Who Is Rochester Cruel In Jane Eyre

In fact, every event in the novel that includes Bertha Mason appears to be over-exaggerated. In chapter 20, when Bertha attacked Richard Mason, readers were both surprised and a tad bit scared. Mr. Rochester’s explanation for the woman, however, did not give insight as to why she would attack anyone. The idea that she was insane was believable, but the idea that she was as monstrous as the novel seemed to describe her was not realistic. When Jane saw her in the bedroom the night before the wedding, she stated, “It was a discolored face – it was a savage face.

Antoinette or Bertha had so much hate for Rochester she has a reoccurring dream where she set’s fire to Rochester’s house, when this happened Rochester helped his servants out and was going to go back in to save Bertha but she jumped out of the window. When Antoinette wakes up from her dream she has the feeling she needs to act on her dream. This shows how strong Antoinette’s hate and madness is, that Rochester created

Characters who act cruelly are portrayed as evil, yet they are the ones who ultimately win in the novel. The novel’s victims of cruelty all succumb to the demotivation and fear that cruelty brings, and sadly, but truthfully, fall

The serial killer I researched was Bertha Gifford. She is most famous for her way of killing people. She didn’t use a common way, she would use rat poisoning (arsenic). She killed more then seventeen people, mostly children. Gifford was born in October 1872 in Grubville, Missouri.

Rochester's first interaction was when Mr. Rochester fell off his horse and Jane helped him in the woods. This might foretell that Jane is going to help Mr. Rochester again when he has troubles and need help getting through them. Then we they meet at the house, he kind of ignored Jane and he was “left alone” and “did not take his eyes off from the group of the dog and child (Bronte 175), however after he asked Jane to sit down, he immediately started acting rude and impolite. Jane felt that this was completely normal, and if he did otherwise, she would be shocked. Then Mr. Rochester deems interested in Jane because of the way she answers all his questions.

Both characters, venturing out of their gender roles, find ways to compliment and figure out who the other person really is, and, in the end, a burgeoning love fully blooms. When examining the gender roles of Mr. Rochester and Jane, both are a blend of each and life seems better when conventional gender roles are forgotten. In Rochester and Jane’s first meeting, the two begin to show their blended gender roles immediately. Rochester is first described as having a “dark face” with “stern features”, with a complexion that seems, “ireful and thwarted” (146).

Miss Strangeworth was an example of this, but in a way that made her peers perceive her as evil. Some may see her as just one who wants her ideal life but others may see her as a cruel, old women, being a bossy queen of her town and her

One of the biggest character foils in Jane Eyre is between Mr. Edward Rochester and St. John Rivers. From the first time we meet these characters, it is easy to tell the two apart. While one is ruled by a religious forces the other is controlled by emotions. Jane has to make a choice, and decide how she is going to live the rest of her life. At the end of the novel, she makes a choice between what is expected of her, and what she wants.

The tactics he employs to get his way also provide insight into a major theme of the novel. The major motive for all of Mr. Rochester’s deception was to win Jane’s heart so he could marry her. He is shown to be very intuitive

Rochester was a major influence on Jane as this was a critical time she was maturing, yet she did not let him get in the way of her work. The work that was expected of her what always her top priority, Rochester was her second. “I believe he is of mine;—I am sure he is,—I feel akin to him,—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him” (Bronte 266). The relationship between Rochester and Jane was undeniable.

Before Rochester, and his influence, Jane had been accustomed to men in power such as John Reed and Mr. Brocklehurst. Their influences on Jane were more negative as they tore Jane down instead of putting her up. These figures allowed the arrival of a seemingly encouraging, kind, and adoring man such as Rochester to be a shock to Jane when she was first employed at Thornfeild. This stems Janes biggest growth from Rochester, the bettering of her self-esteem. Due to Rochester’s exaggerative language he constantly teaches her the value of her self-worth and her beauty.

Hamlet features several acts of cruelty that lead to many of the events that occur. The meaning of cruelty throughout the play suggests that cruelty does not do good towards anybody and only has negative effects. The characters help portray this by their actions and immediate reactions. Cruelty leads to the downfall of each character. Cruelty is first shown by Hamlet, who has just returned from England.

This particular passage disgusted me to the point that I distaste Hannah’s character. I mean, to have the dignity to abstain a lending hand to someone in need is automatically inhumane. Jane Eyre, who at this point left the comforts of Thornfield, experience the feeling of being homeless and starving. Although it’s understandable that some people aren’t trustworthy, one should still see the good in people without concluding automatically to the worse. If this were to be the case, how would anyone prosper?

Rebecca West once said, “I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat”; feminism and other social issues are fundamental to literature, with them commonly being a driving force behind both modern and classic works of fiction. Feminism is everywhere, with women still fighting for gender equality in modern day Britain as demonstrated through Emma Watson’s United Nations speech which was broadcasted in September of 2014 where she differentiates feminism from ‘man-hating’. Feminism has developed considerably over time as general attitudes have been swayed through literature, political movements and women’s portrayal of themselves. In 1847, Charlotte Bronte released her novel ‘Jane Eyre’ which was viewed as very radical for its time as Bronte uses Jane to exhibit her resentment towards society. Jane is presented as a morally strong, determined character who, when she falls in love, embraces the notion instead of the label and profits which are associated with it; she states that she “cares for [her]self” and that “more unsustained [she is], the more [she] will respect [her]self” as she is not tempted away from her self-respect.

- Edward is an economically independent man with a favorable status and influential connections still looking for a profitable match. Jane will be the one in charge to unmask him to the audience: “I saw he was going to marry her [Blanche Ingram] for family, perhaps political reasons, because her rank and connections suited him” (Brontë 205) This manner of conduct converts Mr. Rochester from a hero into a villain, a perpetrator and “his project of