Scene On The Catskill Creek Analysis

"View of Haarlem with Bleaching Fields," on the other hand, is recognized for its subtle use of both light and shade, which improves the depth of the scene. Albert Bierstadt's "Yosemite Falls" is an example of the American Hudson River School of painting, which was recognized for its romanticism and luxuriousness. Bierstadt was known for his huge, panoramic landscapes that emphasized the natural beauty of the American West. Yosemite Falls, one of the most iconic landmarks of the American West, is illustrated in the painting, with a focus on the breathtaking scenery and the awe-inspiring power of nature. On the other hand, Jacob van Ruisdael's "View of Haarlem with Bleaching Fields" is a prime example of Dutch Golden Age landscape painting.

George Caleb Bingham traveled east to study other artists ' artwork. He was very impressed by genre paintings he saw. After making art contacts in New York City and studying in Philadelphia , Bingham returned home. George had vivid mental images of life on a river , knowing people 's occupations firsthand. 1845 was when he began an important and productive time in his artistic career.

Title: Tanana River Artist: David Mollett Medium: Fast Dry Alkyd Oil on Canvas Dimensions: n/a Date: Description David Mollett creates a work of art directly influenced by nature in his painting the Tanana River. The Alaska Range can be seen in the background, jagged, majestic and aged, covered with termination dust. The warmer ground below the range shows the result of cooler air flowing off the mountains, forming ground fog at the base of the mountains. The painting continues to draw you away from the mountains tops, into the boreal forest, across the winding river with sandbars filed with driftwood and bleached logs. The viewer is guided toward the large piece of driftwood in the foreground.

Cole suddenly became a recognizable artist working in cities such as Ohio, Pittsburg and Philadelphia where he came to work with the Philadelphia academy. In 1828, Cole moved to New York where he discovered the beauty of the Catskill Mountains in New York. Later, this landscape would be an inspiration for his works which came to the attention of famous figures in New York. Cole traveled all around the world, where he met prominent people that were delightful with his work, and that made him to gain his reputation as a landscape artist.

When I started taking nitro to Asian art and found out that we were to write a paper about an Asian art piece at the Nelson-Atkins Museum I knew exactly what type of art work I wanted to write about and that would be a hanging scroll with ink on paper or silk. There were many beautifully crafted art pieces but there was one more noteworthy to me such as, Mori Tessan Deer on Rock. Mori Tessan (alt. Tetsuzan) (1775–1841) was born in Osaka, and was the son of Mori Shuho, elder brother of Mori Sosen. He was adopted by Sosen and succeeded him.

Literary Analysis: An Occurrence at Owl Creek Bridge “An Occurrence at Owl Creek Bridge” by Ambrose Bierce, written in 1890, is a story about the lengths one will go to escape death, and the vanity of man. Part one of this three part story begins with a gentleman who let himself be tricked by “soldiers of the Federal Army”. He is awaiting his execution for plotting against the Union and attempting to set the bridge on fire. He thinks about his wife and children, all while standing on the edge of a plank on the Owl Creek Bridge, with his hands bound and a noose wrapped firmly around his neck. He dreams up an elaborate escape plan, one that he knows is not only impossible but bound to fail.

Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.

Frederic Church was born in Hartford Connecticut in 1826 and is the best-known student of the Hudson School of landscape painting. Church’s main commitment was to study and understand the natural sciences but he also was concerned with the addition of a spiritual dimension in his paintings (Frederic). At the age of 18, Church became the pupil of Thomas Cole in Catskill, New York after being introduced to him by Daniel Wadsworth. He then moved to New York to begin teaching pupils of the things that he has learned. Church inherited Cole’s title as the premier landscape painter in America.

The painting has two messages, one relates to the colonial history of the United States and the other with the Old Testament. In the foreground is a congregation of animals and children, related to Isaiah 11:6.9 and in the background, appears William Penn concludes their treaty with the Indians, given the facts that the peace between the human and nature make a perfect

This painting shows George Washington, then a general in the American Revolutionary War, crossing the Delaware River with his troops on the night of Dec. 25, 1776. The crossing immediately advanced Washington 's surprise attack on the Hessian forces in the Battle of Trenton. Although the painting portrays a historic part of the American Revolution, it was spuriously painted by Emanuel Leutze, an artist born in Germany. Moreover, where the original was actually painted.

The way the artist had created the work, gave the illusion of multiple different view-points. The colours chosen by the artist give the works permeant movement and this reflects life within Pleasantville. Pleasantville originally looks plain and simple (because it is), but at a second-glance, changes begin to happen and their (Pleasantville civilians) lives begin to change. Each of their views begin to change and they begin to clash and collide. Titian’s, Venus of Urbino, is a painting depicting a naked woman reclining on a bed in an intimate position.

What we see depicted is a burial in one portion of the painting and then heaven – with a small representation of Christ, on the upper portion. Thus, suggesting we have two focal points creating an unbalanced feeling. This, unlike the High Renaissance, was a goal of Mannerist art. With the lower ensemble, we see realism being used when drawing the figure; however, the figures in the upper portion of the image are very elongated. An example of this would-be Saint Peters hand (behind the virgin Mary); visually the hand looks long, and droopy.

The woman’s body is poorly contoured, with minimal shadows and highlights. She is washed out and seems to be too lit up considering the amount of natural light that would be hitting her in the forest. She stares directly out of the painting, as though she is returning the viewers gaze. Even though all the character’s in the painting are near to one another, they do not seem to be aware of each other. The characters lack of awareness of one another is like the characters in Titian’s painting Pastoral Concert.

The image has a dark side to it which is foreshadowed by the rustic feel created by the farmhouse and shed. Like many, the history of this painting actually goes back to the illustrator. Christina Olson was a good friend and neighbor of Wyeth. He soon discovered that Christina lived with a unbearable disorder that took away her ability to walk and use any limbs. Years down the road she died at age 74 after a long hard life and complications from her disease These details may help the viewer to

There is a symmetry exhibited in the piece, with Catherine and Henry balancing each other out on opposite sides of the painting and the bystanders in the background evenly bridging the gap between these two. There are also asymmetrical elements to the work, most visible in the two figures behind Catherine, presumably her mother and father, as well as the background of the painting which is only visible in the upper left corner of the work. Leys’ use of line in this piece also gives the piece visual interest, with the strong vertical lines of the columns and architecture in the background contrasting with the checkered pattern on the floor and the strong horizontal line of the bench behind Catherine. There are many small details included in this piece and the artist’s brushstrokes are almost entirely unnoticeable. This inclusion of many details and pops of bright color add a sense of liveliness to the piece even in the seeming absence of action or excitement.