Gregor Duty To His Father

Gregor’s initial reaction to his transformation shows his preoccupation with work. His confusion over his radical transformation does not last long, quickly becoming concerned with work and disregarding that he woke up physically transformed into a monstrous vermin. Immediately after realizing he had transformed, Gregor explains, “Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to [the boss] that will probably take another five to six years… But for the time being I’d better get up, since my train leaves at five” (4). The quick transition of Gregor’s thoughts from the initial shock to his economic duties reveals his ironic nonchalant attitude towards his nonsensical transformation and

The family sees Gregor as a monster now. Someone who used to work tirelessly for them trying to help them out has now been turned on because he feels confined in the

This is the reason he isolated himself from his family. Gregor is forced to work in an environment he hates but his transformation overlooks that. He doesn’t have to suffer from his occupation and allows him to spend more time with his family. However, this change only had a positive affect temporarily.

Both Kafka and Gregor were tormented characters facing the absurdity of their complicated situations, which brought both of them to their ruin, one by death, and the other by escaping into literary fantasies. Throughout the story I deduced the resemblance between the author, Kafka, and the main character, Gregor. There are many similarities that can be seen between both as shown above, it is as if Kafka projected his problems onto Gregor and discarded them into a fictional

Hurry, get the doctor. Did you just hear Gregor talking?’ ‘That was a voice of an animal’” (12). Through Gregor’s perspective, one may assume that his response to his manager was heard loud and clear and the only modification to his identity is the physical change he has undergone which highlights the importance of Kafka’s change in perspective. Although Gregor believes himself to be in control of the situation, the third person narration as well as the other character’s remarks reveal quite the opposite.

The narrator said, “During the first fortnight, Gregor’s parents could not bring themselves to enter his room…” He has been disconnected from his family to the point where they’re emotionally unstable and unable to treat him as he deserves with affection and comfort to help him cope with his metamorphosis. The narrator shows this disconnection before the mutation,”Gregor later earned so much money that he was in a position to cover the expenses for the entire family…” He later described the exchange not “particularly warm”. Gregor feels alienated by his parents because of the lack of affection for him providing for them.

Gregor is taken into a deep state of depression, and he misses the s freedom Heidegger would call superficial he used to have. Kafka describes Gregor’s vison ,of the Charlotte street as a gray sky and gray earth being almost indistinguishably fused, implying that Gregor can no longer see the difference between his happiness and sadness. Gregor is no longer able to relate to the outside world due to his isolation for the past month, causing him severe loneness. The window he looks out of represents all Gregor has left of his fading connection with the outside world. The life he had before his transformation and the life he cannot go back to.

One should make a balance in order to have more than one thing to live for. Humans always are questioned their actions and their being, but by showing in actions how complete and competent we are there is no need to provide an explanation. Gregor became a slave of his family and his idea of what he had to do to make them happy. He lost himself in all that work and the end it didn’t give anything back to him. In conclusion, I think this story teaches us that life not only is work or you’ll lose yourself.

Gregor’s isolation and loneliness begins to toy with his composure, he becomes unpredictable and frightening to his family. Although, Gregor’s slow transformation from man to bug eventually becomes beneficial to Gregor. For instance, Gregor’s bug-like appearance allows him to be released from his family's high expectations. As for his developing bug-like qualities helps him to register his inner anger he feels towards his father. Gregor now realizes his father shows no sympathy towards Gregor and instead punishes him for something he has no control over.

There are many circumstances in the book that tie to Franz Kafka’s life. Kafka was abused by his father as a child just as Gregor is abused by his father. “From the fruit bowl on the sideboard his father had filled his pockets, and now, without for the moment taking accurate aim, was throwing apple after apple” (Kafka 49). Gregor’s father is throwing apples at him just as Kafka was also abused by his father who would hurt him. The apple here is seen a weapon that later on leads to Gregor’s

1. Almost from the very beginning of Gregor’s metamorphosis, Mr. Samsa has been unwilling to accept Gregor as his son. Furthermore, Gregor’s transformation into an offensive form of an insect, constantly reminds Mr. Samsa of the grotesque, feeble, and pathetic aberration that he has fathered. Consequently, now that Gregor has genuinely revealed himself in all his audacious behavior, his cruel father is driven to destroy him. In his eyes, Gregor has become everything loathsome to him—scrawny, parasitic, and futile—not the kind of son this once successful and ambitious storekeeper could be proud of.

Gregor is the main provider within the family for the amount of income he brings, and is idolized for his role. Being raised in the 20th century, Gregor 's view on women had been the same as any other male during this time period and looked down upon women as inadequate, and, in most societies, the man provides and the woman maintains; however, this viewpoint alternates once the unexpected change in their life occurs resulting in a switch of leadership within their household. "Gregor felt very proud that he had been able to provide such a life in so nice an apartment for his parents and his sister. (21)" After his mysterious modification within his physical form, his mentality also weakened.

The narrator describes a recently hung picture, “The picture was of a woman clad in a fur stole; she sat upright and held out to the viewer a thick fur muff into which her entire forearm disappeared” (Kafka, 2013, p. 112). The protagonist displayed, this picture in his room to symbolize his search in finding love and a true meaning in life. Therefore, depriving Gregor from having a social life affected his mental

Gregor had a busy day ahead of him. When Gregor woke up, he seemed frightened at the thoughts of the dreams taking place on a regular basis. Gregor forced himself to get up and then began to head out of his bedroom door. Before he exited the room he looked up at the picture he had recently cut out of an illustrated magazine. He always wished that he lived like the people in that fancy house did.

Kafka uses diction and symbolism to convey the family’s dissatisfaction and the deterioration in their family ties. Each family member acquires a job to compensate the loss of Gregor’s salary. Kafka writes: “They were fulfilling to the utmost the demands the world makes on the poor: Gregor’s father fetched breakfast for the petty employees at the bank, his mother sacrificed herself for the underclothes of strangers, his sister ran back and forth behind the shop counter at her costumers’ behest... And the wound in Gregor’s back would begin to ache anew when… Gregor’s mother…would say: ‘shut the door now Grete’; and Gregor was left in the dark again” (Kafka