Bram Stoker’s Dracula and F.W. Murnau’s Nosferatu both challenge and endorse the norms of the societies that produced them. (paragraph 3 topic). The norms of xenophobia were challenged by Dracula as Count Dracula, the foreigner, was illustrated as attractive and alluring while Nosferatu endorsed the norms by Count Orlok, the foreigner, portraying a negative jewish stereotype. Dracula both endorses and challenges the gender stereotypes as Mina was the depiction of a typical Victorian woman but she was pivotal in the resolution of the story. Nosferatu more so endorses than challenges the gender stereotypes, as Ellen was the only female character but she was the key to Count Orlok’s defeat.
Dracula endorses and challenges the norms of gender
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She was faithful to her husband, Jonathan Harker, independent and completed her housewife duties. This adhered to the typical stereotypes. Mina was the perfect representation of what was expected from women in the 1820s. The standards of women were very prescriptive and subservient whereas the standards for men were much more free and independent. Jonathan Harker represented the typical male stereotype, readers pictured him as bold and ambitious. He was seen as the hero of the novel. This acted in accordance with the quintessential fiction novel trope. However, Mina was pivotal in the discovery of Dracula’s real identity as well as finding his location, leading to his defeat. This challenges the female stereotype as women were underestimated and depicted as no real help. While Dracula’s depiction of women was quite positive, Nosferatu was not as much. Ellen, being the only female character in the film, was characterised as weak, frail, and always in need of a man’s help. When her husband, Thomas, went away, she was distraught. She could not survive without him, she needed to be looked after. Conveying that women cannot live or function without men. Whereas men were shown as the compelling and more collected gender. This supports the …show more content…
Each piece of media has a foreigner who is on a mission to destroy a place of home. Nosferatu endorses xenophobia while Dracula challenges it. Count Dracula is the main antagonist in Dracula. He represented the foreigner in the story, the unknown. In the time that Dracula was released, the 1890s, it was believed that what was different was bad. Dracula challenged this ideology by characterising Count Dracula as attractive and machiavellian. He was covertly evil, he manipulated and lured his victims in so they were trapped. This contradicted the beliefs about foreigners, Stoker illustrated the foreigner as smart and cunning. Dracula, as a character, challenges xenophobia as he was seen as more of a predator than a monster but he created them which led to him being more romanticised. Nosferatu only endorses xenophobia as Count Orlok was the epitome of a negative jewish stereotype. He was depicted as scary and monstrous. This characterisation was prejudice against the jewish, it adhered to the idea of the unknown being a substandard thing. Count Orlok was overtly evil, his immorality was physically displayed. Nosferatu played into the idea that foreigners or the unknown were subordinate and dangerous. Comparably, Dracula challenges xenophobia while Nosferatu endorses it. Though both include a foreigner who represents the antagonist of the story, the way they are illustrated is different. Dracula’s portrayal of
When analyzing the novel and the description of Count Dracula and Transylvania, Stoker clearly used this novel to present the xenophobic views of the Victorian period. Bram Stoker uses his novel Dracula to argue that immigrants threaten society and to illustrate his fear and mistrust of the unknown, revealing his true feelings and xenophobia. Bram Stoker's Dracula serves as a reflection of the author's personal feelings towards immigrants, with the character Count Dracula symbolizing his xenophobic views. According to Patricia McKee, Stoker's novel was influenced by the anxieties of the time period regarding the influx of immigrants into Britain and the perceived threat they posed to the social order. In her article “Racialization, Capitalism,
The essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).
Dracula, by Bram Stoker, is told by way of letters, ships logs, and other media accounts that offer insight into the events surrounding Count Dracula. Dracula makes use of its framing to inevitably force the reader to question the integrity of their own modern scientific perspective. This framing which abstains from having a primary narrator or third person narrator to provide insight to the reader as to how to perceive each of the events recorded, leads to an uncertainty about each event, in addition to a necessity for the reader to make the ultimate decision about what the truth is. This uncertainty and stress created by Stokers framing in Dracula concerning the logs and ambiguous nature of the truth leads the readers to first become uncertain
Bram Stoker's Dracula is filled with interesting symbology and religious comparisons. Dracula is a gothic novel set in late 1800s Britain and Transylvania. Dracula is an epistolary, meaning it is told through a series of journal entries, news clippings, etc. It’s like the written version of found film. Dracula draws from many old myths for its villain and is the basis for the modern vampire.
The topic I have chosen for my essay is how Dracula is meant to remind society of the importance of religion, specifically Christianity, in Stoker’s time. I intend to do this through analyzing symbols in Dracula, drawing connections between these symbols and Christianity, and analyzing the implications Stoker attempts to make. I chose this topic because vampires and their sacrilegious implications, such as burning when touching a cross, have always been of interest to me, hence why I chose to study Dracula in the first place. My thesis is: Stoker uses Count Dracula as symbol to represent what society may become if they abandon religious beliefs.
Bram Stokers Dracula is a novel that can be presented and interpreted in a number of different ways. Throughout the story, there are several themes that can be identified, such as womens rights, the importance of teamwork, and even the struggle between good and evil. However, considering Dracula to be a religious novel is quite debatable. Because of the several references and ties to religious thoughts and beliefs in the novel, Dracula should in fact be considered a religious novel, as the religious objects in the story are pivotal to the success of the protagonists, and Stoker is meaning to strengthen the power of these beliefs of the townsfolk.
At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the
When compared to how influential it was during the Victorian era, Dracula has become increasingly significant over the past decades. This can be attributed to the fact that, in actuality, the story only acquired its legendary classic status in the 20th century, when the cinematic versions appeared. In order to write the masterpiece described by many as “the sensation of the season” and “the blood-curdling novel of the century”, Bram Stoker had to engage in extensive research of vampirism; as a matter of fact, a Romanian prince named Vlad was Stoker’s inspiration for the main character of Dracula. Thus, the story of the mysterious aristocrat who lives in a castle in the remote region of Transylvania, Romania, became play and film.
The major theme in the novel Dracula by Bram Stoker is the threat of female sexual expression. During this time period, female sexual behavior was frowned upon. Women were said to have to be either a virgin or a wife and mother. Social standards were very strict during this time, making it unheard of for women to show sexual expressions. In is era, the main concern was the role women had in society.
Embedded within the heart of Victorian England, Dracula offers a unique contribution to the conversations about women and colonization during the Victorian Era, reflecting a period and a people vexed over rapid social and moral change. Throughout the years, Dracula was received very differently. When the novel was first published, it was devoured by the growing middle class, partly due to the Education Reform Act of 1870. This law is what allowed education to be offered to all British children.
In Dracula, Bram Stoker makes a contrast between two types of women in this novel. Women who are in the vampire state are vastly more powerful than the everyday human woman, but seem to still be subordinate. Towards the end of late 19th Century, the new woman develops toward the economic change as well as the sexual changes in society, with both men and women struggling to find a sense of this new order. The new woman was strong, finding a sense of independence and men were beginning to become terrified of their own woman. Stoker explains his idea behind the characters of the women in Dracula, he believes that “for women to deny their traditional role was to deny their womanhood, to challenge the distinctions between women and men upon which
During the Victorian period in which Dracula was written, morals and ethics were often strictly enforced. Some of the morals that were upheld had to do with personal duty, hard work, honesty, as well as sexual proprietary. It was very important during this period that one was proper in their sexual behaviors and conventional in whom they had sexual relations with. However, during this period, many authors sought to challenge the ‘norm’ with ideas of reform and change and Bram Stoker was no exception to this. In his novel, Dracula, Stoker provides a critique of this rigidity in his portrayal of Dracula and Dracula’s relationship with Jonathan Harker.
Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,
The threat of female expression is an important theme of Bram Stoker Dracula. Stoker first introduces this theme first with in the first chapter, "The sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous
n Bram Stoker's novel "Dracula," there exists a correlation between xenophobia and disease, in the sense that the spread of disease is frequently employed as a metaphor for the spread of foreign influence or the fear of the foreign. It is one of the most prominent themes and is particularly evident in the portrayal of Dracula himself, who is often regarded as a symbol of otherness and foreignness. This anxiety is used to legitimize xenophobia and exclusion as a means to safeguard British society from the perceived hazards of foreign contagion. Through his portrayal as an immigrant from Transylvania who brings a deadly disease to England, Stoker highlights the xenophobic attitudes prevalent in Victorian society and the fear of foreign contagion