Where Are You Going Where Have You Been Arnold Friend Symbolism

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The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates contains many symbols that reveal a hidden message. The car symbolizes freedom that mostly men got to enjoy as women sat in the passenger sit. The story does mention one driver who is a woman but she is noted as a “crazy woman driver” as she left a dent in Arnold Friend’s car. The man being the driver had the power which is what Arnold wants when he asks Connie to get in the car so that he can take her “for a ride.” The car and Arnold are both disguised and in some moments their disguise becomes apparent.

Author, Joyce Carol Oates, of Where are you Going, Where have you Been alludes to four particular historical references within the story. Each reference provides significance to the story’s context. When the story is read with an approach, the reader will then have a better understanding. It is argued that the myth Death of a Maiden, the crime narrative Charles Schmid, the 1960’s values of Bob Dylan, and Sigmund Freud’s philosophy of the dream sequence and the most important approach to the story. The story, which is described as a mystery and crime narrative, reflects the killing of Charles Schmid.

She sees the boys who give her attention as subjugations who “dissolve into a single face that was not even a face but an idea” (Oates 675). But soon enough her dreams and music materialize into the shape of Arnold Friend. Arnold Friend is described as a muscular, older, and mysterious character. He seems to be a work of her imagination as he is ultimately an idea she created that would fit into her perfect fantasy world. Connie is defenseless to Arnold Friend’s manipulations mainly because she has no visible identity of her own.

In the short story, “where Are You Going, Where Have You Been?” Arnold Friend tries to get Connie to do bad things to please him, which is revealed through arnold friend him Arnold Friend makes a promise to Connie at the drive-in-dinner In the short story it said “I'm going to get you baby”Oates. This foreshadows what is going to happen later on in the story it foreshadows that arnold will come for Connie and try to get her anyway possible .The

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Friend himself. There’s so much symbolism going around this one character and his beloved car alone, that one could write a separate paper on the topic. Speaking of yet more symbolism, we get finally get a formal introduction to Arnold Friend, who’s name alone symbolizes trouble. Since Arnold Friend is symbolizing Satan a known shapeshifter, one could do a little reading into the several interpretations of his name. One, An old friend, this being Eddie, the guy she had burgers with at the mall.

Also it represents as being an out there person. As if he is trying to attract a younger crowd. Arnold has his full name, “Arnold Friend” written in tarlike black letters on the side of his car with a drawing of a round, grinning face that reminded Connie of a pumpkin, except it wore sunglasses (197). This reflects how Arnold tries to fit in with the young kids even though he is much older. Connie asks Arnold how old he is and she realizes that he is not a kid he might be thirty or older.

He tries to seduce and persuade her to go with him for a ride similar to how the Devil lured Eve with a shiny and mysterious apple. Oates displays evidence of biblical allusions regarding Arnold Friend’s appearance and persona in the story by depicting his physical characteristics, his supernatural knowledge, and his demeanor as an image of evil. Connie wants to be desired for her sexuality and Arnold possesses this by his tone throughout the story. His appearance comes

In the story Connie loves music and it is the one thing she can “depend upon” (p. 36). Joyce Carol Oates starts the story by dedicating it to Bob Dylan and throughout the story there are many similarities shared between him and Arnold; they even shares physical similarities. In an article by Mike Tierce and Michael Crafton, they point out that both Arnold Friend and Bob Dylan have “shaggy, shabby black hair that looked crazy as a wig” (p. 40), “long hawk like nose” (p. 42), and he is “only an inch or two taller than Connie” (p. 42). They even compare Arnold Friend’s “fast, bright monotone voice” (p. 40) to Bob Dylan’s. It is quite possible for Arnold Friend to actually just be a representation of Bob Dylan and have nothing to do with being the devil.

Greek Mythology can be considered an influential source for many poets and authors of today 's age. Many have stories that teach valuable life lessons or just to tell you not to do something. To give an example, the story of Penelope and the suitors show you must always keep hope and withstand all distractions to keep you from what you love. In the story of Penelope and the suitors, Penelope is patiently waiting on Odysseus to return from the Trojan War, even though people are lining up outside her house asking for her hand in marriage, so they could become king of Ithaca. Both Dorothy Parker and John william Waterhouse take this story and shows how it relates to the world today.

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Instead of realizing the danger that she was in, Connie was focused on what Arnold Friend was wearing and how attractive he was. Connie’s obsession with finding her own sexuality overpowered her gut feeling of danger. In an analysis of “Where Are You Going, Where Have You Been”, Barbara Wiedemann discusses how the antagonist Arnold Friend is based upon serial killer Charles Schmid, who murdered several young girls during the 1960s. In the analysis, Wiedemann

Oates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well. The Protagonist Connie is presented in a very self-centered way. She is obsessed with her looks and often fantasizes about all the boys she meets.