Salvador Dali's Surrealism Analysis

Student Name: TANG Jocelyn Sze Ling Student ID: GEC 000009X 473 Assessment Unit: VU 21473 Task 1: 1. Sidney Nolan. 2. Sidney Nolan painted pictures using the surrealism art style.

Dali abandoned monumental works because he was devoting his time and energy to building his grand museum and mausoleum in Figueres, Spain, his Catalan hometown. The Hallucinogenic Toreador contain symbols and imagery from his early art periods. Mashing together surrealism, the many figures from Millet’s The Angelus painting, with nuclear mysticism (i.e. the dissolving flies), this large scale canvas is all over the place stylistically and chronologically. It contains a poignant double image of two very interesting and disparate characters: Venus de Milo and Manolete.

Surrealism is a style of Art and Literature stressing the significance of imagery, the exploration of chance effects, and unleashing the imagination of one 's mind. Although he is a well known poet in our society today, many of his poems weren

Katz later began to attach a mental phenomenon to his paintings. He described it as “Looking around while caught in blank mental states, aware not of unhappy feelings, but of experiences which cannot be characterized as entirely positive - experiences which are not engaged with feeling, which do not contain memories, which are not concerned with emotion”(pg. 505).

In the museum of Salvador Dali over at St. Petersburg, Florida, there were several artworks that caught my attention because Dali’s artwork is genuine in many ways. Although I was impressed by all the artworks, there was a particular one that interested me completely. The artwork is the painting titled “Old age, Adolescence, Infancy (The Three Ages)”. This is a 1940, oil on canvas painting with dimensions 19 5/8 in x 25 5/8 in. The subject matter in this work is the three phases of life.

René Magritte can be called an illusionistic Surrealist because of his “painting-poem,” The Treachery of Images (1928) and his painting within a painting, The Human Condition (1933). Which statement best describes his style? (Dada & Fantastic Art II, slides 23-30; Chapter 11 pages 184-5) a. His mysterious images questions meanings and relationships between painted objects and reality.  b. He wanted his paintings to have clear explanations.

Psychic automatism in its pure state, by which one proposes to express – verbally, by means of the written word, or in any other manner – the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern (André Breton, 1924). French poet André Breton (1896 – 1966), founder of surrealism, has described his own vision of the future in the ‘First Manifesto of Surrealism’ (1924). His intensions were to bring about a profound revolution and help artists produce works freely from culturally enforced norms. This paper will address the key factors regarding surrealism by explaining its most popular methods, its goals, the historical events and founders and lastly, its impact on art and other areas.

A Biography of Salvador Dali Salvador Dali was a famous Spanish painter, who worked mainly in the surrealistic genre. Eccentric art preferences reflected in the author’s everyday life. Dali is often recognized by The Persistence of Memory, a painting with melted clocks, created in 1931. But his exposure to art started much earlier.

There are many overwhelming contrasting views on the idea of gender roles and we see that in Dalí’s paintings where many of his early work were based on fear and loathing of the opposite sex. Throughout the first part of this essay I’m going to discuss the differences in Dalí’s views of the opposite sex and how he represents these views within his paintings. During his early work he portrays a sense fear of the other sex. Dalí had a fear of sexual contact and is represented through his

The Perception of Memory is an oil on canvas painting, depicting several melted clocks in a desert-like environment. Dali evokes a sense of stillness and quietness in the environment by presenting a lot of negative space, and a featureless objects such as the sky. We also get a sense of stillness because the water has no ripples or waves. The objects depicted in the painting are not naturalistic, because of their organic nature. For example, there is a dead tree that is growing out of a table-top.

TOPIC 9 Andre Breton, who wrote the Surrealist Manifesto, remarked that beauty in a Surrealist sense is encountered by “the unexpected meeting, on a dissection table, of a sewing machine and an umbrella.” How would you interpret this? How would you relate this to the works by Surrealist artists? Refer to specific compositions in your discussion. AIK XUAN XUN EZRA, A0124669W 24 October 2014 “Surrealism was a means of reuniting conscious and unconscious realms of experience so completely, that the world of dream and fantasy would be joined to the everyday rational world in an absolute reality, a surreality.”

The Ontology of the Photographic Image André Bazin André Bazin through “The Ontology of the Photographic Image” examines how the mechanically produced photographic image is superior to the manual plastic arts for preserving humans and reality through representation. Bazin explores the existence of the photographic image through his essay. Plastic arts were used in the Egyptian civilization to preserve human beings.

Jennifer Mercado Art B37 Surrealism started in the 20th century and sought to release the creative potential of the unconscious mind. Surrealism was a movement that focused on expression, experiences and the artist 's imagination. Self-Portrait with Thorn Necklace and Hummingbird is a painting that has a bit of surreal influences and was created by artist Frida Kahlo in 1940. The painting depicts herself entwined with thorny branches and surrounded by different animals with a leafy backdrop. Surrealism was one of the styles often used by Frida Kahlo.

Moreover, surrealist art is continuously created in the twenty-first century, and the artistic skills that were created by surrealist pioneers are still affected the twenty-first century. For instance, surrealist artists have created a series of painting techniques that are specifically used in surrealist artworks, such as automatic drawing and frottage. More specifically, André Masson created a surrealistic painting technique in the year 1924 named the automatic drawing, which requires the artist excludes the intentional arrangement of rationality and draws a series of lines. Then, the artist creates the further images which based on these random lines. Afterwards, in the year 1925, Marx Ernst invented a new painting skill named frottage.

To achieve this, several Dali paintings used these ‘double’ images to confuse and disturb people looking at them. An example of where this can be seen within his work is in one of his most prominent pieces of artwork ‘The Persistent of Memory’. This image depicts a watch flopping over what appears to be a strange, paled-coloured rock. Observing the image more closely, nonetheless, it could be suggested that the image is a clear representation of Dali’s personality traits. It is important to remember that his paranoia and anxiety are traits that various people remember him by.