Howard Shore’s use of leitmotifs in his movie score composition in the Lord of the Rings provides for a foundational basis of emotion and character narrative. His complex integration of leitmotifs in the trilogy is considered to be among the most extensive in terms of the sheer number of motifs and themes accounted for, as well as it’s multifaceted composition. Many composers of movie scores will often fall into the pattern of minimizing the usage of leitmotifs and instead score based on momental romanticization. Shore does not fall into this category. The intentionality and strategy placed in each score and harmony is a direct emotional reflection of character development and plot progression. In the first film, Shore introduces the principal themes. He then built upon those themes and added more in the second film. In the third film Shore was able to create conflict and crossovers between the existing themes to emphasize and ultimately have a resolution. There are numerous leitmotifs employed in the trilogy, but the most extensive and complex is arguably the Fellowship theme.
Leitmotifs hold significant weight in the plot development and characterization within the Lord of the Rings trilogy. It cements
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An example of this lies in the same fragmentation of the Fellowship theme from the scene where Aragorn is believed to be dead and the scene where he is reunited with a portion of the Fellowship at Helm’s Deep. At this point in the trilogy, even small fragmentations of the Fellowship theme are easily recognizable because of how deeply ingrained the leitmotif is. Variations of Fellowship theme fragmentations are sprinkled in throughout the trilogy until the end of the Return of the King. When Frodo destroys the ring and the Fellowship is reunited the full orchestral theme is played out for a few lines, which is then resolved into the Shire
The Hobbit Literary Analysis Archetypes Bilbo- the heros journey Irony Dramatic irony- Smaug doesn’t realize he is vulnerable located at the heart due to his armor that has fallen apart Conflicts Bilbo vs spiders Bilbo vs smaug Bilbo vs environment Bilbo vs himself Symbols Ring Arkenstone Treasure The Lonely Mountain Allusions Themes
“The moral elements of The Hobbit are relatively simple” (Helms 578). Tolkien illustrates the theme of identity in an unsuspecting hero and the rewards of leaving one’s comfort zone by telling the tale of a stay-at-home hobbit and his quest for adventure. Tolkien tells of the journey
The Hobbit, a marvelous tale by the accomplished novelist J.R.R. Tolkien, closely follows the outline of the hero’s journey. Hero’s journey is the process where a protagonist in a story often completes in order to complete this quest. This is shown through three separate phases or acts called the departure, initiation, and the return with each act containing different stages of the plot. Because of it’s beautiful understanding of this process, The Hobbit is agreed to be one of the best examples of the hero’s journey use in modern day literature. Each step had an equal role to providing the prodigious anecdote’s importance to people across the world.
Bryce’s book talk project on, “Lord of the Rings - The Two Towers” by J.R.R. Tolkien demonstrates an understanding of the elements in a narrative. His work was organized and he was able
Controlled by Temptation “Do not tempt me! I dare not take it, not even to keep it safe, unused.” (95) This statement sets the tone for the remainder of the book, The Fellowship of The Ring by J. R. R. Tolkien. In this story the keeper of the ring has a great responsibility to keep it safe, while also dealing with the consequences of its custody.
The situations take place in the story are evidence for the theme. First, the theme
Paragraph #1 (Beowulf): When reading the epic Beowulf, I make a text to text connection because I notice the deep ties and similarities to the movie The Hobbit: The Desolation of Smaug. The film was based off of J.R.R Tolkien 's novel, The Hobbit. Tolkien used Beowulf as his initial inspiration for his story, so distinct connections are easily found. For example, Beorn, a character who shapeshifts into a bear-like form, is closely related to Beowulf himself. Both of their names translate to “bear” and they have similar superhuman strength.
J.R.R. Tolkien: The Influence of Catholicism and Religious Symbolism in The Lord of the Rings When examining literary works, especially more popular literature, there tends to be story that surrounds the author and their intended purpose for writing the book. Tolkien’s writings may have been so widely received due to the saga’s fantastical and magical attributes. As a result, Tolkien’s audience enjoyed the emotional connection they could make to escape their own mundane world into a world which is familiar yet fundamentally different in respect to the mythical creatures which mingle with the human world. Tolkien’s fantasy creates a nation through mythology. Mystical creatures are flesh and blood; thriving in their foreign lands.
Another time the use of literary devices was useful to the story was when J.R.R. Tolkien used allusion. He used allusion when he mention the Necromancer in the
In chapter 9 of “How to Read Literature Like a Professor,” Foster explains that a myth is a body of story that matters, and can be Shakespearean, biblical, and/or folk and fairytales. Foster says, “…we’re chiefly concerned with how that story functions as material for literary creators, the way in which it can inform a story or poem, and how it is perceived by the reader,” (39). All three of these mythologies work as sources of material, of correspondences, depth for the modern writer, and provided they’re recognizable to the reader, they enrich and enhance the reading experience. The biblical myth covers the greatest range of human situations, covering all ages of life including the next life, all relationships whether personal or governmental,
Man's Actions The fans of J.R.R Tolkien are well aware of his trilogy the lord of the rings, and as a reader, I always wondered about Tolkien personality, personality and such makes one's character and that is a heavy influence in their writing. From what I have read so far Tolkien's impression on me is that he is a daydreaming man that has an endless imagination, that has made his work beloved by millions around the world. I'll be going over my sources in how they discuss the influence that friends had on Tolkien’s writing and the inspiration that life events & his morals had on Lord of The Rings It's common knowledge that fans know that JRR Tolkien has served in a war, World war one to be precise and we all know how war affects most people. War is something significant in one's life one that will never go away, you see the brutal violent deaths of your close comrades, almost die in multiple occasions yourself, you know what true fear is like.
When adapting pop culture into different forms of media, it is necessary to change a variety of aspects to fit individualized nuances of each medium. The transformation of The Lord of the Rings, by J.R.R.Tolkien, from a novel onto the screen is not an exception to this notion. However, Peter Jackson, the director of the popular film series, is known for staying fairly accurate to the original plot of the book. After all, when creating a film based off a novel, the director is not creating something completely his own, rather, he must stay accurate to the plot, in order to observe the wishes of the author and the expectation of his fans. While for the most part Jackson succeeds in his mission to fortify the narrative, rather than stray from
The film begins with a black screen with a chorus singing in a unsettling harmonic key that symbolises the Lothlorien elves. When the title “Lord of the Rings” appears, the ring theme fades in. Bilbo Baggins places us in the shire on a map and places us in time introduced by a lighter shire theme. In full statement plays the fellowship theme presenting the opening of the film. These leitmotifs of the themes are presented throughout.
TASK 1: FILM STUDY ESSAY Lord of the Rings (2001-2003) and the later released The Hobbit (2012-2014) are fantastic fantasy adventure films directed by Peter Jackson. It is obvious that the underlying theme is the continual struggle between good and evil, but the techniques that Peter Jackson uses make it easy to identify between the contrast of good and evil. In this essay I will be talking about the techniques that are used to make the difference clear between the good and evil forces. For reference to identify between the good and evil, I will be using the Dwarves and Orc’s.
“The Lord of the Rings, The Fellowship of the Ring” was the first part of the amazing three part trilogy that was written by J. R. R. Tolkien. In 2001, Peter Jackson released this tale as a film for all to see. This film shows the journey of Frodo Baggins and his eight companions, traveling to Mordor to destroy the great ring of power. Being a huge fan of these movies myself, I was grateful for the chance to give this film a critical analysis. There are several main concepts in the film that are highly relatable to Norse Mythology.