Lady Macbeth's Soliloquy Act 1 Scene 7

Towards the beginning of the play, Lady Macbeth criticizes Macbeth for being nervous to kill Duncan by saying, “Which thou esteem’st the ornament of life/And live a coward in thine own esteem (Shakespeare I.vii. 43-49). Lady Macbeth starts to manipulate Macbeth by saying that he is not a man, but rather a coward, which Macbeth takes it to heart and tries to reach her expectation of being a man. Macbeth tries to hide his sensitivity and prove Lady Macbeth wrong by killing Duncan. Moreover, Macbeth tries to prove his masculinity even more during a dinner where he thinks he sees Banquo.

Macbeth not falling into the temptation right away would be very frustrating for the witches. The witches needed someone that Macbeth trusted that could convince Macbeth that this was really the right thing to do. This person would be Lady Macbeth. Lady Macbeth learns from the witches that Macbeth is going to be King. Lady Macbeth becomes immediately influenced and under Satan’s control.

In Act 1 Scene 7, Lady Macbeth labels Macbeth a coward and makes fun of his manhood by claiming he is too kind to do the job. After Macbeth objects, Lady Macbeth exclaims “When you durst do it, then you were a man” (I.vii.49-51). Using these words, Lady Macbeth brings out the competitive and sexist nature in Macbeth. Macbeth refuses to be underestimated and appear weak in front of others. Furthermore, Macbeth’s initial objection suggests his free will.

“When you durst do it, then you were a man; And to be more than what you were, you would Be so much more the man” ( Act 1 scene 7). This quote by Lady Macbeth is to her husband, Macbeth, after he has doubts about killing King Duncan. Lady Macbeth is basically telling Macbeth that if he has the courage to kill the king, he will become a true man and be able to achieve strength. She is pushing him to be more motivated and cold hearted , believing that if it is necessary to achieve power and success. However, this quote also mainly shows the toxic masculinity in the play, as it shows that a true man must be violent and aggressive.

Lady Macbeth presents herself as a strong, driven, and ambitious woman who is ready to do what it takes to gain power and influence. This is shown when she instructs Macbeth to “Leave all the rest to me.” (1.5.71) as she takes the leadership of a gruesome action from her husband. Lady Macbeth even feels these masculine-presenting traits enough to question the masculinity of others, which is seen when she tells Macbeth that he was acting like a child by saying “the sleeping and the dead are but as pictures; ‘tis the eye of childhood that fears a painted devil.” (2.2.53-55) after he expressed his guilt.

Shakespeare’s tragedy, Macbeth, focuses on the tumultuous events that surround a regicide. Despite being the shortest of Shakespeare’s plays, in his critical study of the play A. C. Bradley concludes that due to its vehement nature the audience is left with an impression “not of brevity but of speed” . The principal female character of Lady Macbeth is arguably one of his most contentious. Consumed with intense passion, ambition and greed she challenges the subservient role of the traditional Elizabethan woman. She has disturbed, horrified and intrigued both contemporary and modern audiences alike through her powerful diction.

(Shakespeare ii.ii.64-65). Lady Macbeth has been conditioned to see any sign of vulnerability or insecurity as unmanly. When she sees her husband acting in fear, she immediately calls him weak. After all, if Macbeth is acting in a way that is not manly, then he is no man at all, and he is weak. Macbeth reacts as any man would when his wife calls him less than a man; he is driven to action, and he allows himself to act in whatever his wife’s interest

Thesis: In Macbeth, Shakespeare’s juxtaposition of his characters’ “deepest desires” with their “false face[s]” furthers the motif of deception and treachery, setting the stage for Macbeth’s ultimate regicide. When the audience sees Lady Macbeth act like a traditional hostess despite her murderous desires, her treachery becomes amplified. Before Duncan arrives, Lady Macbeth is seen on stage planning to influence her husband, who is “too full [of the] milk of human kindness,” to change his nature and murder his cousin and king, Duncan (1.5.17).

In the soliloquy in Act three Scene 1 of Macbeth by Shakespeare, Macbeth talks to himself about the problems of being a king and he is afraid of what might happen to him. Macbeth also talks about how Banquo was his friend and how Banquo is the only person he fears. Macbeth’s predicament in the soliloquy is that he is afraid of losing his crown and that Banquo will get in his way. This is important because Macbeth does not trust anyone anyone because he does not feel safe and is convinced that the wrong thing are actually good. Through the literary devices of metaphor and personification, it will help us demonstrate Macbeth’s predicament.

William Shakespeare portrayed the character Lady Macbeth to be extremely ruthless, malicious and manipulative. Thus, being the reason she could easily convince Macbeth to do her will, yet still put on such a convincing performance in front of those who knew nothing of her and her husband’s actions. Lady Macbeth shows her complexity constantly throughout the story when she shares her view-point on masculinity by demasculinizing her own husband, when she strategically plans the murder of the King Duncan, and finally when she finally goes crazy because of the guilt she possesses for not only her own actions but also turning her own husband into a

Murder. The word itself evokes a feeling of uneasiness, a feeling that is undeniably abnormal. And what causes a person to murder? What attributes must a person possess to drive them to such an unnatural act? Through her soliloquy, Lady Macbeth uses extensive imagery and diction to convey exactly what characteristics make her capable of murder.

In act one scene 7, Macbeth doubts if he should kill the king; however, his wife, Lady Macbeth, manipulates him into proceeding. It might be difficult for Macbeth, the renowned warrior, to hear his wife accusing him of cowardice. Therefore, under Lady Macbeth’s influence, as she questions his manhood, he commences the murder in order to prove to her that he is not a “coward.” This is important to note because his soliloquy shows his determination to proceed.

She is malicious not only in words but also in her intent. Her sole object is to obtain power and wealth, with its attendant treasures. Lady Macbeth lacks humanity and regrets that she was not born as a man. She understands that power and violence are synonymous with manhood and bravery. Additionally, Lady Macbeth interests’ and ambition, override her love for even her husband, Macbeth.

Macbeth’s soliloquy in Act 5 Scene 5 after hearing about Lady Macbeth’s death acts as a reinstitution of Macbeth’s trace of humanity, he reflects upon his own actions and life itself. Macbeth’s melancholy lamentation over Lady Macbeth’s death reveals the disorientation of time caused by his actions. Although his desires are fulfilled, he realizes in the soliloquy that everything he has done is futile. In the soliloquy, Macbeth brought up the the idea of time.

Macbeth’s state of mind changes dramatically throughout the play. This is revealed through his soliloquy. In his soliloquy, He shows his intention he would like to achieve but its construction shows Macbeth’s mind still very much in confusion. However, most of the time Macbeth shows three different fears considering the consequences of killing king Duncan. At the beginning of Act 1 Scene 7, Macbeth is in turmoil about killing Duncan.