What Does Santiago Symbolize

After O’Brien tried to jump in he couldn’t he tried, the old man still remained quiet, knowing what was going on. “Elroy Berdahl remained quiet. He kept fishing. He worked his line with the tips of his fingers, patiently, squinting out at his red and white bobber on the Rainy River” (501-502). Elroy, still with his patience, knew what O’Brien wanted to do.

In his old age, he fears having to go to the old folk’s home down the street. Fusi views this as weakness and wants to show that he can still be independent. He continues to illegally fish, as the excitement is what keeps him going. It makes him proud and helps to restore his self-image. One day after fishing his daughter speaks to the local inspectors about Fusi’s habits.

The event that first prompts this sensation is when his son sneaks outs to go for a little joy ride on the boat while he is still in bed. During his childhood, he had been doing the same when he was with his father and when the son also sneaks out, he feels as if he is his father. The setting made the memory recur because he viewed himself as living in a dual existence. Fishing made him feel the same damp moss that he had felt when he was with his father. In addition, the fishing fly alighted at the tip of his rod had then convinced him that time had passed but the memories and experiences were the same.

The narrator heads straight for the lake and deep into the woods. As he is waiting for the coast be clear of any greasy characters, he encounters something that feels wet yet soft come in contact with his shoulder. It is there where he has his moment of enlightenment. The man, who we later learn is named Al, is also a bad character as well and that is the reason why he is dead. The narrator mentions how the man must have been “shot during a murky deal, drowned while drunkenly frolicking in the lake” (135).

While Louie, Phil, and Mac were on the raft they were constantly fighting sharks and starvation, they decided to “hit two birds with one stone” and kill the sharks and eat them. Phil dropped a bait “The shark swam for the bait. Louie clapped his hands around the tail and heaved it out of the water. The shark trashed but couldn't get free. Louie dragged it onto

Marquez creates confusion over the identity of the old man in order to present the human nature to react to differences to the reader. The village people are determined to ostracize the man as they “dragged him out of the mud and locked him up with the hens in the wire chicken coop” (Marquez #). Many theories of his identity are discussed throughout the citizens creating a confusing atmosphere. Eventually, “No one paid any attention to him because his wings were not hose of an angel but, rather, those of a sidereal bat” (Marquez #). Once the old man is no longer an object of obsession, he becomes a part of the past.

Nasar’s white linen clothing is similar to Jesus’ white robes he wore before his crucifixion. Jesus and Santiago both wore white on the days of their deaths. Additionally, white is symbolic of innocence, thus, developing a perception of guiltlessness in Santiago Nasar. This symbolism is the first of many religious allusions Marquez uses in his novel.

At this time the man crosses to the Canadian shoreline, only twenty yards away from the boat. He turns around, bows his head away from Tim, and starts humming. At this time Tim starts to have a hallucination and is crying. He tries to jump over the boat but is unable to. “I couldn’t make myself be brave.

His son marries, and the narrator and his wife age further, and the transition into old age is complete with the death of the narrator’s father-in-law. Between these events we can see large shifts in attitudes and ideas, as well as health and well-being. These factors provide clear character evolution within the

The Narrator was a madman- well some call him that- and I call him a madman because he watched the old man take naps and watched him

I don’t think Santiago ever had sex with Angela. I believe that she used Santiago as a scapegoat for someone else. She swears until the end that it was Santiago, but I believe she was lying. The ending of the novel left many questions unanswered, and it is never entirely clear what happened that day.

He is so poor that he sometimes does not even have food. Manolin brings him his supper, given to him by the owner of the Terrace (19-20). On the eighty-fifth day, Santiago goes far out into the Gulf Stream away from all the other fisherman to catch a big fish. He is “alone and out of sight of land” when he catches “the biggest fish that he [has] ever seen and bigger than he [has] ever heard of” (63). To prevent the giant marlin from getting away, Santiago holds onto the line using only his back, arms, and hands.

He tells that he visits the old man’s house every night and observes the old man sleeping. On the eighth night, the main

In The Old Man and the Sea, the old man serves as an archetypal Hero throughout the book and experiences a daunting and life threatening task to catch a fish and end an 84 day drought. To begin with, the old man possesses all the necessary qualities to be characterized as the Hero. During the 84 day drought in which he went without a fish, he was still confident in his abilities and wouldn’t give up. He even took the chance of going farther out into sea than any other boat dared.

Throughout the novel, scenes of suffering and failure are shown several times, since the events of the novel depict the Old Man, Santiago, suffering on his boat with the real possibility