Analysis Of White Zombie: American Horror Film Directed By Victor Halperin

Component 4: ‘Comparing Zombies with Zombies’ Zombies Representation in Fido In Fido, the zombie is represented as a satisfying old school due to the way they carry themselves. They depict themselves to be shambling and have an uncertain walk. Their limbs are slowed by the attack of thoroughness mortise. They are attacked by hunger that can only be fully satisfied by consuming human flesh.

In her essay “Zombies as a Metaphor for Society” Sabrina Student attempts to discuss the history and evolution of zombie-based entertainment and the social implications of this pop culture icon. According to Student, zombies are an effective storytelling vehicle to discuss societal issues at key points in American history. Careful reading of Student’s paper reveals many faults in her documentation of information sources, and a troubling lack of competency in Modern Language Association (MLA) style. Student’s page formatting, in-text citations, and the Works Cited page all contain errors ranging from minor punctuation mistakes to serious breaches of information integrity.

Tim Burton, a well-known film director has created a diverse amount of movies with a dark twist to further enhance its storyline. Tim Burton’s films use many stylistic devices to portray its unique stories, but his exceptional use of shots and framing, music and lighting are what avail him to achieve the effects of mood and tone, causing viewers to stay glued to the screen. To start, color is the most beneficial and powerful element that a director can manipulate to develop a story or a motion-picture. Whether it is the costumes, props, sets or even if the entire setting or shot is tinted in the editing process, the lighting plays or attributes to how viewers see and interpret those colors. A few examples include the following films, Charlie and the Chocolate Factory and Edward Scissorhands.

In “Our Zombies, Ourselves” author James Parker speaks to moviegoers and monster fans about that slow-moving creature of horror known as the zombie. In the essay, he attempts to uncover the reason for the zombie’s sudden and extreme popularity. To do such a thing he unearths the history of the zombies in film, literature, video games, and other media, and he sheds some light on their real origins – which all lead him to the conclusion that zombies are popular because of their “ex-personhood” (345). Throughout the essay Parker uses analytic language peppered with metaphors, description, and colorful references to some of the latest and greatest depictions of zombies, which help to bring the essay and the monsters to life and keep the audience’s interest.

In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power

The most dominant and visual aspects any narrator or director can use to help create character and story. It could be the backgrounds, special effects, sets, or the entirety of the screen with lighting and the camera angles. The lighting is the main reason of how we see

Storytelling has been a part of people's’ lives since the beginning of time. It started with just verbal communication, then it was translated into written word, and now there hundreds of ways to tell those same stories. Movies and books, for example, are two very different ways to tell stories to an audience. A story can be a book, but not a movie or vice versa. Many books are made into movies, but lose major elements in translation.

This essay will discuss the uses, strategies and the meanings that are generated by editing in cinema. The films that this essay will be focusing on are Psycho and Singin’ in the Rain. Both of these films are very different to each other and therefore use editing in varying ways in order to give the audience a different perception of the characters as well as the setting that these characters are involved in. Psycho focuses on building suspense for the audience throughout the film using editing, camera work and sound. This essay will be primarily focusing on editing with the discussion of camerawork where relevant.

The setting of the film is taken place at a motel named Bates. The rooms have changed like for example the walls at that time wallpaper were used for the walls and today you hardly see that unless you are an antique person. I believe this movie was selected top film because, it is to good of a movie for that time era, I enjoyed it myself! Its entertaining I love drama movies so that’s my personal opinion, I don’t mind the black and white. I usually find black and white films boring but not this

For instance, in the film “Beetlejuice,” Burton uses high-key lighting in the interior of the Maitlan’s house to give it a comfortable, cozy feel that reflects the personality of the family; however, after that family dies in a traffic accident and the Deetz's move in and “renovate” the home, the lighting becomes much darker. This contrast makes the house seem cold and unsettling, matching the personality of the new family. This technique is exemplified by the scene in which the Deetzes host a dinner party for out-of-town guests. The action alternates between the brightly lit attic where the ghosts of the Maitlans reside in safety to the gloomy dining room of the main house where the nasty, selfish Deetzes live out their cold, heartless lives.

The narrator in the story is a character part of the story hence, an Intra-diegetic narrator and also a Homo-diegetic narrator. The film is designed in a black and white, as the cinematography of Roger Deakins is straightforward and traditional. Most shots are made with the camera at eye level, with normal lensing and a long depth of field. The lighting is textbook, with quarter-light setups. The character is calm and does not show any sign of fear.

Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.

Zombies have been portrayed in cinema and on television for almost a century, in which time the zombie has developed and altered to reflect the world around us, particularly our fears, worries and guilt. Zombies’ beginnings as meagre representations of Haitian voodoo have now been replaced with modern fears such as a rampant airborne virus or a toxic water supply resulting in contamination and death. These simple changes noticeably demonstrate the shifting outlook of society and prove that the Zombie is not solely a horror film favourite but a vessel for contemporary culture. Throughout its existence, the Zombie has become a manifestation of the fears and downfalls of society. Thus, the portrayal of the undead in the media serves as a window

The cinematic language that we hear in modern day movies would not be as it is today if we hadn 't had synchronous sound recordings from the beginning of film. Cinematic Language is the systematic method by which movies communicate with the viewer. Some examples of cinematic language are, Mise-en-scène, camera angles, the use of long takes, & depth of field. Barthes theory of Expressionism, the use of lighting techniques, montage and elaborate props push to make The Wizard of Oz appear to be a spectacle of realism.

Films can be seen as a work of art. This can include things like techniques a creator uses, narrative structure, originality, and etc. These aspects continue to shape the films we make today. One of the major things about aesthetics is Mise-en-scene (put in scene).