The Four Seasons Analysis

Frank Ocean once said, “When you 're happy, you enjoy the music. But when you 're sad, you understand the lyrics.” Why does one have to be sad to “understand the lyrics”? Evaluating a song and being given the ability to relate enhances one’s respect for the composer. For example, when one first listens to “Danny’s Song” by Kenny Loggins, they probably believe the song is about love, however, once a person analyzes the lyrics the realize that the song is actually a story of a couple who are having a baby boy.

Children laughing showing the happiness that is supposed to occur in youth. Even the lack of sound in the movie theatre gives you the impression of contentedness as the crowd watches a film. All these sounds add emotional depth to the scene that cinematography

Gordon Parks was an African American photographer that had a very rich and diverse body of work from black and white photography to motion picture films. Parks was known for taking photos of social injustice, poverty, and racism in the United States. “Half Past Autumn: A Retrospective Exhibition” was organized in 1997 by the Corcoran Museum of Art which showcased his astonishing works of art. The book Half Past Autumn: The Art of Gordon Parks was also released in 1997 includes over 200 photographs that illustrate Parks work.

True to Hollywood conventions, the music of the films reinforce the emotional situation of the

Within these montages are close-ups of anxious facial expressions, as well as flashbacks from Gatsby’s life which are reflective of the tempo of the music. Music can play a critical role in the success of a movie trailer. In the article, “The Role Of Music In Motion Picture Advertising And Theatrical Trailers: Altering Music To Modify Emotional Response And Genre Expectation,” Strobin’s connection between music and emotion in trailers can be applied to that of The Great Gatsby trailer. As discussed in the article, “[m]usical elements (e.g., tempo, rhythm, pitch) can give rise to various emotions without cognitive processing[,]” suggesting music to be a less obvious tool for creating an experience for the audience (3).

The sounds of the play work in a very similar fashion. Even before the play, there was a plethora of songs from the Simpsons being played while the audience waited for the production to begin. The play does have musical elements so there are many times that the dialogue calls for random spots of song. This important for the understanding the play as a whole. The songs set the mood for each scene.

Music can make a scene more compelling because it adds emotion to a scene. For example, in the beginning of the documentary when the narrator was talking about Kristallnacht, there was a frantic orchestra accompanying his more and added sound effects of glass breaking. It makes a person feel more anxious and frightened of what is to come and sets the tone for the documentary, since the event of Kristallnacht is one of the best pieces of evidence as to why Jewish people need to be able to escape the terrors of Hitler’s control as soon as possible. Another example is when there would be a transition of a scene to the Klein family, and the music had a melancholy tune to it and it added more to the scene to draw out more emotion from the viewers.

Music brings you to be deeply focused on the meaning of the words and makes the whole scene even more

How is the motif of song used to support a theme in A Christmas Carol? Music has the power to change a person’s life and is present during difficult and joyful times. In a Christmas Carol by Charles Dickens the motif of song shows how people can change and Christmas can unite them.

However music can just as easily induce the same feeling as well as take them away. An example of this is when we hear the “Jaws” theme song and the feeling of danger is immediately felt. In “The Pearl” by John Steinbeck Kino plays certain songs in his head depending on the mood and/or situation. For instance in the beginning of the story Kino plays the song of the family.

The Grape family suffers from quite a bit of mental illness. Arnie is the most obvious example of this, but it is also clear that Mama has major depressive disorder triggered by the sudden suicide of her late husband (this stress related triggering of a mental disorder is plausible as this complies with the diathesis-stress model: individuals may be biologically predisposed to an illness, but require a stressor for that illness to manifest itself) Gilbert is also suffering from either dysthymia (a type of depression with mild symptoms but can last for years) or a type of sensory overload called burnout. Burnout is when the amount of constant stressors on a person’s sensory system causes the system to essentially overload, creating a state of

The use of stylistic techniques such as sound, both diegetic and nondiegetic and the way characters act in The Wizard of Oz, showcases the conventions of a musical fantasy. In the scene where Dorothy sang her solo of “Somewhere over the Rainbow” ” is interwoven in the narrative of the film to illustrate and her underlying intention to flee away from home without her having to put it across in words to the audience. The tune of the song is tweaked and reproduced with variances and used throughout the film to highlight pivotal moments in the film, lending familiarity to us, channelling the same kind of hopefulness that Dorothy is feeling. The rhythm of the song also complements the musical film which accentuates the development of the narrative (Study Guide).

Specifically, in Edward Scissorhands, the fighting scene where Edward and Jim were in Edward’s attic and in the background, the music was loud and fast to show that it was a fight scene and that someone was going to be hurt or killed. Music changes throughout a movie to capture the mood of a particular scene and to evoke emotion from the audience. In Edward Scissorhands, the suburb is associated with light­hearted music and dark gothic music is associated with Edwards home, the mansion. The light­hearted music gives the audience the illusion that the suburb is happy and safe and the dark and eerie music gives the mansion an illusion of creepiness. Music can also relate to sounds in a movie as sounds can be used to have the audience hear if it will lighten up the mood in a scene or make the scene seem scary and eerie.

I have always viewed movies as mood boosters. Whenever I watch a movie, I judge how good it is according to how well I understand the story. This is why I never truly understand how critics rate movies. However, upon reading John Berger’s “Ev’ry Time We Say Goodbye”, I start to understand how paying attention to the different components of a film helps in understanding the essence of a story. As Berger once said, “There is no film that does not partake of dream.

I’d like to take it a step further, however, and say that the opening song in The Sound of Music does a fantastic job of matching the imagery and communicates the drama in a clear manner. The beginning lyrics are as follows: “The hills are alive with the sound of music…with songs they have sung for a thousand years. The hills fill my heart with the sound of music…my heart wants to sing every song it hears.” What beautiful words! As Julie Andrews uses her sweet voice to bring words written on paper to life, she sings, “the hills are alive with the sound of music”, and the imagery indeed shows that they have sung for a thousand years.