Brandt, Wanberg, and Haynes: Synthesis Outline
Brandt, Wanberg, and Haynes discuss many topics concerning ghostwriting throughout the course of history and how it has affected readers, writers, and the economy since the print and press was discovered. Brandt leans towards the personal aspect of ghostwriting, while Wanberg and Haynes lean towards the more historical viewpoint, but each arrive at different conclusions about the way ghostwriting should be interpreted and who should claim authorship. Ghostwriting is widely accepted as an important part in our economy, but it is not the lack of writers, Marxist ideals, or pride that is the main reason ghostwriting is so popular: it is our modern population’s inability to manage time. Even though
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Brandt implies that writing has impacted the economy because writers are scarce, and those who are running in places of power typically don’t know the correct way to express their ideas in the most commercial, efficient fashion. Therefore, she concludes that writers make a huge impact in the economy; they can be found in almost every business and they’re are needed in order to enforce competitive commercialism. Wanberg addresses how ghostwriting economics do not stay consistent globally. He states that, although Europeans see authors as those who piece the work together themselves--the artist of the writing--Africans view literacy as cultural. Instead of claiming that the author is a specific person, they claim it is just African instead. Europeans claim that the actual writer claiming authorship functions as the economic safeguard. African’s do not see the economic use in having an author. Haynes addresses the materialist way of life that modern people follow, and this way of life makes the author more of a professional than an artist. Economic developments such as the print and press and a commercial market led to this shift in the role of a writer. As of now, writers do not have authorship; they are just commercial workers who work for the promotion of items and of other images. If the United States maintains its consumerist ideals, then ghostwriting is …show more content…
Brandt states how the United States’ legal codes allow commercial businesses and heads of power to put their names on another writer’s work. Legally, if a writer is hired, the writer no longer has the rights to their own work. Instead, the work belongs to whoever he or she is writing for. Therefore, legally, an author can be someone who has never written a word in their entire life. This creates controversy over the correspondence between ghostwriting and plagiarism, because anyone can put their name on a ghostwritten work and by law, it is not dubbed as unethical. Wanberg states that one can discuss the ethics of ghostwriting, but if one chooses to do so, they cannot use the law to defend their point. He states that “law and authority” correspond with each other, therefore members of the justice system do not only support ghostwriting, they actively use it. Haynes discusses the legality of authorship throughout history. She discusses how free writers have the right to claim their work. She claims that writers aren’t required to sacrifice their writing to a company unless they were hired to do so. All three sources demonstrate that one cannot include the law in the fight against ghostwriting because the practice is legal and has been legal since the growth of
Ehrenreich begins her article with the discussion of cheap labor being used to write in papers. She states, “The website
It’s also is relevant to the overall argument as it provides a reason why traditionalists don’t use the internet. During the time the book was published, in 2007 Steve Jobs launched his creation of phones, apple launched their first generation of iPad in 2010, windows recently launched their windows 8 recently in 2012, and other technology were invented during the time. This promote the use of technology in our daily writing. This evidence that Thompson provided doesn’t persuade his audience because it doesn’t support the argument that he wants his readers to take away. Bloggers and technology users would argue otherwise that technology helps writers connect with their audience, makes writing faster, and help generate creativity in writing.
In her article “Unconscious Plagiarism,” Rachel Tool describes how she experienced been plagiarized by unmeant from her friends and her students. Also she might use other people’s ideas by accident. She told her students that famous writers sometimes steal other famous writer’s ideas or writing structures because they want to build their tension and use fluid transitions. Long time ago, lots of students use rote memorization when they learning how to write, and students just re-transcribe what they learned from other people. When the writer heard that students always use her ideals to play jokes and communicate after class, she is kind of happy cause she thought this is likely a form of flattery.
Lastly, she reflects how physical writing gave the “at risk” students a voice for the first time. Analysis The apparent audience for Anna Quindlen’s essay is those interested in the movie “Freedom Writers,” and those interested in how writing impacts our lives.
Graff thinks that a lot of kids would much rather read a magazine or book about their favorite sports player, car, or fashion designer rather than read Shakespeare or other writer you read about in school (270). Students like to learn about what they like to do, and even if they don’t like to write about what they read Graff explains “ Even if they don’t , the magazine reading will make them more literate and reflective than they would otherwise” (270). Writing is writing as long as the student likes to write, they will get better at it no matter what they write about. Graff would much rather have, “the student anytime who writes a sharply argued, sociologically acute analysis of an issue of Source over the student who writes a lifeless explication of Hamlet or Socrates’s Apology” (270). A student who writes well doesn’t have to be writing about great works throughout history, they just need to know how to write well even if it comes from a
In her essay "Does Texting Affect Writing?", Michaela Cullington presents her argument that texting does not impact formal writing written by students. She discusses the concerns presented by many people about how texting language can transfer into writing, but through the use of personal experiences and credible sources she discusses how this is not true. Her use of multiple different studies and situations help boost her argument and allow the reader to truly see how students actually do formal writing. She presents a strong argument as to why those who believe students don't have the control and knowledge to write formally, instead of with text speak, are wrong.
The influence of textspeak on teenagers' writing is a polarising concept with both fans and critics of texting weighing their opinions. In her essay, "Does Texting Affect Writing?", Michaela Cullington, a previous student of Marywood University in Pennsylvania, outlines her investigation into whether or not texting affects writing. Cullington analyzes the critiques of texting and why critics believe that texting has a detrimental affect on teenager writing. Along with the critics,
He feels struggled. He had to work harder and received a failing grade on the first paper. However, he said “I was both devastated and determined, my not belonging was verified but I was not ready to be shut down.” He decided to search the school’s library to look up the publishing’s of his Professor. He would write his paper, research the Professors writing style, and then revise his own writing.
After all this the narrator realized that when he submitted something it needed to be his own work. Susan, the character the had her poem plagiarized, ended up taking the event positively. “Plagiarism, not imitation, is the sincerest form of flattery” (157). After this event the narrator became an authentic writer. Without the school taking the narrator’s future into account, him becoming a writer could have never
Neil Postman and Wendell Berry state that twentieth-century Americans are losing literacy and the ability to read and write, which weakens our ability to think for ourselves. Reading, writing, and thinking are connected through everyday life and as English speakers, it is our responsibility to preserve and correctly exercise the truth and validity of the English language. With the dependency on technology, relaxed educational standards, and even potential government control, we become stripped of our independence of thinking. With no free will to think, we are vulnerable to dominance and corruption, inability to argue complexly, oversimplification, and conformity. Neil Postman sets the scene of his essay, The Typographic Mind, by opening with an explanation of the famous Abraham Lincoln and Stephen Douglas debate.
“Should everybody write” is the question that is argued throughout the article Should Everybody Write by Dennis Baron. Baron, an English professor at the University of Illinois, incorporates essay styled writings in correspondence to English problems faced in today’s world. His main concern in this essay is to demonstrate to his audience a proper answer to the argued statement and uses rhetorical strategies throughout his article to support his claims. The use of tone is incorporated when he discusses the context of writing history. His purpose in this article is discussed using his strong sense of logic and he also conveys to his audience’s emotions to caution them on their own writing or writing fears.
Not So Fast”, conducts her own study with a few colleagues to take notes on how students writing skills are changing. She decides to conduct another one twenty five years later to see how much the writing skills have changed since technology has been updated and became more available to students. She found that “students today are writing more than ever before.” Although we still have the same amount of writing errors as before, the patterns of errors are different. Many people argue that technology is only making our writing skill worse, this study helps to prove a different theory.
Roth tells stories that helps his readers understand the message he is trying get through. “I was devastated, believing that this record would follow me forever”(Roth20). When Roth talks about this record following him forever, it 's about a teacher getting him in trouble for making noise in the hallway. He then realizes that there is no such thing as a permanent record. This goes on to show how Roth uses pathos to really persuade his readers that “the only ones keeping a record of there failures are themselves”(Roth21).
industry relies on the fame of national politicians and celebrities” in order to thrive (Brandt 549). Speechwriting is one of the most common and accepted practice of ghostwriting. In 2003, Dennis Kucinich argued that because he never used ghostwriters to write his speeches or his books, he was trustworthier than the other candidates. Common people have a general distrust towards people who use ghostwriting services, because ghostwriters are never recognized on even a copyright page. Therefore, one can never be certain of the information they are reading and whether or not it is an actual representation of the “author.”
It is also one of the most effective means of education. Conversely, digital technology has caused a revolutionary transformation in all aspects of our lives, whether it is in communication, education or creative writing. This research, therefore, aims to find out what effect this technology has on creative writing and specifically on creativity, writers, the youth and book piracy, as I feel that those are the most significant. Introduction of Technology in