Marriage In Oscar Wilde's The Importance Of Being Earnest

In Flannery O’Connor’s “Good Country People”, O’Connor utilizes the relationship of Mrs. Hopewell and her daughter, Joy, or Hulga, as a representation and critique of the lack of self-awareness in society. To do so, O’Connor presents the sense of superiority each character possesses over the other, resulting them to not question their own self. In doing so, O’Connor challenges the common perceptions of society in never questioning one’s self, leading hypocrisy to become rapid amongst individuals. Through examining the relationship between the characters of Mrs. Hopewell and Hulga in regards to: both characters viewing themselves to be dissimilar, their sense of superiority over the other, the ironic similarity they share, and their hypocrisy,

Often times unfair expectations are placed upon people who have a hard time conforming to society. In the novel Catherine Earnshaw must choose between her adolescent love Heathcliff and the man trying to court her, Edgar Linton. Bronte illustrates this struggle on page 78 where Catherine cries, “I’ve no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn’t have thought of it. It would degrade me to marry Heathcliff now; so he shall never know how I love him; and that, not because he’s handsome Nelly, but because he’s more myself than I am.”

Before the modern era, marriage in the Western civilization was commonly a form of business to unite houses and prevent future wars, but, as the times changed, marriage became a form of commitment and a pledge between two lovers. A trend in the 1950s veered away from this belief, which resulted in loveless marriages. Mavis Gallant, the author of The Other Paris, uses a mocking tone and detailed character descriptions to criticize the socially required marriages of the 1950s. Gallant creates a mocking tone by contrasting romantic allusion and realistic diction to ridicule the reveal the lack of coordination and love in the marriage proposals.

My views concerning others’ interpretation of this topic changed drastically after reading Oscar Wilde’s The Picture of Dorian Gray, as I began to note the unsettling similarities between the satirized society of Victorian England,

In Pride and Prejudice, by Jane Austen, and Our Mutual Friend, by Charles Dickens, two proposals, despite their few effective lines, end up being horrendously uneffective. In the first, William Collins proposes to Elizabeth Bennett, and in the latter, Bradley Headstone-his last name, which he will need after he dies from the painful embarrassment of his rejection- proposes to Lizzie Hexam. What makes a marriage proposal successful is a display of commitment, intimacy, and passion- though not too much or too little of any one factor! A lack of one or more of these factors, which both proposals are guilty of, will lead the proposer down the path of one of the main struggles of wooing: rejection. Both men do make one or two seemingly effective statements.

Marriage in the 1700s and 1800s was judged by those closest to and the society that surrounded the couple which caused great strain within families. Both novels consult the idea of suitable matches and how love was valued above money and status. In an era filled with deep class prejudice, it was easier to marry someone from your own class as a woman since marrying below it was deeply frowned upon while marrying above provided its own issues which are explored in Pamela. If a woman did not have a substantial dowry, such as money or property, potential husbands from good families were unlikely. Pamela, for example, was an educated girl but yet she was still a servant with a family that has little to offer due to her father’s declined fortunes.

To begin, the proposed marriage between Catherine Heathcliff and Hareton Earnshaw demonstrates that only those who put aside the prejudices that they hold towards others will be able to achieve personal growth and happiness. For example, in the initial phases of Catherine and Hareton’s relationship, Catherine makes fun of Hareton for his attempts at learning how to read. When Hareton excitedly says to Catherine that “[he] can read yon, now” (Brontё 210), she

As a matter of fact most frequently critics have looked at how prejudicial her mother’s philosophies have been for our character, and attributed to Editha Mowbray the “fallness” of her daughter. In her essay “The return of the prodigal daughter” Joanne Tong contemplates how “Mrs. Mowbray pays too little rather than too much attention to her daughter” (2004: 475) the outcome of which is a misunderstanding of her position in society with regards to the strict laws of etiquette and feminine ideology in eighteenth century England. Cecily E. Hill also blames Editha for Adeline and Glenmurray’s extramarital affair and their inevitable moral condemnation, and instead of accusing the lovers she sees Editha as the soul villain of the novel. Contrary to the typical concept of a mother who provides a safe education to Adeline, she experiments with dubious theories that ultimately foreground her daughter’s tragic

The play An Ideal Husband was written by Oscar Wilde in 1895 in England’s Victorian era. This era was characterised by sexual anarchy amongst men and women where the stringent boundaries that delineated the roles of both men and women were continually being challenged by threatening figures such as the New Woman represented by Mrs Cheveley and dandies such as Lord Goring(Showalter, 3). An Ideal Husband ultimately affirms Lord Goring’s notions about the inequality of the sexes because of the evident limitations placed on the mutability of identity for female characters versus their male counterparts (Madden, 5). These limitations will be further elaborated upon in the context of the patriarchal aspects of Victorian society which contributed to the failed attempts of blackmail by Mrs Cheveley, the manner in which women are trapped by their past and their delineated role of an “angel of truth and goodness” (Powell, 89).

The satirical piece of literature, “The Importance of Being Earnest”, takes place in the Victorian Era, “when an intricate code of behavior governed everything from communication to sexuality.” (shmoop.com). During the Victorian age, all marriages were connected to social status, matched economics, and to protect their own resources. This idea can be shown in “The Importance of Being Earnest” through Lady Bracknell. This satire is written to awaken people and to try to remind people not to value bloodlines instead of true love when deciding upon your marriage partner.

Wilde’s representation of the British upper class, its values and opinions, is presented most notably through Lady Augusta Bracknell. She is a dignified aristocratic residing fashionable London society circles. On the surface, she is very typical Victorian woman. As a mother to Gwendolen Fairfax, she has a great authority over her controlling her life. She has even a list of ”eligible young man” whom she is ready to interview in order to select a suitable partner for her daughter.

Morality and The Picture of Dorian Gray “The pendulum of the mind oscillates between sense and nonsense, not between right and wrong.” C.G. Jung The Picture of Dorian Gray, by Oscar Wilde, was first published in 1890, right in the middle of the Victorian Era, an era that was characterized by its conservatism. Ever since, and due to the content of the book, it has been condemned as immoral. Furthermore, on 1891, Wilde published a preface protecting his book from public punishment in which he said “There is no such thing as a moral or an immoral book. Books are well written, or badly written.

“It is a truth universally acknowledged that a single man in possession of good fortune must be in want of a wife” (Austen, 2014). Comparing the similarities and differences between the marriage proposals of Mr. Collins and Mr. Darcy’s first in Pride and Prejudice to Jane Austen’s heroic figure. Elizabeth Bennet does not agree with the ‘importance’ of marrying as quickly as possible to secure her future without keeping her own feelings in mind, making her a strong and different woman than were expected to act and behave during that specific time. Both the addressers are extremely condescending to Elizabeth.

As a result, when Mrs. Bennet says “My dear, you flatter me. I certainly have had my share of beauty, but I do not pretend to be anything extraordinary now (ch. 1 pg.11),” we can conclude that she is the type of parent that would judge someone else by their appearance, considering that she seems quite vain in this particular quote. Mrs. Bennet cares only about marrying her daughters away to a wealthy individual. This is very similar to the first paragraph we discussed, about how a family views marriage.

Did you ever see her? A smart, stilish girl they say, but not handsome. I remember her aunt very well…she married a very wealthy man” (Austen 184). Willoughby despite loving Marianne marries Miss Gray for her money because of his financial state. Instead of love, money becomes a determiner for the choice of marriage, making it a commodity rather than a