From Bauhaus To Our House Analysis

In the initial creation of the White City the designers’ primary reason for the fairs grand size was to exceed the large success in Paris that had overshadowed even the most renowned pieces of American architecture. Larson used that phenomenon as “…a world`s fair so big and glamorous and so exotic that visitors came away believing that no exposition could surpass it.” (26). Larson`s use of the words glamorous and exotic make France`s fair appear to be the upmost success of architecture of the time period. Readers now have a standard set in their mind that nothing could possibly compare to the success of the French, and the world`s fair had to face this unobtainable guideline set by Paris`s feat.

Do you ever just stop and think about the architectures that surround you every day? Maybe about how they were made, or what the inspiration was behind building them? People are often not aware of how the buildings came to be, they just care that it is there now. When you stop to think about the historical descriptions of how the buildings were made, you start to realize why the construction of these buildings are the way they are. Men like Vanderbilt, Carnegie, and Rockefeller constructed these structures to serve a purpose for others around them.

Every person has their own definition of home. In the story “The Round Walls of Home,” Dianne Ackerman is saying her home is the earth. She uses the word “round” because the earth does not have walls like normal homes, but the walls are the outside of the earth, making it round in shape. When most people describe their home they would mention the color of the walls, what sorts of belongings, and how many rooms. But, Ackerman describes her home as a, “big, beautiful, blue, wet ball.”

In a Painted House Libby Latcher is pregnant with Ricky’s baby. The song I ain’t goin’ down by Shania Twain is very similar to what happened to Libby. The song is about a girl that gets pregnant at 15 and the baby’s father leaves. That was exactly what happened to Libby. At the end of the book Luke and his parents leave to get a better job.

The Architectural Fantasy by Hubert Robert is an oil painting created in 1802. For an architectural painting, is displays much emotion through the use of color, line, and light. The painting does not utilize a multitude of colors but still is able to provide an exciting scene. Although it does not appear to be that large in the gallery, the work would actually be prominent if it were a standalone piece. The artist’s use of perspective, light, and color give the overall composition a balanced look.

The house was built for an oil heiress in the 1920s. This paper is out to analyze the Hollyhock house and later compare it to other works of art in regions like Asia and other parts of America. This house is architecturally a unique marvel that feels retro and futuristic at the same time, thus standing out as the most significant structure in the 20th century by American architects (Department of Culture Affairs, Los Angeles). In this discussion, the assumption is that Wright integrated regional aspects of the location of the

The 60’s in the United States, the peak in popularity of postmodernism in architecture and philosophy, are also the years that mark the construction of millions of residential houses across the United States. But as the famous American architects such as Venturi, Graves and Neutra explore the modernist ideas of simplicity and functionality while building skyscrapers and residential complexes for wealthy clients, one architect decides to experiment on his own with the concept of a modern house, and builds one for himself trying to test some of his original ideas. The Moore House built in 1962 by Charles Moore in the outskirts of sunny Orinda, California, peacefully sits on the slope of a sunlit valley surrounded by an oak forest that gives the

The development of modern day architecture is very fascinating. Even though it has a very significant difference to architecture in the past, it still has many similarities. Many famous buildings we have today still show the same basic designs. For example, the Lincoln Memorial is very similar to the Parthenon.

He believed that the absence of important buildings and architectural sophistication in American society would undermine social authority. Overall the building connects America with the past but also portrays Thomas Jefferson’s hope

Ways that architecture can be afrofuturist is better described by Emily Roos in her paper, “‘Afrofuturist’ Architecture” when she writes “Afrofuturist architectural movements … would promote a non-segregating, racially diverse, culturally colorful future for our African brothers and sisters and those who have cultural and ethnic African roots” (2). The words “racially diverse” and “culturally colorful” apply almost exactly to Clark’s writing. His description of multiple cultures within the architecture achieves exactly what Roos

Inside, rather than providing the order and simplicity that the modernists worshipped, Venturi’s design chose to surprise people with its contradictions. The interior design played with concepts of scale, with an oversized fireplace, and an undersized stairway which leads to nowhere. While the Vanna Venturi house is widely considered to be the first postmodern building, Robert Venturi insists he wasn’t trying to create a new movement. Maybe it was just ‘art’ and that “sometimes, rules are meant to be broken.” (Robert Venturi, wttw.com).

After doing that for a while, Wolfe decided in 1905 on becoming a professional decorator (Munhall, 1999). Soon enough Wolfe came in contact with architect Stanford White who got Wolfe the commission to do the decoration in the city’s first only women’s club called “The Colony Club” located on Madison and 31st Street. When the Colony opened in 1907, what really got people talking about Wolfe style was the indoor garden pavilion. Wolfe introduced a casual, feminine style with an abundance of glazed chintz, tiled floors, light draperies, pale walls, wicker chairs, clever vanity tables, and the first of her many trellised rooms (Munhall, 1999). Over the next six years, Wolfe designed interiors for many esteemed private homes, clubs and businesses on the East and West coasts.

New designs have been adopted since the onset of architecture, and thus, with the concentration of a history of architecture, new phenomenon and innovations are realized that would help in further explanation and address of other necessities in the same sector. A concentration in the History of architecture and landscape architecture as a course incorporates more than one element of

In the film “the House I Live In”, is most broad and obvious clam is in the issues with the laws that separate, not the different races in the country but actually separating the economically differences. In the film many people are interviewed and beautifully showing us how Jarecki’s view on these issues as well as showing very little amounts of bias. In the film “The House I Live In”, many people that you would consider heroes are interviewed such as Vice President Joe Biden, Bob Dole, Charles Rangel and President Barack Obama. They then interview other people such as prison security and even prison inmates in an attempt to humanize the two very different sides in the film.

The Bauhaus is an Art and Architecture school founded in Germany in 1919. It is considered as the most influential art school in design history and the leading ideology in modernism that was a philosophical movement arose as result of rapid urbanization and industrialization in the early 20th century (Lewis, 2000, p.38). The name Bauhaus derived from the German word ‘bauen’ – to build and ‘haus’ which means the house (Mack, 1963, p.1). As the industrialization has been a dominating factor to the society, understanding about Bahaus’ ideas are still encouraged comprehended. This essay will discuss the aesthetic approach that rejected decorative details in the Bauhaus in which, the manipulation of art form and the use of design principles are