Kitty Genovese's Murder

The Detroit Police Department (by way of its inspector Schuknecht), changes and manipulates information to make it seem as if the Sweets and their friends fired upon a small group of white neighbors without provocation. The congregation of whites is claimed to have been very small (which it was not), and the police stated that the mob had not attempted to throw rocks until after being fired upon (blatantly untrue, as the reporter himself noticed). This pattern of lying not only is an attempt to paint the Sweets and company as cold blooded killers, but also exonerates the police department and the mob of any wrongdoing. The reporter investigating the crime relates in his piece, “Schuknecht said, and he knew the truth: there hadn’t been any mob threatening the Negroes, no one surrounding the house, no one throwing stones” (182). The flagrantly untrue details related by the Detroit police department would pop up again during the criminal trial shows how little the truth matters to a police force infested by Klan members, racists, and

The investigative team of the town people went to Dimmesdale’s residence and approached the scene of his murder. The investigators noticed a sun glare reflecting from a small metal tool. They stood in silence as they picked up to reveal a scalpel. “Should we report this finding or let that hussy rot in her prison cell?” Said one of the

There are many examples that can be investigated about the danger of indifference. There is multiple righting that talk about the danger of indifference. There are 3 pieces that tell you how dangerous indifference can be “First they Came” by Martin Niemoller, “The Perils of Indifference” speech by Eile Wiesel, and “ The Kitty Genovese Murder. What Really Happened” by Jessica McBurney. Niemoller, Wiesel, and McBurney all openly speak about indifference and have life experiences and examples to support them.

1. The comparison between grain elevators to Greek temples is how the Greek temples are like the elevators but way before tourists reach them. Capote uses imagery to get his point across that the land in Holcomb is extraordinary. 2. To emphasize that they didn't really know who their neighbors were.

Through this letter, Shreve gives a fictional account of the life of Maren Hontvedt yet provides an entirely plausible, if not shocking, account of the events that could have happened on the night of the murders. Both stories build deadly and somewhat unexpected climaxes. 2. Shreve tells us a stunning story with great climax and mysterious plots and themes. There is plenty for the reader to reflect and savor in this accomplished inquiry into the circle of

Capote, with the intention of breaking the stereotype that murderers have no moral compass, describes the two murderers, Perry and Dick, differently. Capote includes that Wendle, one of the first people at the Clutter house after the murder, said that Perry and Dick would “cut out your heart and never bat an eye” (254). Capote illustrates that Wendle’s claim is not credible since Wendle drew his conclusion against Perry and Dick solely based on one source of evidence--the crime scene. Moreover, Capote utilizes Wendle’s opinion as a vehicle to establish that many, because Perry and Dick committed murder, immediately assumed that Perry and Dick do not value life, a typical stereotype of murderers. In defense of his virtue, Perry recalls “as we’re

In “38 Who Saw Murder Didn’t Call the Police” heard and witness a woman getting murdered. The citizens do too little to help the victim. The majority of residents do nothing to help the victim. When the residents finally did something, it was too late. Martin Ginsberg’s “38 Who Saw Murder Didn’t Call the Police” argues that society has moral apathy.

Gansberg tells a story about the lack of help neighbors give while one of their own are being murdered and how it stunned the Assistant Chief Inspector Frederick. At his time Frederick has been a detective for 25 years, he has been a part of numerous killings but this specific murder shocked him. In this essay 38 civilians witness a 28 year old female named Kitty, who was returning home from her shift at a bar in Hollis. On her short walk home from her car in her middle class neighborhood, she was grabbed and then stabbed by an unknown man. She yelled for help multiple times.

Catherine was an excellent horsewoman, greatly skilled in riding horseback. In addition to her equestrian talents, she was also very familiar with the

Robert Darnton’s Great Cat Massacre took place in the 1730s, and shows the angst the local journeymen had against the social system they lived in. The cat massacre was awful in its own right, but represented the disenfranchisement between the journeymen and the entrenched masters. The Cat Massacre was a sign of the changing times as the guild system of the late medieval and early, Early Modern Period when the journeymen would advance to become their own master was replaced with a monopoly system where few a masters were in control and most journeymen had no hope of advancement in society. In the Medieval period and part of the Early Modern period, workers in a trade would enter a guild as an apprentice, rise to journeymen, and finally to master to start their own workshop.

In the ordinary hours of life I try not to dwell on it, but now and then, when I’m reading a newspaper or just sitting alone in a room, I’ll look up and see the young man coming out of the morning fog” (Ambush). Tim O’Brien was a father, a son, and a husband, yet he was also able to kill without giving thought to the action. Afterwards, however, when presented with his family, friends, and other civilians, Tim realized the gravity of the deaths he caused. Another example of paradox was the murder that in Queens, New York, around the same period as the Vietnam War. A criminal stabbed a woman outside her home, and out of the thirty-eight people in the neighborhood, zero people called the police or helped the woman.

In literature, the setting poses itself as a vital element in literature. When characters interact with the world encompassing them and respond to its atmosphere, we unearth various underlining traits and secrets that ensconce betwixt the pages. Ann Petry's 1946 novel The Street accentuates the relation between Lutie Johnson and the urban setting by employing figurative language, such as imagery and personification conjointly with selection of detail. Petry promptly exploits imagery and figurative language to navigate us to a bustling town where an astringent wind is "rattl[ing] the tops of garbage cans, suck[ing] window shades out through the tops of opened windows and [sending] them flapping back against the windows.

Facts and Fiction: A Manipulation of Language in Truman Capote’s In Cold Blood English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book.

Andre Dubus, short stories contain a common theme of revenge, morality, and justice. In “Killings” published in 1979, Andre displays the theme of revenge and justice through the development of characters, the title of the story, and the thrill of the suspense. Dubus neglects to take sides with the characters in the “Killings”, which leaves it upon the readers to make assumption whether the killings were justifiable. Dubus has a very unique style of writing, the main characters in “Killings” were given a choice that could’ve led them to a completely different outcome. Dubus keeps the readers on their toes because the opposite usually ends up happening.

In the article Thirty-Eight Who Saw Murder Didn 't Call Police, author Martin Gansberg recalls the events that occurred on the night of March 13, 1964. "38 respectful, law abiding citizens" (120) stood idle as Kitty Genovese was hunted down on three separate occasions and murdered. Not once was an attempt made to alert authorities, an action that may have resulted in Kitty 's life being spared. When questioned, the spectators had a multitude of excuses for why they had not notified authorities, some of which included, "I didn 't want to get involved," (122) and even, "I was tired" (123). This article demonstrates the violence of this time period and the unwillingness of humans to assist those in need.