Things are not going too well in Persia, not only is the king mortally ill, but his demonic grand vizier has also decided to run amok. To make matters worse, a shadowy disease is slowly spreading across the land. Persian Nights: Sands of Wonders, opens with a young apothecary named Tara desperately searching for a way to prevent the dreaded plague from spreading even further. Her quest causes her to cross paths with an acrobatic swordsman named Darius and the realization that the vizier, Zaved, might have a hand in the appearance of the plague. Tara and Darius are soon joined by a third companion, a genie by the name of Minu, and together the trio attempt to thwart Zaved and eradicate the plague. Persian Nights: Sands of Wonders is an hidden object adventure game with the emphasis on adventuring. Although you mostly play as Tara, Darius is usually with her and the story often switches to his perspective when something dexterous needs to be done. While Minu is often present as well, she is unfortunately one of the most useless genies we’ve ever encountered, so don’t expect to wish your way out of any bad situations. Thankfully, the game is good enough that you’ll never wish to skip anything …show more content…
It has everything you’d expect from the genre, such as multiple difficulty settings, a map for fast travel, diary for objectives and hint system for those who hate getting stuck. Most importantly, the story is quite compelling and the characters likeable. The fact that it is more of an adventure game than a pure hidden object adventure might disappoint some fans of the genre, but personally we think it works in the game’s favor. A few more scenes and maybe a bonus adventure would have really been appreciated, but as it stands we can still recommend Persian Nights: Sands of Wonders without
The Persian man, Farhad, hired a Hispanic locksmith, Daniel, to fix the lock of his shop. Daniel finishes the task and suggests for the whole door to be changed after observing how fragile it seemed to be. Both characters enter a miscommunication that results for the Persian man to call the Hispanic locksmith a "cheater" which forced him to leave. Above all, Farhad represents Frustration and Scapegoat after the various racial harassment him and his family encounters by blaming Daniel for having his store robbed. His frustration causes him to grab a gun, hunt Daniel down and to point a gun at the man he blamed.
Mahfouz, as well as Said, shared a direct contact with the Arabian lifestyle because they grow up in that society. Mahfouz’s novel depicts the real world with the touches of the supernatural and mystic, but as a form of evil in the world not as exotic and uncivilized as the Europeans did. Mahfouz’s Arabian Nights and Days “takes new depths and insights as it picks up from where the ancient story ends” (Fayez 229). Mahfouz uses the Arabian Nights tales and Shahryar’s and Scheherazade’s society to portray the contemporary social and political issues of his people. Mahfouz aims to show various thematic concerns of the people of the East than the early versions left out.
One could argue that Shahrazad from The Thousand and One Nights should be considered a hero for many reasons. From the surface, Shahrazad is noble and wealthy because of her father’s position as advisor to the king, she is identifiable and human, she is selfless by working for the greater good of the community, and she is brave for sacrificing herself to try and end the King’s reign of terror. King Shahrayar would sleep with a new woman each night and order her to be killed the following day. This system was slowly depleting the town of young, available women. Shahrazad wanted to end this horrid cycle, so she devised a plan to tell the King a story every night, and she would leave the story off on a cliff hanger.
The Susa Weddings is one of most interesting point of Alexander’s Asia adventure. The main purpose seems to unify Macedon and Persian cultures in the weddings. Indeed, Alexander the Great intended to integrate Persians and other Iranians into Macedonians. On the other hand, Alexander aimed to solve different troubles. He had to deal with not only militaristic problems but also administrative problems.
Rayne Marinoff Louis Hutchins 1001 Nights 20 January 2023 Sexism, Beauty, and the Moon: The Modern Relevance of The Arabian Nights Although The Arabian Nights was written so many years ago, the theme of beauty within it is still relevant today. The Arabian Nights is made up of many short stories that fit into a frame story. It tells the tale of Shahrazad, a brave young woman, who tells King Shahrayar wonderful stories each night so that he will not have her killed. In her stories, she tells of many wondrous occurrences and interesting characters, such as Badr, a young king in the tale of “Jullanar and the Sea”.
In Persepolis, the Satrapi family has immense pride in their magnificent country of Iran. Even the simplest thing as hearing their country’s national anthem brings tears to their eyes and leaves them “overwhelmed” (Satrapi 83). Mr. and Mrs. Satrapi, in the beginning of the book, ventured out to demonstrate in the streets hoping to bring an impact and help the revolution. Later on in the book, they began to include Marjane in their spirited demonstrations of nationalism. As Marjane is enlightened about the history of her family, she discovers that her grandfather was once the Prime Minister of Iran.
For the rest of her Iranian education, Marjane is separate from boys except for when she plays with them at home. Another way that gender roles play into Persepolis is the fact that all of the leaders mentioned were male. Marjane’s great Grandfather, Reza Shah, Mohammad Reza Pahlavi (“the Shah”), and Mohammed Mossadegh are just to name a few male Iranian leaders who ruled during or just before Marjane’s time. Another manner of gender roles in Persepolis is the way women are treated by men. For example, the incident where two men bombarded Marjane’s mother and told her that women like her should be raped against a wall and thrown in the garbage (Satrapi 74).
• The Persian Empire was the first hegemon in world history and the most culturally diverse and religiously open empire. • The early rulers of the Achaemenid dynasty turned cultural diversity into a source of “synergy and strength”. • The later rulers that followed were intolerant which ultimately led to the fall of the Achaemenid Persia. • Cyrus replaced local rulers with a Persian satrap, who essentially governed and remained loyal to Cyrus.
Effects on the Memoir Persepolis Marjane Satrapi’s novel Persepolis describes experiences during the Islamic Regime that leave people suffering, dying, and fighting for a better government. Marjane Satrapi uses a comic layout to illustrate what is difficult to say in words. Her panel design depicts images of her, her family, and friends as well as how people in the community are reacting to the different events of the revolution. The use of panel design assists the memoir by making Satrapi’s purpose of portraying information more successful. Throughout the novel Persepolis, Marjane Satrapi uses panel design to advance the reader 's’ knowledge of the many situations occurring in Iran that cause distress to many individuals rebelling against the regime.
When judged purely as a game it is a little lacking but as an experience it is quite good. Gameplay: Film noire style point & click adventure. Graphics: A mixture of claimation and homemade props. Sound:
Persepolis, published completely in October of 2007, is a graphic memoir which encompasses the childhood and adolescence of Marjane Satrapi in Iran during and following the 1979 Islamic Revolution and her teenage years spent in Austria. Satrapi uses her life experiences from living in these two contrasting societies, as portrayed in the graphic memoir, to break the many stereotypes that those reading from a Western perspective may or may not have by showing them women’s roles, Iranian culture, youth culture, and the everyday action of the average citizen of Iran. Throughout the entire book, we see Satrapi constantly rebelling against the rules put in place by the Islamic regime, starting out when she was only ten. We see Satrapi and many of the other girls are using the veil to jump rope with, use as a monster mask, and basically everything but its intended purpose (3 / 5).
To what extent is the literary devices shown in Persepolis increase the impact of the novel and show the culture of Iran in the 1970s? In the novel Persepolis by Majane Satrapi, she tells the story of her life living in Iran in the 1970s. In this novel she discusses the atrocities committed by both sides of the bloody Iranian revolution and how both sides truly were. In the novel, Satrapi uses several literary devices to enhance the meaning of the novel to a much greater degree than directly telling the reader. Still, these literary devices also allow the reader to peer into the very culture of Iran in the novel and how certain objects can mean certain things both from within the culture and the context of the novel.
Upon reaching the Western hemisphere, The Arabian Nights has become one of the most popular collection of stories to be introduced into literature, with a number of different adaptation of the story being told throughout the years. The Arabian Night tales have provided unlimited entertainment through the creative and imaginative telling of these stories. The Arabian Nights is a
Have you ever read a graphic novel with a variety of worldwide problems? From: racial issues, economic issues, women’s rights, political repression, social issues etcetera. Persepolis by Marjane Satrapi is the authors memoir of growing up in Iran during the Islamic Revolution. Marjane Satrapi tells her story through black and white comic strips of her life in Tehran from her childhood ages six to fourteen. Persepolis portrays a memorable portrait of daily life in Iran, as well the perplexing contradictions between home life and public life.
In the article, “The Arab World", anthropologist Edward T. Hall discusses how Arabs have a different concept of space and boundary than westerners for public and private places and how this can help explain certain aspects of how Arabs behave. As a renowned anthropologist who has written prolifically and has conceived several important theories in anthropology, Hall is quite qualified to write on the topic of cultural differences and his propositions might be considered extremely credible. Despite possessing such qualifications and writing a well-organized and logical essay, Hall’s arguments in the article are quite lacking because of a biased tone, a lack of evidence, an overreliance on ethos and the use of some logical fallacies. The article basically tries to ascertain how and why Arabs behave differently than people from the west based on “proxemics research”.