Relationships, And Sacrifice In The Film, Casablanca By Michael Curtis

The novel A Separate Peace written by John Knowles exhibits a unique friendship between two teenagers, Phineas and Gene Forrester which takes a turn for the worst to turn into a silent one sided war of jealousy that ends in regret. The film created by Peter Yates is a good attempt at exhibiting the same storyline as the novel, but falls short of the clarity displaying major differences which makes the understanding of the storyline difficult and less enjoyable. Two major points affecting the storyline by setting and plot event include the chapter in which Phineas passes away, along with the part where he is taken to the infirmary which results in major differences in the film. The film and novel both display the same content, but they also share some differences in the setting which make the feelings of one hard to analyze.

1. The film Casablanca was released during World War II in 1942. Some have argued that some of the themes and plot points of the film can be read as propaganda. Do you agree or disagree? Does Casablanca have a political message?

In 1942, Casablanca hit the screens, stole the hearts of many and is now a Hollywood romantic classic. Not only is the film is a beloved classic film full of recitable quotes, charming music and phenomenal actors the film has some true historical content. The characters and setting of Casablanca are historical based. The cast of Casablanca is golden.

In the movie “Friday” it displays a typical day in the ghetto and what obstacles two young black men had to go through just to get through one day. Ice Cube a famous American rapper from LA’s popular 90’s hip hop group NWA wrote this historic black comedic/drama film and along plays the main character Craig Jones. Craig plays the neighborhood hero after a chaotic day where he deals with bullies, his love life, annoying neighbors, and scary drug dealers. The film is based in south central LA in the mid 90’s where Craig and his best friend Smokey who is played by comedian/actor Chris Tucker find themselves in trouble after thinking it would be a typical Friday in the ghetto. Craig a young black man in his early twenties lives at home with his parents is determined to leave the ghetto but there 's just some things holding him back.

The intriguing world of Casablanca, displays a wondrous mise-en-scene in fashion that accentuates emotions and feeling through aspects of cinematography. From the movement of the camera, to the intricacy of the shot distances chosen to be included within the frame, the film reveals important elements of the diegesis without uttering a sound. The cinematography of Casablanca gives the audience an insight into the intimacy of Rick and Ilsa's relationship, and seeks to situate the viewer’s attention to the space and time of the film. Throughout the film, Rick’s romantic relationship, or rather previous relationship, with Ilsa appears to be a focal point of the film.

Those that believe Casablanca is not film noir usually perceive Film Noir as a genre. Noir is not a genre; Noir transcends genres and behaves more accurately as a style of cinema. As styles go, there can be variations of them as we see now with Post-Noir and Neo Noir, noir elements in a different time period of film technology which makes these films slightly different than the style of classic film noir. Themes of cynicism, impending doom, loss, jeopardy of life accompanied by visuals dominated by shadows, strong lines, and overall darkness to the image make up film noir’s style. Noir is not absolute, the beauty of this style is its vulnerability to variation, which is why Michael Curtiz’s Classic Casablanca is film noir.

Narrative is generally accepted as possessing two components: the story presented and the process of its telling. A story can be presented in two basic ways, as a linear narrative and as a non-linear narrative. Linear narratives follow a straight line and non-linear narratives usually start at in the middle or in the height of conflict. Casablanca and Memento are two films which contrast in narrative approaches.

Michael Curtiz’s Casablanca (1942) is a film based in WWII around different nations involvement in the war. Casablanca is a stylistic piece of propaganda based in Casablanca, Morocco, a hotspot for Europeans escaping the war and Nazi government. Within the movie each character represents a nations stand in the war. Because of this each character is compromised in certain ways and has clear flaws. Ilsa Lund, the main female character in the film is renowned for being extremely manipulative and overly emotional because of the way women were seen in this era.

Ilsa Hermann is a diminutive soul, with a sadding past. Married to the Mayor of town, Ilsa lives in a large mansion down the richer street of Munich. The particular street, in which Liesel and Rosa do the washing for. Throughout the book, Ilsa is described as a submissive woman with fluffy hair. Yet, the reality of Ilsa Hermann’s predicament is much sadder.

Camera Movement in Casablanca (ESSAY #3) (A-) It’s important to watch Casablanca while thinking about the context in which it was released. After the United States entered World War II, it was a little over a year before audiences saw Casablanca. It doesn’t take much investigation to see how the war plays a part in the storytelling, but certain film techniques helped emphasize messages the film wanted to tell its audience. Through the use of camera movement, the finale of Casablanca puts the spotlight on Strasser and Rick’s newfound relationship, which can convey a message about the United States and its allies.

Watching the movie Casablanca in class you realize the difference between the film of the movie, how most films are directed and produced today. The movie is one of the top classic black and white films in American history. The elements of design in Casablanca, the setting is realistic during the time of 1942 and World War II. The setting shows the emotion of the people in the film during this time, with the stress of getting off the island and to America where it was safe. The people there were doing anything they could to get away since Hitler was taking over, and they knew bad was coming from it.

Communication is a critical foundation of every relationship; without it the relationship is deemed unsuccessful. Unsuccessful communication can result in constant tension, power inequalities and disagreements. Relational Dialectics is a communication theory, formed by Leslie Baxter and Barbara Montgomery, in which personal relationships are judged upon the management of tension produced by contradictory forces. (Thrift, 2017). Each of the contradictory forces contain two components, an internal source, between the individuals in the relationship and and external source, which is interference from the outside world.

Antoine. After that, there enters another man in Rennie’s life called Paul, and she gets involved in a love affair with him. Similarly, Rennie realizes that Paul is an immature fellow and is not very serious about their affair. Then she becomes involved in the political turmoil on the island. Rennie together with Lora ends up arrested and confined to a subterranean cell in an old fort.

This essay will examine the historical accuracy of the film Les Miserables in terms of the social, economic and political conditions in French society post French Revolution. The film Les Miserables depicts an extremely interesting time in French history (from about 1815-1832.) Even though the story line does not depict every detail and event that occurred during the time period as well as the fact that some aspects are dramatized for entertainment purposes, the film effectively spans thirty years of economic, political and social aspects of French Society. However it also manages to bring in references to the past, the French Revolution (1789-1799) and the impact it had on the society portrayed in the film.

Paradise Lost is the creative epic poem and the passionate expression of Milton’s religious and political vision, the culmination of his young literary ambition as a 17th century English poet. Milton inherited from his English predecessors a sense of moral function of poetry and an obligation to move human beings to virtue and reason. Values expressed by Sir Philip Sidney, Spencer and Jonson. Milton believes that a true poet ought to produce a best and powerful poem in order to convince his readers to adopt a scheme of life and to instruct them in a highly pleasant and delightful style. If Milton embraced the moral function of literature introduced by Sidney, Spencer and Johnson, he gave it a more religious emphasise.