The Monster And Frankenstein Comparison

Frankenstein saw himself as a creator of man, as God. That idea went against beliefs stating that there is only one God and soon brought misfortunes to Frankenstein. Another conflict emerged through the thoughts of Frankenstein's creature. During his journey to understanding the world, the creature comes across books. Paradise Lost was one of the books, and the creature compared himself to Adam and Satan while his creator was God.

At the end, however, God banished both of them from Heaven. In relation to Frankenstein, this means Frankenstein judged his monster, to which he was the blame, for deeds he did not do, regardless of the fact he himself was probably for the blame of most of them. Also, this means Frankenstein’s monster will adore Frankenstein no matter what happens, as he owes him his creation. The monster will always be the product of

Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.

Throughout Mary Shelley’s Frankenstein, a great comparison is shown between Victor Frankenstein, the main character, and Prometheus, one of Greek mythology’s greatest Gods. Shelley borrows from the tale of Prometheus a consequence resulting from searching for a great source of enlightenment and power. In creating a being and giving it life, Frankenstein seems to take on the remarkable role of God which leads him to thinking that a power that is so heavenly cannot be played with by mankind. During his quest to expand his creative knowledge, abilities, drive, and ambition to know the origin of life, he puts himself in conflict. Frankenstein gambled his way into the godly realm without realizing he committed a sin by creating the monster, and

Through life, relationships may branch from many different circumstances, and in Frankenstein, Mary Shelley focused primarily on a relationship between a creator and his creation. Victor Frankenstein, the creator, was intrigued by science as a child. This interest sparked the desire to create life, more significantly, the life of a creature. Considering the relationship between Victor and the creature was that of a relationship between a father and his son, they embodied various similarities. Each was isolated, had the same desire for family and the same urge to obtain knowledge.

In the novel Frankenstein by Mary Shelley there are many similar characteristics between Victor Frankenstein and the monster that he creates. Victor and his creation both let their emotions get in the way of their actions, act revengeful, are isolated from society, and are very intelligent. From the beginning, the lives of Victor and the monster are very similar. They both grow up without a strong role model figure, and are forced to quickly grow up. Since they both grew up in similar settings, they react similarly to different situations.

In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical

After successfully creating the monster, Frankenstein is perplexed by what he has created. Due to the monster’s annoyance with Frankenstein, he acts back against Frankenstein mostly due to his lack of parenting and responsibility. Shelley’s novel strongly connects with the act of parenting. It is clear that Victor Frankenstein did not complete his role as a parent. Due to this, it further led the monster to misbehave and feel as if he does not have a purpose in life.

From the minute he was born to the minute he died he never had a friend he could talk to, all he could do was watch other people socialize, or read his book. One cannot learn how to socialize through a book, to learn how to socialize one needs to go through the steps of approaching a person and starting conversation with them which the monster was never able to do because of his looks. This was another hidden criticism that Shelley had towards The Enlightenment, she believed that people relied too much on formal education, and that people needed to go out and experience things for themselves (Willinksy ). The enlightenment that the monster experiences here is that he had to accept the understanding that he will never have a friend to talk to or share feeling with. Although he read in his book that he would not be accepted, it was not until the cottage rejection that he came to the realization that he would not actually be accepted in

By denying both main characters the sensation of domestic affection, or any other kind of social belonging, Mary Shelley highlights the importance thereof. The resulting isolation became the driving force behind both Frankenstein and his creation’s abominable actions which, in turn, shows that trying to avoid isolation and seeking the feeling of social belonging is the primary message of Mary Shelley’s Frankenstein and of

In Frankenstein, Shelley presents two characters who represent the different sides of the same character. The monster was a clear reflection of his creator because; they had the same development, same pain and suffering, and were recluses. Victor and the monster did not physically resemble each other, but they had the same personality and traits, therefore,

Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two. Frankenstein’s creature places himself in a submissive position when he begs his creator to have mercy on him and asking the creator to “create a female for [him] with whom [he] can live in the interchange of those sympathies necessary for [his] being.”

Mary Shelley shows the endless amount of revenge and that it is driven by pure hatred and rage. The monster was not created to be vengeful, he was kind hearted but when he was poorly treated by Victor and then by the Delacey family, he turned cold. In her novel Frankenstein, Mary Shelley displays the immorality and destructive effects that revenge can have through Frankenstein and his pursuit of the creature. Immediately after the monster had awoken, hatred thickened and would drive the plot to be all about revenge. The creature illustrates this hatred as he says to Victor, “Everything is related in them which bears reference to my accursed origin; the whole detail of that series of disgusting circumstances which produced it is set in view;

Frankenstein’s Monster is not categorized as evil by his malicious behavior and is sympathized with due to his creator abandoning him and the role of nature versus nurture taken place II. Monster’s Nature and alienation A. Monster originally had an inquisitive nature yet gentle nature a. Information on the German family was “each interesting and wonderful to one so utterly inexperienced as [he] was” (105) B. With the rejection and alienation from society, the only interactions the monster experiences, he becomes full of hatred a. Rejected by De Lacey family by his looks and labeled a monster b. Tries to save a child but is shot by child’s father C. Reader may feel sympathy towards the Monster’s actions because the readers know that his true nature was not evil and he was misjudged III.

Frankenstein and the creature are similar in that they have a moment of dreams and goodness, and that they allude to Paradise Lost in the same context of a fallen angel. However, they are also different in that Frankenstein blames the creature for all the atrocities that have occurred while the creature blames it on his misery, and that Frankenstein has rejected his social life while the creature craves for it. Frankenstein and the creature are similar in that they have a moment of dreams and goodness in their beginnings. Frankenstein began his studies in hopes of becoming famous. The whole reason for the creation of the creature was to become famous for being able to animate the dead.