An impenetrable way through perseverance and resistance in the book “Persepolis” has sent a powerful message to audiences everywhere. This graphic novel is a story of small Marji, who had to face formidable obstacles through her childhood. Living in Iran surrounded by war and thousands of deaths, inspired the little girl to fight for her rights. On page 102 of the book, we can see a powerful juxtaposition, where both of the panels have a profound effect on the reader. Looking at the elements of a graphic novel, Satrapi uses caption, movement and mood in both of the panels in order to enhance the significance on the narrative. The first panel is an illustration of thousands of children being bombed. They are all in the air with their keys around their neck. The bomb is drawn with sharp and dark angles stabbing into the children’s bodies. This is extremely important in the book because it shows one of the consequences of the Iranian Revolution: thousands of innocent people died from the war and no one was able to help. The second panel shows Marji and her friends having fun on the party. They are all jumping around and not thinking about what is happening in the real outside world. These two panels are very significant because they describe a situation between the poor and the wealthy children during the war. How enormous are the differences and how they can affect the lives of each individual. Caption, movement and mood have been clearly shown in panel one. In
Most people would agree that who they are as children is completely different from who they are as teenagers and adults. ________.... This can been seen in the book Persepolis, a story about a young girl, Marjane, living in Iran during the Islamic revolution. The book describes what changes she undergoes as a young child to a teenager. Satrapi uses juxtaposition to compare how Marjane changes in her innocence, the way she acts in public (socially?), and _______.
On page (6) Marji is having deep thoughts about what she is wanting to do with her life. She is thinking on turning into a prophet or not. On this various page Marjane is stuck between wearing a veil and not wearing a veil. She was religious but their family was also modern. The juxtaposition is that the history of her family and which Marjane wants to be a prophet but it's either veil or no veil.
SHUBH MITTAL IBDP XII B D-BLOCK Paper 2 Essay Context: Historical, Political, Economic, Cultural, or Social can have an influence on the way literary works are written or received. Discuss with reference to two literary works that you have studied. Writer’s use of context acts as a driving force enabling and shaping literature.
I 'm here to explain why I believe that my book, Persepolis has very valuable things to tell the world. I 'll start by saying that as a ten-year old girl, I 'm being forced to wear a veil to school by those that have called the cultural revolution in Iran. As a girl and the age I am I 'm always being told what to do, and if I don 't obey it there will be consequences. It 's not fair that now it 's not only my parents telling me what to do, but now there 's people, strangers telling what to do or they will be many consequences, and that has cause many protest both for and against this cultural revolution. Im afraid that not obeying what I 'm being told to do even if it 's against my religion will bring me severe consequences.
The graphic novel, Persepolis that is written by Satrapi depicts the coming of age story of Marjane and her experiences during and after the Iranian war. Through Marjane’s experiences, the character frequently encounters the hardship and conflict of growing up. However, these hardships are major factors that shape Marjane as a character and establish the context of the novel. Within this novel, Satrapi uses graphic novel conventions and literary devices to convey the conflict of Marjane; with herself, with man (in the form of her teachers), and with the society that is revealed in Persepolis.
The readers can see the transition of cultural background by noticing details within the image, for example, character’s clothing and how they dress themselves up. The transition of clothing and fashion represent cultural backgrounds that create struggles for Marjane and her search in self identity. The necessity of Iranian girls wearing veils indicates the regime taking over Iranian society further effect Marjane’s belief towards her identity. The first part of the book presents the background history of this graphic novel by saying, “In 1979 a revolution took over place.