María Ruiz de Burton's historical transition from Mexican aristocrat to a concomitant spoil of war following America's annexation of California compelled her to detail similar circumstances in her 1885 fiction novel The Squatter and the Don. During a time when Mexican Americans, American Indians, and recently emancipated slaves were fighting for acceptance in U.S. society, there was a larger discussion among the general public regarding what kind of place they should occupy. In her book, Ruiz de Burton enters the debate by detailing the growing tensions between westward Anglo settlers and the Californios—the Mexican landed gentry whose ranchos became the target of opportunistic squatters who took advantage of property loopholes and government …show more content…
Instances of the former assertion can be seen all throughout the novel, where the Californios’ describe themselves as native Californians, but this is especially important once the Alamares begin to lose social standing. Szeghi emphasizes that Ruiz de Burton consistently uses the term “native” to underscore the Californios prior occupancy of the land to bolster their claims, “however, assigning this aspect of native identity—along with the land rights it entails—to Mexicana/os involves stripping the same from American Indians" (91). I would go a step further and argue that Ruiz de Burton’s description of the Californios as natives is an attempt to successfully play the victim, as evidenced by her use of sickness and injury throughout the book. It is well documented that disease was the most potent killer of the Native American population following European colonization of the Americas. And yet, despite clearly descending from Spanish aristocracy, Ruiz de Burton gives her characters sickly qualities while denouncing the corrupting squatter invaders. For example, the squatter Hughes has a “sickly smile,” and Clarence maintains that once San Diego “‘is rid of the squatters, [Don Mariano] will recuperate’” (Ruiz de Burton 217, 138). The squatters' threat to the Don and his family acts like a creeping, insidious virus that erodes their wealth and status. And since economic health is tantamount to whiteness, as the Alamares fall prey to the corrupt legal system that enables the squatters, they slowly lose their status as whites and the hegemons of California society. As Szeghi suggests, however, the Californios’ coopting of American Indian body identity does not come without consequence as she ultimately uses illness to reassert whiteness, further silencing Native voices. Ruiz de
In Racial Fault Lines: The Historical Origins of White Supremacy in California, Tomas Almaguer (2009) describes how race and racism coincides to facilitate the birth of white supremacy in California during the late nineteenth century. The idea of racial formation allowed groups to establish their power and privilege over defined racial lines. For each of the three racialized groups presented Chapter one combines the historical and sociological framework to describe the transformation of Mexican California. Through highlighting the historical accounts of racialized groups, fear of potential threats to white workers creates white supremacy. He continues by describing the peopling of Anglo-CA from 1848-1900 with the immigration of Irish, German,
In addition, they were also established with intention to “hispanicize” the Natives so they could eventually become loyal subject to the Spanish Crown. However, converting the natives to Catholicism was largely a failure, and the practices in the Mission were deplorable at best. Many of the Natives were forced into the missions, while also suffering abuses such as rapes and floggings at the hand of the Spanish soldiers. Furthermore, the Missions also required the Natives to labour in conditions that were only comparable to slavery. All of these human rights abuses combined with exposure to European diseases makes Father Serra’s particularly insulting to the descendants of California’s Native
In, “The Book of Unknown Americans” by Christina Henriquez, the central theme projected by the author is the harmful impacts of stereotypes on the experiences of immigrants. The Toro and Rivera families are similar in that they are first-generation Americans. With this, they are constantly subject to violent stereotypes. Mayor toro, the youngest son of the Toro family, regularly found himself at the forefront of racial aggression, “I turned around and saw Garret Miller grinning at me...’[I’m] going home,’ I said. ‘Back to Mexico?’
In this book, This war is for a whole life: The culture of Resistance Among Southern California Indians 1850-1966, Hanks mainly touches on some of the issues that faced some of the native Americans considered as heroes in their battles during the turbulent times of war. Their efforts were mainly initiated by their safeguard their homelands in the southern California region, the natural resources in the region and above all respect. Hanks begins by bringing to the readers’ attention that most of the southern California Indians history normally points dwells on the transgressions that they faced ranging from being compelled to surrender to the religion, and technology of other dominant cultures such as the Mexicans and the Americans. In this regard Hanks develops his work based on George Philips presumptions that Indians of Southern California continue to find themselves in a war fighting not only for their civil rights, but also for their land, sovereignty, as well as their cultural integrity.
The Exiles, a 1961 film written and directed by Kent Mackenzie, is both important to and relevant to this course as it challenges the conventional perception of Los Angeles as a city of opportunity, glamour, and riches for all by exposing the marginalization experienced by a group of 12 Native American men during the 1960s. In juxtaposition to the traditional image of Los Angeles as a city of glamour, riches, and opportunity, these men’s isolated accounts paints them as a collective group part of a larger demographic of marginalized Native Americans and indigenous peoples seeking an escape from their harsh realities. In this regard, Mackenzie not only contradicts many people's perceptions of Los Angeles in highlights its negative aspects, but
Some obvious perspectives to analyze are those of the pioneers involved. One in question is the journal of Stephen Chapin Davis, a merchant from New England who sailed from New York through Panama to San Francisco. He talks about the rough trip it took to get to San Francisco, and he includes stories from every town he stopped in. Every story he includes paints a vivid picture of life in San Francisco in 1850. “In the morning Hilliard and I went over to Sonora and made some inquiries in regard to business, but don['t] see anything lucrative [t]here.
It turned California into a town almost overnight. This essay will delve into the development and the historical background of the gold rush as well as the downfall. Prior to the gold rush, America was experiencing major changes in its economy and its territorial expansion. California was under control by the Mexican government prior
These differences were also smaller details under the larger ideas of barbarianism, new cultures, and the even bigger idea of inhumanity. The Spanish saw the Native Americans as slaves because they showed to be hard laborers and gave into the Spanish power. The Native Americans had a natural knack for manual tasks, so much that most Spaniards compared them to insects because both insects and Native Americans could do certain tasks that normal humans, such as high class Spaniards, could not. The Spaniards would never do such work as they believed that work was meant for slaves. When the Spanish took over the Aztec capital city, Sepúlveda remarks of how the Native Americans were “oppressed and fearful at the beginning.”
It clear that from the time of Junípero Serra until now, outside forces have controlled the past, the present, and the future of the California Native
Situated near the U.S.-Mexico border during the early twentieth century is the fictional setting of Fort Jones, the outskirts of which is where Americo Paredes’ short story “Macaria’s Daughter” takes place. Emblematic of the disappropriation of Mexican land, as well as the increased marginalization of the Mexican people, the overbearing presence of Fort Jones reveals the struggle for preservation that characterizes the Mexican-American community of the story. “Macaria’s Daughter” is the tragic account of what happens in a small community when the upholding of Mexican values and institutions, and opposition to Anglo-American culture, become more important than a young woman’s life. In this essay, I will argue that “Macaria’s Daughter” is a text
Maria Amparo Ruiz De Burton work entitled the “The Squatter and the Don” captures the essence of Michel Foucault’s proposition on discourse and power by drawing from the Treaty of Guadalupe-Hidalgo in 1848. She illustrates the racism and deprived rights the Mexican-American faced after being falsely promised to be given citizenship. The discourse of Burton’s work is the written laws that any citizen living within the state is supposed to abide by. Don Mariano is a man of the Alamar family who resided in San Deigo with his wife Dona Josefa and their children.
“Aztlan, Cibola and Frontier New Spain” is a chapter in Between the Conquests written by John R. Chavez. In this chapter Chavez states how Chicano and other indigenous American ancestors had migrated and how the migration help form an important part of the Chicanos image of themselves as a natives of the south. “The Racial Politics behind the Settlement of New Mexico” is the second chapter by Martha Menchaca.
La Chingada can take many forms; in this context, it is mother Mexico and La Malinche. Native Mexico and the conquest are obvious examples of a taking, however, La Malinche is all but a personified chingada. Doña Marina (La Malinche) was Hernán Cortés’s personal advisor and Indian mistress. Marina was used by Cortes and became recognized as evidence of the physical violation of women by Spanish conquistadors, or chingones. Paz argues that La Malinche can be seen as the violated Mother of Mexico, while La Virgen de Guadalupe is hailed as the virgin Mother.
As a young child, after being told of how poor her houseboy Fido was, Adichie did not believe his family could also be hardworking. “Their poverty was my single story of them. ”(Adichie) She also details how later, on a trip to Guadalajara she was overwhelmed with shame because her only image of Mexicans was the “abject immigrant” due to the “…endless stories of Mexicans as people who were fleecing the healthcare system, sneaking across the border, being arrested at the border, that sort of thing.” (Adichie)a She was caught by surprise when she saw Mexicans happy and at work in the marketplace.
In the poem “To live in the Borderlands means you”, the borderlands become a place of change, such as changing from just one culture or race into a diverse culture or race and not-belonging. (Singh, A., & Schmidt, P. 2000). The poem describes how the author’s own background ethnicity people, mixicanas, identifies people like her, chicanas, as “split or mixture that means to betray your word and they deny “Anlo inside you.” (Anzaldua, F. 1987). The poem describes that the borderland is a place of contradiction, such as of home not being a home.