The musical “Very Good Eddie” is a 1915 vaudevillian comedy written by Guy Bolton and Philip Bartholomae, with music by Jerome Kern, The musical itself was based upon Bartholomae’s own “Over Night”. The musical was written and produced for The Princess Theater’s second series of in house musicals.
Any and all original production recordings of “Very Good Eddie” have been lost to time. The show’s original run began in 1915 at the Princess Theater on Broadway. It moved several theaters until it’s primary closing date in 1916. There was a revival of the show in 1975, which featured an altered ending. This show ran 304 performances in its year on broadway, and another 411 shows the next year at the Piccadilly Theater. In 1991 an off broadway
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It is at this point that Elsie and Eddie are separated from Percy and Georgia. The two stick together in camaraderie, but remain respectfully allouf, with Elsie remaining faithful to Percy, and Eddie respecting Elsie’s virtue. Slowly these two confess their feelings for their partners and find a mutual understanding there, which ultimately bridges the gap in moral consciousness, and allows the two to come together.
“Nodding Roses” is the love song between Ellie and Eddie, a sort of confirmation of their love and how it grow throughout their journey. The song itself it is sweet and soft, playing on the subtleties of the situation. While old fashioned in wording, it holds a very modern theme of love being for anyone, transcending boundaries and surpassing obstacles to come to fruition. This was also the most popular song to come from “Very Good Eddie” it’s innocently romantic lyrics and catchy melody propelling it into the public
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I did not appreciate the rampant sexist overtones of the bossy or overbearing woman needing to be conquered. While Percy, her direct male counterpart, was praised for his behaviours. Nor did I appreciate the original biblical message that women should submit themselves to their husbands, and that men need to stand up and be hyper masculine rulers of their households. With that being said, it is an understandable artifact of the era in which the musical was made. The update 1975 ending was preferable in my opinion, even if it was cheesy. As far as the music itself, it held a sort of timeless whimsy, and it’s consistent upbeat tempo help keep the whole of the musical fresh and enjoyable. The whole of it reminded me of the song “Winchester Cathedral” which I am assuming is because that song was stylized to reflect music of the early Twentieth Century. It was a modern enough song that I felt as if it truly carried the story into the next
Edward James Kendricks was born on December 17, 1939 in Union Springs, Alabama. His siblings such as his parents Johnny and Leebell Kendricks, his sister Patricia Simpson, and his three brothers Charles, Calrence, and Robert. The family used the surname Kendrick. In the 50s’ he joined the group The Prime and later in the early 1960s’ form a group called The Temptations. In 1975, he got married to Patricia Kendricks.
A Comedic Hero’s Journey is a story that involves a sympathetic character(s) on a quest because they are motivated, a setting that is either closely resembles real world or is the total opposite, and each main character going through a change. The book has a main character that is “motivated only by loyalty and love of friends.” (Purtill), a setting where life is “‘exemplary actions are presented as historically true. The imitations of life it presents are "rare," "most perfect," and "wonderful"” (Peterson) and each main protagonist “undergo a radical transformation….” (Eliot).
Originally first performed July 27, 2005, it ran for ten years and is the 27th longest running show on Broadway, with over 2,300 performances. The show often breaks the fourth wall with the show’s narrator, Lonny Barnett, played by Jeff Boyer, often cracking jokes with the audience and joking about the pure fact that after all they are just actors in a musical. Centered around a bar named the Bourbon Club, the show follows the aspiring rockstar busboy, Drew and his romantic interest, Sherrie. The two fall in love before they finally tell each other they’re both HIV positive…
Explain how the character of Eddie is presented in “A View From the Bridge” Eddie, at the start of the play, is protective of Catherine and is presented as a fatherly figure. On Page 4, Eddie says, “you’re walkin’ wavy.” This shows that Eddie doesn’t approve of the way that she is walking as walking wavy implies that she is walking all over the place. It is strange that Eddie is looking at her as it shows that he has been looking at her walking.
I read the book one night, so excited to finish the story. Later in the week, I began to watch the film version, expecting the amazing detail the novel had. However, I was devastated to see that the movie did not convey the same description and connection between characters. The disrespected woman had drastic changes from the novel to the film. Comparison of the responsible guy in the movie and publication is very different.
The first musical they produced was the one that marked the beginning of the best collaboration. The musical was named, “Oklahoma!”. The musical was originally named “Away We Go”. Before the show went on Broadway, there were a few changes to be made. These changes included, the addition of a show-stopping number, “Oklahoma!”
In Away, Michael Gow discovers the way in which the key themes of redemption, self-knowledge and reality/unreality are vital to the overall understanding of the play and the reconciliation between the characters to each other as well as complications during their lives. Away has a short but detailed story line which allows us to see in which the way the families have broken connections between each other while on a Christmas family holiday. Gow used a range of stylistic devices to and language techniques including, structure, and characterization to explore and uncover the theme of reconciliation. Throughout the text of away, Gow used structure to explore the theme of reconciliation.
Unlike the play in the Gene Frankel Theatre the storyline stuck just like the book illustrated it to be. The actors in the play gave a believable interpretation. Besides not being a glammed up play the actors gave it they’re all and presented the book in a correct form, by their accents, their posture and stance how they carefully pronounced their words. My favorite performer was Lennie played by Alexander Kafarakis he was able to bring his character to life just as written in the book. He was able to show Lennies mental disability with his slow thinking and speech patterns.
It was nominated for 11 Tonys but was overshadowed by another hit musical, A Chorus Line. It only ran for 936 performances, before it was shut down in 1977. It was later reopened as Chicago: The Musical. The show was choreographed by Ann Reinking, Fosse’s wife.
Eddie Guerrero WWW superstar was always an amazing athlete and this inspirational biography gives insight into the hardships and triumphs this wrestler encounters in his life. The story is a fitting tribute to a man that gave everything and expected nothing back in return, something that will help readers remember “Latino Heat” for the good, rather than the bad.
Several themes of the play/movie were discussed through different outside sources that also go along with the themes in the play/movie. The added character Blake in the movie came in and gave this huge speech on selling the leads and being a man, this added a sense of competition and lack of manhood to the other characters. Making the characters feel like they have to prove their manhood to the others and this new character, but also reaffirm their manhood to themselves. In the play didn’t have this added character, but the way the dialogue was written, and the characters interaction with one another showed the theme of who’s trying to show that they are a man. That theme is significant to the play because it is a big part of who the characters are or who they try to be,
The Evolution Of Edward Russet Often, when people have never experienced something before, they become fascinated with it when they do. In Jasper Fforde’s novel Shades of Grey, Edward Russet has never experienced anything like Jane before. While it is her red hair that initially attracts Eddie, Jane’s brashness and disregard for the rules is what truly captivates him. The first thing Jane says to him is “Touch me again and I’ll break your fucking jaw” (22).
In 1996, at a city center in New York City, there was a successful presentation of the musical Chicago (“Stage Notes”). Shortly after, the talks of their being a revival of the musical became real (“Stage Notes”). So, in 1996 on November 14, the revival of the musical opened (“Stage Notes”). It featured the lights of Bebe Neuwirth as Velma, Anne Reinking as Roxie and James Naughton as Billy Flynn (“Stage Notes”). The revival was well received by viewers.
One thing I admired about the film is how Anna distinguished herself from these “gendered aspects”, she was not ashamed of who she was nor what she looked like, on the contrary her mother was, yet this did not stop Anna from achieving her goals (Launius). At the end of the play, it is confirmed that Anna went to college and became the journalist she always hoped to be. Not only was
Into The Great Wide Open “The sky was the limit”. This quote by Tom Petty represents that Eddie has endless possibilities. A young man by the name of Eddie, just graduated high school, he moved to Hollywood, met a girl, makes music. No one would stop Eddie from being successful.