Casablanca Cinematography Analysis

Casablanca (1942), movie directed by Michael Curtis, is about love, past-relationships, and sacrifice in World War II. During World War II, many people wanted to leave Casablanca to America, to escape the Germans. However, obtaining the visas was never easy. People had to ask for help from criminals and their methods to get what they wanted. Rick owned a nightclub in Casablanca called Rick’s Café Americain.

Dalton Cowan Doctor McGowan UI 100 24 October 2015 A Classic in Every Sense of the Word: The Greatness and Shortcomings of Casablanca Greatest movie of all time is a prestigious title that any director or cast would be thrilled about having attached to a film it is, in part, responsible for creating. The problem with this title, though, is that there is not a consensus on what the best movie actually is. Because of this, all kinds of people offer up many different films that they believe deserves this distinguished label.

The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

Similarly, the cinematography of Casablanca also strives to shape the viewer’s attention to the time and space of the story. The film employs a handheld movement of the camera in certain instances, to display the mise-en-scene in a genuine manner that emphasizes the setting and time of the movie. For example, evaluate the scene in the film when the camera sought to illustrate the workings of Rick’s establishment. The handheld movement of the camera explores the club in a manner that brings the viewer’s attention to the viewpoint camera. The point of view of the camera, at this point of the movie, demonstrating a human experience of observation, and fixates on investigating war uniforms of characters and their actions.

The movie Casablanca has similarities to World War II. The movie begins by the viewer meeting Rick Blaine. He is the owner of a club that helps people from other countries receive their letters of transit. This club was a safe haven for many of the refugees. This club would allow for the refuges to obtain their letters of transit as well as earning some quick cash for traveling from gambling in the secret room.

Although most noir films include a few unusual angled shots, Casablanca maintains a style of composition that is most closely recognized as

Structure in narrative film can be thought of as the arrangement of scenes and sequences, however deconstructing sequences and re-ordering them can create a whole new theme and mood in a films sequence. Phillips, (2005). Casablanca’s narrative plot has a beginning, middle and an end. It has a certain symmetry about it and follows a set of norms and conventions. For a viewer, Casablanca is easy to understand and it simply tells a story that is not ambiguous.

Michael Curtiz’s Casablanca (1942) is a film based in WWII around different nations involvement in the war. Casablanca is a stylistic piece of propaganda based in Casablanca, Morocco, a hotspot for Europeans escaping the war and Nazi government. Within the movie each character represents a nations stand in the war. Because of this each character is compromised in certain ways and has clear flaws. Ilsa Lund, the main female character in the film is renowned for being extremely manipulative and overly emotional because of the way women were seen in this era.

The ideology that is presented in the film is people create strong bonds in during difficult times. Spielberg has displayed this ideology using various aesthetic features such as symbolism, camera angles and lighting. Symbolism displayed the ideology through the use of the symbol 'brotherhood' which displayed how close the soldiers were. Camera angles showed the relationship between the characters and lighting highlighted how the relationships formed and when. Therefore in brief Spielberg successfully positioned the audience to believe in the dominant ideology by using aesthetic features to show the relationships between

Camera Movement in Casablanca (ESSAY #3) (A-) It’s important to watch Casablanca while thinking about the context in which it was released. After the United States entered World War II, it was a little over a year before audiences saw Casablanca. It doesn’t take much investigation to see how the war plays a part in the storytelling, but certain film techniques helped emphasize messages the film wanted to tell its audience. Through the use of camera movement, the finale of Casablanca puts the spotlight on Strasser and Rick’s newfound relationship, which can convey a message about the United States and its allies.

Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.

Inversely daytime lighting is used to convey a realistic environment, like the scene in the film where the police, Chuck and Marshall arrive at the institute. b. A variety of shots are used in remarkable ways in the movie, as illustrated in the film, the wide shots are used to introduce the location of the film, Shutter Island. Another example are the close up shots on Daniels, specifically when he is at the sink looking in the mirror, this is used to show his dual

The first shows lighter, brighter shades like grass and leaves. During the war green color is presented by more “gloomy” hues like military uniform or a rocket in the night sky that Doss saw in his nightmare. The film often shows characters’ faces in close up; these frames constitute a majority of the movie. Camera focuses on characters’ faces and moves slightly following their heads’ motions. This approach makes viewers focus on people’s expressed emotions and interactions rather than their environment.

Cinematography is a combination of techniques used to describe the emotions and mood in films. Cinematography includes camera shots, angles and lighting. A Beautiful Mind and The King’s Speech are biotic films this depicts the life of an important historical person. A Beautiful Mind emphasizes the inner struggles of a man who has schizophrenia.