What Is Alain Locke Explain The Possible Solution To Esther's Identity

Throughout the history of the United States, there have been several unique periods that have encouraged free-expression and experimentation. The Harlem Renaissance was one of the most influential periods in American history that contributed immensely to the rise of the “New Negro”, the renowned phrase coined by Howard University philosophy professor Alain Locke in his 1925 book “The New Negro”. In his book, Locke captured a significant central theme of the Harlem period: “We are witnessing the resurgence of a people. Negro life is not only establishing new contacts and founding new centers, it is finding a new soul. There is a fresh spiritual and cultural focusing.

From this, the lives of African Americans proved to be much stronger than what was credited for. Great criticism had yet to come from and the thrive of such influential people was beginning to be acknowledged. Barriers have now been broken and the race for equality has begun. With the foundation of a newly

The Harlem Renaissance was a period of great cultural growth in the black community. It is accepted that it started in 1918 and lasted throughout the 1930s. Though named the ‘Harlem’ Renaissance, it was a country-wide phenomenon of pride and development among black Americans, the likes of which had never existed in such grand scale. Among the varying political actions and movements for equality, a surge of new art appeared: musical, visual, and even theatre. With said surge, many of the most well-known black authors, poets, musicians and actors rose to prevalence including Langston Hughes, Countee Cullen, Louis Armstrong, and Eulalie Spence.

African American loyalties “trying to make their own future, but not for the Congress or the king” (Berkin.120) were hoping to gain

As stated in the DBQ “That the African Negro is destined to occupy this condition of servitude is not less clear. It is marked on the face, stamped on the skin, and shown by the inferiority of this race.

African Americans face a struggle with racism which has been present in our country before the Civil War began in 1861. America still faces racism today however, around the 1920’s the daily life of an African American slowly began to improve. Thus, this time period was known by many, as the “Negro Fad” (O’Neill). The quality of life and freedom of African Americans that lived in the United States was constantly evolving and never completely considered ‘equal’. From being enslaved, to fighting for their freedom, African Americans were greatly changing the status quo and beginning to make their mark in the United States.

Years before we started our constitution with “we the people…;” years before we distinguished society to be separated into colors -- black, white or somewhere in between; years before we pledged together to be “...one nation under god, indivisible, with liberty and justice for all…,” we lived under the British rule. However, with the sacrifices of many men who made history come to life, we gained our freedom. Soon our America turned into my America -- my as in the “white” America. The cultural movement known as the Harlem Renaissance approached later on in the early twentieth century, where vibrancies of new perceptions emerged in the minds of many African Americans. However, this white America proved to be an obstacle, taking away the freedom and excitement that the African Americans felt after years of oppression.

Alain LeRoy Locke’s publication of The New Negro in 1925 led to Locke becoming known as the “Father of the Harlem Renaissance”. Locke, a notable philosopher and interpreter of Negro art and literature, disagreed with many other philosophers like W. E. B. Dubois on the social function and culture of Negro art and literature. Dubois, along with others, believed that it was the responsibility of the Negro artist to educate the masses and offer truthful representation of the Negro experience in forms of propaganda. Locke however, believed that it was not the responsibility of the Negro artist to use their work as propaganda but to express one’s true feelings in the hopes to change the minds and social culture of our peers. In the two essays “The Concept of Race as applied to Social Culture” by Alain Locke, and the “Vindication as a Thematic Principal in the Writings of Alain Locke” by Paul Burgett, Locke interprets the relationship between race and culture along with the impact of Negro art and literature.

The Harlem Renaissance was a cultural, artistic, and musical explosion that took place in Harlem, New York, in the 1920s. This time period, was also known as the "New Negro Movement", named by Alain Locke. The Movement included new African American expressions of their culture. These changes took place across areas in the Northeast and Midwest United States that were affected by the African-American Great Migration, in which Harlem was by far the biggest. The Harlem Renaissance is considered to be the rebirth of African-American arts.

They found each others company comforting a new way rather than the idea of fear bring them together. African Americans also, “enthusiastically participated in politics”. Black happily voted and became equal, by law, to whites because their voices were heard when it came to the

The Harlem Renaissance was a black literary and art movement that began in Harlem, New York. Migrants from the South came to Harlem with new ideas and a new type of music called Jazz. Harlem welcomed many African Americans who were talented. Writers in the Harlem Renaissance had separated themselves from the isolated white writers which made up the “lost generation” The formation of a new African American cultural identity is what made the Harlem Renaissance and the Lost Generation unique in American culture because it influenced white literacy and it was a sense of freedom for African Americans.

The representatives of Harlem Renaissance believed in democratic reforms, they thought that art and literature were means of changes and impact on white people. They believed in themselves and assisted to political organizations of that time – “National Association for the Advancement of Colored

The Harlem Renaissance also known as The New Negro Movement was an explosion of African American culture during the 1920s to the mid-1930s through literature, dance, music, theater, and paintings. The Harlem Renaissance may have been located in the heart of Harlem but the impact was felt all across the United States. The Harlem Renaissance gave a voice to a race that had only been seen as slaves. Harlem is located in New York City, New York. The Harlem Renaissance was centered in the Harlem District in New York City.

Alain was well educated from Harvard University. Locke became the very first Rhodes Scholar for an African American man. He was the voice of the renaissance movement and proved that an African American can become educated and make a difference in his culture. Locke taught classes on race relations and wrote about the “New Negro”. He edited many books about Black culture but his most noted were the “New Negro Movement”

While succeeding in education Wright became obsessed with bringing down Jim Crow laws. In “Blueprint for Negro Writing” Wright condemns Negro writers. Wright feels that these writers are pandering to whites, instead of building to a life that’s worth living for all Black Americans. Wright has 10 points talking about Negro writing, Wright discusses the reason and cause for it, why and how it was created, expressing the importance of writing, and how writers look at writing. The first point discussed the role of Negro