor’s face allows the audience to believe what is going on. The limitation of power on the non-studio shots makes lighting fixtures difficult to power.

Donnie Darko, written and directed by Richard Kelly in 2001, boasts an utterly complex plot that challenges the concept of science fiction movies, as well as the underlying themes of a classic adolescent coming of age film. Using familiar themes of alienation and rebellion and first-love, Kelly employs humor, time travel, and a six-foot-tall bunny rabbit who alone sets the creepy tone that is present throughout Donnie Darko. The cast is star-studded with Jake Gyllenhaal playing the lead as Donnie Darko, Maggie Gyllenhaal as Donnie’s sister, Mary McDonnell as Donnie’s mother, as well as Drew Barrymore and the late Patrick Swayze cast as smaller roles. Categorized as a teen coming of age slash science fiction slash horror flick, Donnie Darko is a film both intellectually stimulating as well

The film Lord of the Rings: The Fellowship of the Ring makes use of low key and high key lighting. The low key lighting is seen when Gollum is first introduced in an ominous dark blue lighting that creates suspense and suggests an air of mystery. Further on the unnatural chiaroscuro is created when the Nazgul on his horse stands on a cliff with a lit up background surrounded by a dark forest. This makes the Nazgul seem more mysterious and threatening to the audience.

The use of background light was an important focus in this picture, there was less attention to lighting the actors faces but in almost every frame there is well placed background light often combined with a moving light source. Repetition was also evident within the visual composition of the frame, the actors were rarely positioned within the center of the frame but always to the left or the right with a light source covering them from behind. Ridley Scott perfectly matches colorful high key light with low key lights creating impeccable contrast, this lighting used could be described as a modern Citizen Kane style. Although this is overall a very dark and low light film, the motif of shadows and darkness allows the beauty of light to truly be

In the film, Officer Ryan molests Christine Thayer and later one in the film gambles on his life to save Christine during a tragic burning car accident. The irony in this scene provides a sense of awkwardness (fate changes/turning tables). What had really shocked me was when he had the perfect opportunity to leave Christine in the upside down burning car and die. However, instead he does the exact opposite of what we’d think, he risks his own life and saves her. Another character that took me by surprise was the Iranian man (Shaun Toub) who is an immigrant trying to fit in.

Thesis: Light is symbolic of realism or to put it cruder the ugly reality. Darkness is symbolic of fantasy or the fabrication created by characters. Introduction: Throughout the play and film adaptation of, A Streetcar Named Desire, we view the main characters progression throughout the thought provoking story.

The use of contrast and the play with light and darkness is fascinating. It has a great psychological effect on the audience. The Don Corleone’s office is submerged in darkness and the characters in the scene come in and out of the light, thereby directing the focus onto them. A very large part of the film is shot in low key lighting, to emphasize on the theme of the film which is essentially, the life story of the Mob in

In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the

Lighting is used rather traditionally for the majority of the movie and helps to distinguish the “good” from the “bad”. For instance, the original Maria is shown in soft-key, angelic lighting that casts a halo around her to emphasize her purity and beauty. The fake Maria, on the other hand, is shot in harsh lighting that creates a dark, unsettling vignette around her. This lighting style creates a contrast between protagonists and antagonists and is used frequently in Hollywood cinema.