“Of all the gin joints, in all the towns, in all the world, she walks into mine.” These are the words spoken by Rick Blaine as he drinks himself into a slight stupor to cope with the grand entrance of the beautiful, yet mysterious Ilsa Lund. These two mentioned above are former lovers and the two main characters of the 1942 film Casablanca. Why Rick speaks these words with despair is because of Ilsa Lund, whose archetype is common in most if not all noir movies. This archetype is known as the femme fatale which literally translates to, fatal woman. The particular focus of the femme fatale and its characteristics is Ilsa Lund, female star of Casablanca, who exhibits the major and auxiliary qualities of the femme fatale character as well as her hidden intentions. The importance …show more content…
The femme fatale consists of two primary characteristics. The foremost being the seductive nature and the beauty of the woman playing the part. The second being the mystery behind the woman. The femme fatale in question, Ilsa Lund (Ingrid Bergman), is an excellent portrait of these two main features of the femme fatale among other additional features that are cemented into the concept of the archetype. The number of examples that exhibit these qualities in the film are on the border of infinite. One apparent quality both seen in the movie and which can be recorded on paper is Ilsa’s beauty and seductive nature. While in Paris, Ilsa has completely wrapped Rick around her little finger and had the power to crush him permanently as seen in the film. After she had him madly out of his mind and madly in love, she abandons him at the train station, which left Rick happy and smiling to depressed and frowning. Another predominant attribute is Ilsas mysterious past and second life that she hides from Rick from the time they met in Paris to the later
In Neo-Noir the films main female character relies on her intelligence more, as smart as the
When Casablanca came out in 1942, it was only three years since War World II had begun. Throughout the film you can see a lot of tension between other countries and Germany’s Nazi party. For example, Victor Laszlo a fugitive who spent about a year in a concentration camp, is running from the Nazi’s due to his resistance to Hitler and the Nazi party. There is a lot of tension as Laszlo tries to flee from France to Casablanca and then to America where the Germans have no control. Another example, is how the Germans treated Rick, they didn’t like Rick because Rick secretly helped people who were running from the Germans.
3. Metropolis (Fritz Lang, 1927) Metropolis is an important example of German Expressionism and of early science fiction. A great inquiry on future of humanity, a critique of society, a prominent dystopian film. Fritz Lang’s remarkable work has dazzlingly designed sets, costumes and unpredictable characters.
In contrast to her true character as a Femme Fatale, we see Phyllis as playing stepmother to Lola. Phyllis almost takes the archetype of the evil stepmother allowing Lola to have no fun as a teenager in destroying her life as well by killing her mother and her father. She is the complete opposite of the “nurturing women” stated by Janey Place further solidifying her place as being the Femme Fatale as Place said there are only “two types od women in Film Noir.” Through these actions, Phyllis causing
The anti-hero often does terrible things with hopes of resulting in good outcome. He (or she) tends to be the only individual that the audience approves throughout the movie. The other main stock character of a noir film is the greedy Femme Fatale. The Femme Fatale is often a sexually powerful and sharp woman who is able to manipulate the anti-hero into committing crime in order to gain wealth, power or
In Una Noche, three teenagers, Raúl, Elio, and Lila, prepare for and eventually make the 90 mile journey from Havana, Cuba to Miami, Florida. The two young men desire to leave Cuba to search for a better life while Lila, Elio 's sister and narrator of the film, joins at the last minute to prevent being separated from her twin. Lila is the pragmatic voice of reason among the three and is not completely sold on the perfect life that Raúl proclaims they will find in Miami. Elio is not quite as enthusiastic about the American dream as his friend and is primarily travelling with Raúl to Miami due to his suppressed romantic feelings for the other young man. Una Noche was directed by Lucy Mulloy, a first time director who decided to make the film
The characteristic of Fleur fit the femme fatale archetype since she is beautiful confident, has great body and mind, and don’t care about what people think about her. All of these factors enough to get attention from all men in Argus. She knew how to kill people who hurt her in mysterious way. The three men who raped her were killed by Tornado (30), however she has never killed people by her
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
Death states that he sees the ugliness and beauty in people which can refer to many different characters throughout the movie The Book Thief. Many characters change with the events that are going on in Germany, especially their levels of ugliness and beauty. There are many different characters in which we see the ugliness and beauty which goes to high extents. The first example of a character who has both ugliness and beauty in him is Hans Hubermann.
Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. Casablanca’s cinematography directs the audience’s attention, shapes the audiences feelings, and reveals the theme of the movie. Cinematography directs the audience’s attention and acts as the viewer’s eyes. The cinematography highlights Casablanca as a dangerous place filled with deception.
Brigid O'Shaughnessy is the classic femme fatale. What's a femme fatale, you ask? Good question. A French term meaning "deadly woman," a femme fatale is a seductive, mysterious woman who uses her femininity to lure men to do her bidding, leading them into compromising, often deadly situations. Which makes her such a great example of pathos like in the ending scene when she is trying to convince Sam Spade not to turn her over.
Michael Curtiz’s Casablanca (1942) is a film based in WWII around different nations involvement in the war. Casablanca is a stylistic piece of propaganda based in Casablanca, Morocco, a hotspot for Europeans escaping the war and Nazi government. Within the movie each character represents a nations stand in the war. Because of this each character is compromised in certain ways and has clear flaws. Ilsa Lund, the main female character in the film is renowned for being extremely manipulative and overly emotional because of the way women were seen in this era.
In the film 12 Years a Slave the editor, Joe Walker, makes use of a couple of techniques and styles that adds to the film in its own way. Long shots – Joe kept the long shots as long as he thought was necessary to add to the subject matter and the feeling he wanted to bind with the story. At the end of the film there’s this extremely long shot where Solomon is practically staring at the camera for about a minute and a half. The timing of that shot is so perfect because it’s not too short so you don’t have enough time to think about what just happened or too much time to overthink the situation. Closer to the end of the shot he lets the sound fade slowly and rapidly gives you a wakeup call when the next shot starts off where Solomon and the rest of the slaves are busy working in the field.
As the name Cleopatra is widely known among us, how many of us truly knows the tale of her life besides the queen title and her great beauty? Joseph L. Mankiewics’s feast “Cleopatra” in 1963 may give you some ideas about the glamorous yet tragic life of the last ruler of the Ptolemaic Kingdom of Egypt. The film has succeeded in demonstrating many historical aspects, especially the mighty ambitious Cleopatra, yet still has some inaccuracies which all will now be discussed. The film accurately portrayed most of the historical details, from the triumph to the tragedy of Cleopatra.
Transitioning from a killing machine to a civilian can be a difficult task for anyone, and transitioning from a man to a woman can be just as hard, and both can be traumatizing to the mind. Kristen Beck, a Navy SEAL veteran, has gone through both transitions and shares her story in the film Lady Valor. Kristen has gone through the horrifying events of war and has faced the hardships of being transgender, both of which have been tough on Kristen both physically and mentally. From a male war hero to a female veteran, Kristen has gone through several experiences that are all psychologically interesting.