Scene Analysis: Blade Runner

Background Groundhog Day is a film about a weatherman Phil, who is not fond of reporting on Groundhog Day. He was sent to Punxsutawney, Pennsylvania to report if the groundhog will see his shadow and forecast when the spring will arrive. He is accompanied by his producer Rita and Larry, the cameraman. When Phil arrived, her had a very entitles attitude and belittled others. He was not fond of the small tow or the people living in it.

Los Angeles 2019 is in a condition of interminable emergency. Made out of interwoven of styles and prevailing fashions it has no topographical focus, no "unique" past to allude to, no protected history to be bound to and no solid present to permit groups to cultivate. In this film, science, innovation and advancement are all doubted and appeared somehow to have 'fizzled '. The world in Blade Runner is contaminated by industry and congestion; wherein just the rich had gone to the

The Sapphires film is directed by Wayne Blair and produced in 2012. The Sapphires is a beautifully filmed true story based in 1968 about the story of four indigenous women who go by The Sapphires who got picked to sing to the soldiers in the Vietnam war. The scene that is being analysed is 18.15-2o.23 in this scene Gail is singing a gloomy song for the soldiers because she thinks that Dave is dead. This scene is around the end of the movie just before they go back home. The purpose of this scene is to make us feel sorry for the Sapphires because they just witnessed their manager being killed and that they are singing their sorrows out.

Blade runner 2049 review and sequels in Hollywood A cathartic monologue pairs well with an unrelenting downpour, while nothing beats a genial powdering of snow for finally hanging loose and making peace with the bullet hole in your gut.1Both work as resolution, just shades apart. When a Londoner wants to project pathos onto a cityscape he adds rains, a Montréalais adds snow. Blade runner 2049 revisits the city of Ridley Scott 's 1982 Original, just paints it with a different palate. The Los Angeles 2049 is indeed a colder place.

Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.

When most people feel like they are close to God; they usually make good moral decisions. In Doubt by John Patrick Shanley; Sister Aloysius tells Sister James that “In the pursuit of wrongdoing, one steps away from God. Of course, there’s a price.” When stepping away from God someone is committing sins and they are doing things that are usually not accepted. As the main characters stepped away from God, they had to pay the price of making wrong choices and the price of being pressured by those choices.

The film ‘Good Will Hunting’ directed by Gus Van Sant is a movie which follows the life of Will Hunting who is gifted with astonishing skills for maths but whom suffered with a fear of abandonment. He developed a defense mechanism which affected his ability to create long lasting relationships. An important extract from the movie is the scene ‘ It’s not your fault’. This scene conveyed the impact of childhood traumas, the effects of suppressed emotions and the idea of soulmates. These ideas were manifested through the use of various film techniques, such as camera shots and movements, music and dialogue.

A photograph can mean so much to different people, but it’s ultimate purpose is to capture an important moment in someone’s life and be able to hold onto a physical copy of a memory. Photographs enact a certain nostalgia for the past, the good times or perhaps an important person or location; it’s a memory you want to last indefinitely. It’s a subject many people don’t touch on when they examine a film like Blade Runner (1982), but director Ridley Scott’s film does place an emphasis on the importance of photographs and what they can mean to people. The film depicts photos as a gateway to nostalgia, the immortalization of important figures and how photographs can deceive their owners. When you hold onto a photography they are generally a preserved version of a past memory that is important or a time of happiness.

Kubrick’s 2001: A Space Odyssey is a film largely defined by a split between human visceral drives, and mechanical narrative detachment. The film appears to privilege visceral images (including the psychedelic Stargate scene in the film’s concluding segment, “Jupiter and Beyond the Infinite”) as a means of creating an enigmatic affective experience which prompts immersion in the film. Instead, Kubrick is more concerned with providing a strong visceral experience over narrative meaning, as evidenced in his assertion that the Stargate sequence’s “meaning has to be found on a sort of visceral, psychological level rather than in a specific literal interpretation When considering Kubrick’s 2001: A Space Odyssey, pensive spectatorship is particularly

Gone with the Wind Analysis While watching the film Gone with the Wind most people would pay little to no attention to details like camera angle or lighting. However, Gone with the Wind is a great example of mise-en-scene ,what is physically being shot in the scene without editing and can include, but is not limited to camera movement, lighting, focus and scenery, in many different ways. Mise-en-scene actually appears during the first scene when Scarlett is sitting on the steps of Tara, her family’s plantation, along with her two of her male companions. Scarlett is sitting on the top stair while the twins are sitting on stairs below hers almost as if they were worshipping her. Scarlett is also looking down upon the twins as if she were superior to them.

N00145563 The Maltese Falcon is a film noir directed by John Huston. The film is based on the novel by Dashiell Hammett of the same name. The film was made and distributed by Warner Bros. and was released in October 1941. In this film, detective Sam Spade, played by Humphrey Bogart, takes on a case from the beautiful but deceptive Miss Wonderly, played by Mary Astor.

One of the most important functions of Terminator 2 and Blade Runner within their Science Fiction subgenre is their portrayal of ‘The Other’ or the nonhuman. In this particular case, we are talking about the Terminators and the Replicants and how they are presented in the films. The Terminators are classified as cyborgs in Terminator 2, whereas Replicants are androids which are based on Phillip K. Dick’s novel Do Androids Dream of Electric Sheep?. The terms android and cyborg are completely relative to how the films present them and have a debated definition within the sci-fi community. However, the Terminators are machines that are made in the likeness of human beings.

Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just

O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.

In the film, Blade Runner, by Ridley Scott, uses elements of mise en scene such as the setting, lighting, and characters contribute to the overall mood of the film. The futuristic setting is in L.A., 2019, establishes a gloomy overcrowded and depressing mood in the city that gives a human decay atmosphere. In contrast, Tyrell’s headquarters gives a setting of splendor and power with an orange glow gleaming off the building where it does not appearance like it raining beside the natural light from the orange cast sun. The lighting, in the city is low-key lighting that is smoky with constant rain and spots lights from the sky promoting police presence creating human decay and misery. Finally, the characters establish the mood of how life is in