Monster-Personal Narrative

More than 5,000 families in the United States, have sedulous relative fighting for our country’s freedom. Many of those families have not the slightest idea of what war is like, and all of its physical and mental effects. The author uses descriptive words to take the reader on a mental voyage. The soldier keeps a conversationalist tone and uses rhetorical strategies such as imagery and rhetorical questions to show how miserable he is living. The e-mail begins with the solider mentally describing your living area; he describes it like a million dust particles that are glued to you.

For the most part, everyone knows that war is a very real and terrifying, especially for someone who is involved. Author Tim O’Brien, being a veteran of the Vietnam War himself, knows from a personal perspective the

The Dark side of War What is it felt like to be a veteran who has suffered from the trauma of war that leaves multiple scars? As a Vietnam War veteran, Yusef Komunyaka in his short poem “Facing It” narrates his experience along with his emotional struggle as he visited the Vietnam Veterans Memorial. Phil Klay, who is also a veteran served in Iraq, in his short story “Redeployment”, attempted to show how it feels like in a war zone and what happened to the soldiers who returned. These stories gives a peek into one of the most difficult phases a person can face in a life time. The sequencing of the collection reflects the disorder of a soldier’s life.

Maybe nothing is more incessant in the pages of history books than wars. Since the beginning of time, men have battled to hold their ground and vanquish more. However, the images of war are never as victorious that they are painted out to be. The truth of war is dull, devastate, and nerve racking, with conditions unfavorable to mind, body, and soul. The substances of war and the dread experienced are reported and told by writers all through time.

Through this description of war, it is obvious that war goes far passed physical trauma and hints on the emotional and psychological effects of war. O’Brien explains the psychological and emotional burdens that the soldiers carry and how those burdens far outweigh

The clinging to the death garments- The rigid embrace of the narrow house- The blackness of absolute night- The silence like a sea that overwhelms- The unseen presence of the conqueror worm. 2.

Unwilling to wait any longer with a cold hand I threw a dagger and watched it soar through the tree line and enter the clear space, cutting the wind as it went until “Swish” penetrating the skull from behind. Not my brightest moment as he turned around fuming scanning the tree line just as I took cover behind my tree. if I die I die I said as I bolted from behind the tree, and sprinted towards him covering ground very fast until I got within distance then I jumped a good 10 feet high, sword blade pointing down as gravity brought me down straight on his

Monsters lurk inside every living being, clawing at the back of their mind. Real monsters form when that dark sensation escapes their control, bending them towards evil. Most monsters, however, do not fit the whole definition of the term “monster,” instead they display dialed down parts of monstrous behavior. Nonetheless, they prowl throughout

Monsters are a topic everyone can relate to. In Where our Monsters Come From, Leo Braudy speaks of the origin of Halloween, where monsters stem from, and four main kinds of monsters and their origin. Each of these four monsters is relatable to a human element and possibly even our darkest realities. These monsters are ones of nature, creation, one stemming within us, and one of the past. Braudy’s story about these monsters has a deeper connection meant to instill in the reader with a reality on what a monster actually is: us.

These creatures can have their origin in the supernatural realm or come about through ominous scientific experiments, often times the two are very hard to differentiate(cf. Hurley 192). A popular reading of this trope is the notion of repressed anxieties and desires manifesting themselves in the form of monsters (cf. Dryden 20, cf. Halberstam 9).

War damages a man's soul. Tim O'Brien writes about the horrifying impact of war in his life, and in the lives of his comrades in The Things They Carried. The book shows the stories of O’Brien’s fellow soldiers before, during, and after the war. These short stories that were collected after the war told us the innermost thoughts of various members of his platoon. The soldiers told us how the war impacted them throughout their lives.

The word “monster” has been around for many centuries and although the interpretation of the word has evolved it still goes back to fundamentally being a mysterious creature that is grotesque that ends up striking fear into others because of their devilish intentions. In this essay I will argue as to what it truly means to be a monster. It is agreed by most that a monster is a type of mysterious large creature, with some sort of negative connotation. This negative connotation can be physical appearance, personality, or intent. Technically, a monster should only be something spoken of in fairytales or legends; a mythical creature that resembles something of a mix between a human and an animal.

From the emergence of literature and arts to contemporary times, monsters have served a dual purpose of both inciting fear and awe. This duality is reflected through the vastly different reactions of humans to the presence of monsters. For the young, depictions of horrific creatures often haunt their dreams, creating feelings of anxiety and terror in times of loneliness. Adults, conversely, frequently dismiss the notion of exotic beings, but rather imagine the dejected and deplorable of society as true “monsters”. The latter distinction is critical; Jeffery Cohen in his work “Monster Culture (Seven Theses), presents an intriguing claim that monsters represent their cultural body, specifically the context in which they were conceived or have

It was another pitch black midnight, the stars were shining, and the full moon bathing the small city in light like a waterfall from heaven. A pair of strange creatures stirred through a tangled and dark forest, growling softly. The creatures had skinny black arms with ebony black claws, straight burgundy bodies and horrifying white eyes. To top off the hideous beasts they had crooked yellow fangs and drool running from their mouths. The creatures had a horrible and twisted name, Ronnie and Towel, the duo of destruction.

The sawdust flies by, I can taste it through the breeze. In the afternoon, soldiers take turns practicing their shooting and using their knives to prepare if they get ambushed. I can taste the gunpowder from the huge rifles. The gunpowder's thick, white puffs of smoke smell like burning firewood. Battles may not be here, but soldiers are on the tips of their toes afraid they must fight in their safe place.