How Does Tom Mature In To Kill A Mockingbird

The Trial of Tom Robinson In Harper Lee’s To Kill a Mockingbird, racism is explored, and you are able to consider every factor in Tom Robinson’s trial. Tom Robinson, a black male, was accused of raping a white woman in the small county of Maycomb, Alabama. The woman was he was accused of raping is named Mayella Ewell.

Go Set a Watchman” says that white people in that time do not want to change. They listen to the way things have always been (Crow 4). Jean Louise grows up thinking her father believes in equality and that is why she believes that. She treats Calpurnia the same way she treats anyone until she finds out about Atticus. She forgets about Calpurnia because she starts following the way the white people acted in the southern

In chapter 12 when Calpurnia was stopped for bringing white children into the church, suggesting that there is equal ignorance and racism from blacks to white as there is whites to blacks. Rather they are only stopped by one women making me assume the other blacks in town are more civilized and non-racist towards the whites and choose to conform to their norm. Since Lula is the only one to stand against the white children entering their church this suggest that she is ignorant and rude toward the Finches, since it was her way of getting revenge for all the racism that she had received by other

Lula also uses racist names while addressing Calpurnia when they both belong in the same race and should show respect and recognition to one another considering that they attend the same church. Furthermore, Lula interrupts the welcoming arrival of Calpurnia and her visitors by claiming: “Stop right there, nigger… you ain’t got no business bringin’ white chillun here- they got their own church, we got our’n” (Lee 119). The statement is highly ironic deeming that Lula is surprisingly promoting segregation; in the beginning of the To Kill a Mockingbird, it seemed, as only the white people are racist until Lula’s appearance on. Lula may be depicted as a hypocrite or illiterate, but this instance itself displays how Lula is blind; she does not understand and realize that there are contrary results to her emotional insanity in the church.

Lula is a colored woman who goes to Calpurnia’s church, and when Cal decides to bring white

Upon entrance of the negro First Purchase church, they are confronted with racial discrimination and rejection from Lula, “...the troublemaker from way back.” She refuses to allow white children into their church when they have one specifically made for them .Calpurnia argues “It’s the same God…”, her defence against prejudice and racism characterising her moral integrity and empathic nature, thus depicting the complete opposite of the stereotypical perception of a southern black woman during the 1930s. This experience teaches Scout that racism goes both ways. In light of this, however, she also witnessed the support the African American community gave to Helen Robinson and her children, allowing Scout to see a kind and charitable side that greatly differed to society’s views.

Even at the sight of Lula, Scout found her in an unflattering way and sort of a rough person. “She was bullet-headed with strange almond-Shaped eyes, straight nose, and an Indian-bow mouth” thought Scout describing Lula when first laying her eyes on her (158). With the words Lula chose to say, made her sound in a way racist to Jem and Scout because of the fact that they had their own church. Not only did Lula sound upset because of them, but she also sounded especially upset at Calpurnia for being the one to bring Jem and Scout to the church, where it was, according to Lula, their church, not theirs. “You ain’t got no business bringin’ white chillun here-

In To Kill A Mockingbird when at the church people are mad that calpurnia brought white children to an all black church. “You ain’t got business bringin’ white chillen here -- they got there church, we got ours. It is our church ain’t it? Miss Cal?” “ Let’s go home, Cal.

Many people in the community assumed that Tom was guilty solely because he was black. Atticus knew this mentality was wrong. He felt confident to defend Tom even though he knew that the jury would probably find him guilty, simply based on his skin color. Throughout the trial, Scout and Jem observed and noticed their father’s courage, integrity, and honorable qualities. Nevertheless, he knew he had to try and change the way society viewed black people.

The story, To Kill A Mockingbird, by Harper Lee follows a young girl named Scout on her journeys and struggles around the town of Maycomb. In the story Scouts father, Atticus chooses a case about Tom Robinson in which he is accused of raping a girl. It makes sense for Atticus to choose this case because he wants to help people even if they did wrong, he wants to keep his responsibility in the Maycomb County, and he wants to be able to keep his dignity so he can still speak with his children. It makes sense for Atticus to take the case because he always wants to help people even if they did wrong. This is shown when Atticus knows that they most likely will not win the case but tries anyway to prove that Tom Robinson is guilty.

In the novel To Kill a Mockingbird Atticus finch is displayed as a father of two. Atticus is a lawyer who lives in the town of Maycomb with his two children Scout and Jem. In the setting the novel takes place in, Maycomb is a town broken by the great depression and society. The Great Depression caused many people to lose their jobs and several people around the town are struggling to keep a roof above their heads. Society has created segregation causing minorities to be discriminated.

Harper Lee’s novel, To Kill a Mockingbird, is a story that takes the reader on a journey through the sleepy town of Maycomb, Alabama, in the mid 1930’s. The story revolves around a young white girl named Jean Louise Finch, more commonly known as Scout. Scout’s life is filled with many events, like the Tom Robinson trial, that play a key role in her character development as she grows up in the racist community she is a part of. Throughout the novel, Scout learns that the society she lives in is filled with people who are dangerously influenced by racial prejudice. She matures from a naive girl who could not even comprehend the idea of racism to a knowledgeable person who realizes how unfair the racial justice system is.

When they walked up to the front, a nasty black woman named Lula came up and told Cal “‘You ain’t got no business bringin’ white chillun here’” (158). Scout was scared that none of them wanted the children there with Calpurnia because they were white and that their presence wasn’t appreciated; she later found out that they were wanted. Zeebo, the garbage man explained “‘we’re mighty glad to have you all here’” (159). Calpurnia said there were going to be no issues with the children going with her and that the lady was not used to white people coming to their church.

In the book, To Kill a Mockingbird by Harper Lee, Scout and Jem Finch live in the small town known as Maycomb, Alabama during the Great Depression. Over time, Scout learns about the town’s true identity. She and Jem are forced to work for Mrs. Dubose, an old woman who seems to hate children. Accompanying this, Scout and Jem are stuck fearing the lunatic who only comes out from his rickety old home at night, Boo Radley. Atticus Finch, Jem and Scout’s father, was appointed as a lawyer to help defend Tom Robinson, a struggling black man who was framed for abusing Mayella Ewell.

I made the mistake of reading the first Little House on the Prairie book once again after finishing the series. It was just so hard to believe that the distinguished Laura Ingalls Wilder was once a naughty five-year-old, always secondary to her flawless older sister. This transformation made me realize that in reality or literature, characters change as they grow up. This depends on the events of the book, which explains why and how Laura Ingalls rose up to be the head of the family when her older sister was unable to do so. Many literary works portray growth or refinement of certain characters; physically, mentally, or emotionally.