In his essay “Here,” Philip Larkin uses many literary devices to convey the speaker’s attitude toward the places he describes. Larkin utilizes imagery and strong diction to depict these feelings of both a large city and the isolated beach surrounding it. In the beginning of the passage, the speaker describes a large town that he passes through while on a train. The people in the town intrigue him, but he is not impressed by the inner-city life. His attitude toward the city is displeasure. This can be understood through the imagery used to describe the town. Through this literary device, the speaker describes the elements of the town in great detail, and he makes known what elements he dislikes. The speaker portrays the town as having “grain scattered streets” and “barge crowded water.” These two descriptions are given with a negative tone, and they imply the negative attributes of the city. In …show more content…
He describes the land outside the city as “unnoticed,” “hidden,” “neglected,” and “isolated.” This differs from the crowded city environment that the speaker did not approve of. The author also portrays the “unfenced existence” of the space, such as a bird flying through the sky or a fish swimming through the sea. Lastly, the speaker concludes with repetition of the word “here.” By using this technique, he displays his excitement for the new land around him. In this environment, he is “facing the sun,” happy, open, and free. In closing, Philip Larkin uses literary techniques to make his point in his passage. He utilizes imagery and strong diction to convey his attitude toward the places he describes. Because of this, it can be understood that the speaker is unsatisfied with the crowded city and the habits of its residents. However, he admires the isolated sea front outside the city. Because of techniques Larkin practices in the passage, his attitude can be easily
“Some Figurative Language was, Where the sidewalk ends itself because it represents a metaphor for imagination” (Buckley, Sean). Instead of just describing a mental state that is relaxed and carefree, Silverstein uses a metaphor to describe it as an actual place to explore; where the sidewalk ends. “The title of the poem and volume succeeds well in suggesting a place
The little town that Joe creates in his head is portrayed as “squat and ugly”, and yet still he still believes it to be “beautiful”. The babies in his “beautiful homely” dream are “awfully healthy”, and they correspond with the dawn in that they both symbolize new beginnings. The quaint little town alludes to God watching over his kingdom with admiration. Joe imagines his own utopia, because he succeeded in his goal, he now has access to it. The oxymorons establish Joe’s dewy, fresh appreciation for mundane, typical
Prose Analysis Essay In Ann Petry’s The Street, the urban setting is portrayed as harsh and unforgiving to most. Lutie Johnson, however, finds the setting agreeable and rises to challenges posed by the city in order to achieve her goals. Petry portrays this relationship through personification, extended metaphor, and imagery.
I will discuss how the poets have given the reader the ability to understand and view the characters within their own environments. ' In Cardigan Market' has continuous themes of locality, community and mainly character development due to the surrounding environment. Likewise, 'A Peasant' ensures these themes are present too. ' Auntie Jane fish' 'squats' in the marketplace all day.
I decided to pursue option B of project three because I enjoy writing creatively and Kooser’s piece was very interesting to me. Upon starting this project, I was influenced by Kooser’s “The Wheeling Year.” I admire how he makes different stanzas to introduce different ideas and I try to mimic this technique. My text qualifies as creative nonfiction in its own right because I use my sense to create vivid descriptions, I use stanzas to separate my ideas, and I write not only about my “place” but also my thoughts, which allows me to not only tell, but show you a place that’s very special to me. I use very descriptive images in order to not only tell but show my special place.
In the book, In Cold Blood by Truman Capote, the reader is able to gather a sense of suspense, intricately worked by the author. Capote uses these crafts such as diction, tone and imagery to add suspense to this murder mystery, which, in many cases, leaves the reader wondering, what’s next? From chapter to chapter, page to page, he integrates these literary devices into his work; “Blue-furred, orange-eyed, red-fanged, a tiger snarled upon his left bicep; a spitting snake, coiled around a dagger, slithered down his air; and elsewhere skulls gleamed, a tombstone loomed, a chrysanthemum flourished.” (Page 32). The imagery used in this passage allows the reader to view the tattoo as exactly how Capote wants the reader to view it.
Altogether there is a quiet peacefulness that lays over the city that when the sun sets you 're simply alone in the best way. It’s just you and the stars and whispering of trees as they dance in the chilly saltwater breeze. Those clear nights when I look out my window at the ocean and see the reflection of the moon dance across the surface are blissful. During the day the town is equally as beautiful whether it be sunny, cloudy or rainy. My love of small towns has grown from living my whole life here.
When the protagonist is walking in the street there are “curses of laborers” and “nasal chanting of street singers”. These imageries help emphasize the protagonist’s feeling of wanting to cover his ears because these sounds are often loud and intense. When he is in the priest’s room he describes it as in the house as silent but then he hears the rain from outside this gives the story a dramatic mood. When he arrives at the bazaar he describe the sound as silence after a church service which emphasizes that he has arrived late and has already missed something important. The silence can also be used as the impossibility of his fantasies.
This is an excerpt from the short story of Half a Day, it talks about how much his city has been transformed into something he was not expecting. The excerpt explains how Naguib felt about how his home town was changing so much and becoming a completely new place, from old-fashioned to modern. “I could only see tall buildings and hordes of people”(Mahfouz 87). The quote that is mentioned shows that Mahfouz is not impressed of amused with the amount of new people coming into his hometown. “How did these hill of refuse come to cover its’ sides”(Mahfouz 87).
The vivid stream-of-consciousness prevails over the description of the place, which indeed is never presented. Readers meet places living in the narrator’s thoughts, but they do not exist physically in the story. The narrator lets her mind travel to many memories, and she describes them with a lot of details, giving the impression that also the reader is involved in the story. “She would struggle down over books, always eating and I would be ironing, or preparing food for the next day, or writing V-mail to Bill, or tending the baby. Sometimes, to make me laugh, or out of her despair, she would imitate happenings or types at school”.
The poet enters into a tacit agreement with the public with the declaration that he will avoid an esoteric language, use words in the sense with which the public is familiar and employ traditional patterns of verse, easily intelligible to the public. He favors a rational progression of thought and a logical structure. He seems to agree with Ivor Winter’s tenet that a poem is an organization of language with precise meaning of words embodying a value and a judgment passed by the poet himself on it. Thus it can be easily perceived that the Movement has staged a rebellion against the modern poetry of 1920s, represented by Eliot and Pound. Philip Larkin, the illustrious poet of the Movement declares that he has been most influenced by the poetry which he has enjoyed- that of Hardy, Owen, Christina Rossetti and Auden.