Theme Of Supernatural In Macbeth

As Macbeth is on his way to going to the king’s guest room, Macbeth comes across Banquo who explains that he is having trouble sleeping because he has been having dreams about the Weird Sisters.

Supernatural elements can be seen in Macbeth through the witches and their unusual powers. The witches appear to be helpful in giving Macbeth his prophecy, but in reality want only to stir up trouble and cause strife throughout the kingdom. Although Macbeth wants the witches to tell him his prophecy, he is also afraid to act on these newly found predictions for fear of the inevitable guilt he will then have to face. Macbeth states that the witches as "Instruments of darkness" in order to explain to readers that even though the witches appear to be helping Macbeth, in reality they are causing more harm than good and creating evil thoughts within the characters minds. Macbeth’s prophecy began his desire for power, which led to his struggle with guilt.

With Macbeth being a general in the Scottish military, he had major influences on people and their daily lives. After the murder of King Duncan, Banquo’s suspicion of who committed the murders arose around a single suspect, Macbeth. Knowing that Banquo most likely knew the truth that Macbeth killed King Duncan, Macbeth went back to his evil ways with ease. Through his attendant, Macbeth summons three murderers. Shakespeare introduces the murders with stage direction “[Re-enter Attendant, with two Murderers]” (Shakespeare, 363), in which Macbeth he uses Banquo as bait in order to gain their graces and loyalty “That it was he in the times past which held you so under fortune, which you thought had been our innocent self: this I made good to you in our last conference, pass'd in probation with you, how you were borne in hand, how cross'd, the instruments, who wrought with them, and all things else that might, so half a soul and to a notion crazed, Say 'Thus did Banquo.'”

Lady Macbeth orders a servant to fetch Macbeth and before he arrives, she bemoans “Naught’s had, all’s spent, Where our desire is got without content,” indicating that even though she has gotten everything she wants, Lady Macbeth is still not happy because she had to kill to get what she wanted. According to Edith Whitehurst Williams, Lady Macbeth has “a conscience far from dead” that is seen in how she is not happy despite having the power she wanted, since the means of obtaining that power were unsavory (Williams 222). Once Macbeth arrives, Lady Macbeth consults him, advising that “what’s done is done,” meaning that Duncan is dead and their plan is through, so he does not need to do anything more or kill anyone else (3.2.12). Macbeth can sense that Lady Macbeth will not advocate for any more murders and therefore he “does not make her a party to the murder of Banquo” (Williams 222) and so when Lady Macbeth tells him to “sleek o’er your rugged looks”(3.2.27) in order to stop him from his planning of further murders, he simply agrees. At the banquet where Macbeth sees Banquo’s ghost, after everyone has left, Macbeth is talking about how he has more schemes to kill people, it is seen that Lady Macbeth’s “dedications to evil… [are] not going to sustain her”(Williams 222).

Finally, the vision of a bloody dagger that emerged right before the murder emboldened Macbeth to kill King Duncan. Prior to murdering Duncan, Macbeth was hesitant about following through with his wife 's merciless task. He doubted that he was able to murder one of his most loyal friends, until he saw the vision. On page 43, Act II, scene I, Macbeth sees the apparition: "Is this a dagger that I see before me with its handle turned to my hand?" Macbeth contemplates whether it is a figure of his imagination prompted on by his already guilty conscience, or a supernatural encounter that is compelling him to do the deed.

Act 3 scene 4 Analysis Scene 4 of Act 3 takes place at Forres,The murders return to tell Macbeth of Banquo 's death Macbeth returns to the banquet only to be tormented by the ghost of Banquo which is presented in William Shakespeare 's Macbeth usage of metaphors and imagery. The Death of banquo his former best mate has Macbeth reflecting about the moments happening in his life. Macbeth states “I had else been perfect,Whole as the marble, founded as the rock”(2.4.23-24) banquo 's death has Macbeth reflection about his old self and how he used to be a strong man with free will and now he 's reduced to a man who 's easily manipulated almost like a shell of his former self. This scene establishes that Macbeth is no longer the man he used to be he a ghost of his former self.

Shakespeare uses the recurring symbol of blood to emphasize the effect of death and violence on the human psyche. The connotation that Macbeth associates with blood switches from a primary motivator to a guilty reminder. Prior to Duncan’s murder, Macbeth witnessed a floating dagger covered with blood (II.i.33). Macbeth had experienced violence and Blood is also used as a reminder of the guilt and trauma from the murder of King Duncan, the guards and Banquo. Macbeth refers to his hallucination of the ghost of Banquo: “It will have blood, they say.

After Macbeth hires murderers to kill Banquo, he is “greeted by” the ghost of Banquo while at a Banquet. He sees the ghost and starts speaking to it, while the others are watching. He says

With this loss of morality comes an immense guilt that is depicted through a hallucination of Banquo, who Macbeth murdered earlier on in the book. “What man dare, i dare. / Approach thou like the rugged Russian bear, / The armed rhinoceros, or th’ Hyrcan tiger; / Take any shape but that, and my firm nerves / Shall never tremble… If trembling I inhabit then, protest me / The baby of a girl. / Hence, horrible shadow!” (3.4.121-125, 3.4.127-128).

Being that Banquo seemed suspicious of Macbeth subsequently the night of the king 's death. Apprehensive of his throne Macbeth would do anything in his power to prevent even the slightest chance for anyone to take the throne from him.

Additionally, it also accentuates the unjust nature of Banquo’s murder later on. This is due to the fact that unlike Macbeth, he remained true to his reputation until his death. The night that King Duncan is scheduled to visit Macbeth’s, Lady Macbeth warns him to act normal to avoid suspicion and

The presence of the witches is the first supernatural element that Macbeth meets. One would assume that the witches could be blamed for influencing Macbeth with their prophecies. The witches are able to make Macbeth acknowledge his own dark desires. In Act I, Scene III, the three witches call out one after the other claiming “All hail, Macbeth! Hail to you, Thane of Glamis! /

After achieving the title of the King of Scotland, Macbeth wants to secure his position as the king and desires to inherit the Scottish throne to his ancestors. His aim was showed in “To be thus is nothing, /But to be safely thus” (III, i, 52-3). This quote reveals that Macbeth not only wanted to become the king but also wants to secure his position as the King of Scotland for the welfare of his upcoming generation. This reveals Macbeth’s is implying the witches’ prophecies; as long Banquo’s sons live, Macbeth’s throne would not be able to inherit down to his ancestors. As the play progresses, Macbeth’s hires murderers to kill Banquo and his son, Fleance, as represented through, “Banquo, thy soul’s flight, /If

The supernatural power in Macbeth, is not relatable to a modern audience, yet, the concept of believing that no one has power over their own life is still the same. This similarity helps the audience relate to Macbeth, as many of us believe that fate controls us. In addition, another theme demonstrated in Macbeth is, power corrupts judgment. After Lady Macbeth finds out about the prophecies she says, “Glamis thou art, and Cawdor; and shalt be /What thou art promised.

Banquo notices Macbeth in a daze after hearing of his rise to power. Intrigued at how Macbeth is in such a state, Banquo asks the witches that if they can truly “…look into the seeds of time,” to speak to him as well. He says to them, “Speak then to me, who neither beg nor fear, / Your favours nor your hate,” (I. iii. 60-61).