Film Analysis: No Country For Old Men

The shots make the actors more courageous or important. As it is in the film when the body of Claire lies on the glass while Norman stands over her, the low shot shows that he is the bad guy and is in control. A boundary that was never stated, although portrayed by the camera angles. Zemeckis, as a director, only allows certain things to be seen at a time to help the audience catch certain actions of the characters. When she walks backwards down the steps and the view is up the stairs, limiting the audience’s view of what’s behind Claire.

The show Band of Brothers was produced by Steven Spielberg and Tom Hanks who, at the time, recently had success with a World War II film entitled Saving Private Ryan. Spielberg and Hanks used their expertise on war films to craft the exceptional television series Band of Brothers which originally aired on HBO in 2001. The show follows “Easy” Company, 2nd Battalion, 506th Parachute Infantry Regiment, of the 101st Airborne Division, from the moment they begin their training to the moment their deployment ends. Throughout the show we see the men of “Easy” Company mature a thousand times over. The men experience love, loss, and death at rate that is inconceivable to someone that has never experienced the theatre of war.

There had been a contrast of lighting which expressed her various emotions for instance it came from white representing innocence to red. Which built climax especially with the higher levels in the end from Lorna who stood up as she became angry. There was a prop of a bottle which symbolised an alcoholic showing she wasn’t a good Mother. This was reflected in the police report when they had said, the baby had been found faced down on the floor. It built climax as it showed that she neglected her child.

Madison Avenue advertising executive Roger Thornhill’s (Cary Grant) life changes drastically after he is kidnapped and mistaken for a spy named George Kaplan. After a successful escape from attempted murder by Phillip Vandamm (James Mason), Roger Thornhill begins a journey to search for George Kaplan. On his itinerary, he meets the beautiful Eve Kendall (Eva Marie Saint). A romantic relationship is started between the two, leaving Thornhill to believe that Even Kendall would cooperate and help him to meet Kaplan.

Returning to No Country for Old Men and Stagecoach, the differences continue to display themselves, mainly with the problem of fatalism. Fatalism is the idea that a person’s life is already determined by fate. This meaning that all natural freedoms and government allowed freedoms are essentially not existence because all the decisions or events that come through out a person’s life have already been decided. Making any idea of freedom moot. This was displayed in No Country for Old Men when Chigurh flips his coin to decide whether a person will live or die.

An important technique from this scene are the camera shots. The camera shots applied in this scene are simple. These conveyed the raw emotion

The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged

As said before the theme of chance plays an important roll in the novel. In the first chapter of the book, Llewellyn happened to stumble upon a drug deal that went horribly wrong. He finds a briefcase with more than 2 million dollars in it. This chance lead to the choices moss will have to make. The chances of him finding this money happened for a reason, and will show throughout

The late 19th century consisted of rigid work hours for children, the growth of strikes, and the use of yellow journalism. It was a challenging time for anyone below the upper class to live in. This is demonstrated throughout Newsies, a Broadway Musical displaying the challenges from this time period. Child labor, a major part of the movie, was the way of life and consisted of young children doing hard work as a vital part of the nation’s economy and income of families of the time. Another part of the movie, strikes, were the people’s way of refusing to work as a result of not getting their desires.

INTRODUCTION “We conclude that in the field of public education the doctrine of ‘separate but equal’ has no place.” -Chief Justice Earl Warren Separate But Equal, directed by George Stevens Jr, is an American made-for-television movie that is based on the landmark Brown v. Board of Directors case of the U.S. Supreme court which established that segregation of primary schools based on race, as dictated by the ‘Separate but Equal’ doctrine, was unconstitutional based on the reinterpretation of the 14th amendment and thus, put an end to state-sponsored segregation in the US. Aims and Objectives:

The long shot is used to show Mark Zuckerberg running down a road which is not very well lit ,highlighting the fact that he isn’t in a good place tight now with his emotions and later on in the movie when Mark Zuckerberg is being questioned by lawyers the room is well lit and bright highlighting hope for Mark .The medium shot that is used in the opening scene is the one of the male character walking up to his apartment door showing the characters emotion in relation to where they are. The cinematic techniques used create an effective meaning to the viewers, making them want to carry on watching it as it leaves us wanting more because the ending of the opening scene is an opening ending. As it’s an opening ending leaving the audience wanting more as it creates high hopes and at the same time excitement, and with the tension used to draw the audience in makes the audience want to carry on watching it and wanting more.

These aspects include gloomy, dark atmosphere, or a sense of horror and dread. In this scene, Coraline’s Other Father shows off the garden to her, which is revealed to be in the shape of her face. This scene uses all the movie techniques in collaboration to allow for the scene to have a peaceful affect on the audience. The camera techniques that are used in the scene are called a long shot, overshot and the camera pans horizontally to the right.

In the film 12 Years a Slave the editor, Joe Walker, makes use of a couple of techniques and styles that adds to the film in its own way. Long shots – Joe kept the long shots as long as he thought was necessary to add to the subject matter and the feeling he wanted to bind with the story. At the end of the film there’s this extremely long shot where Solomon is practically staring at the camera for about a minute and a half. The timing of that shot is so perfect because it’s not too short so you don’t have enough time to think about what just happened or too much time to overthink the situation. Closer to the end of the shot he lets the sound fade slowly and rapidly gives you a wakeup call when the next shot starts off where Solomon and the rest of the slaves are busy working in the field.

The final scene uses a lot of close up shots to capture the emotions of Romeo and Juliet, we see a lot of anguish and hopelessness in Romeo’s face when he sees Juliet dead, and we see joy in her face when she first opens her eyes and sees Romeo, but that quickly morphs into shock and heartbreak when she sees him dying. The use of close up shots was very effective because it allowed the audience to really feel the emotions portrayed in the scene. A long shot was used in the inside of the church to capture all the interior details of the church. After they are both dead, an overhead shot is used to show them lying next to each other to symbolise their eternal love and peace in each other. In the Great Gatsby, we see a long panning shot of his house, and the lake to show how abandoned it looks.

In this part of the scene a tracking shot is used to run alongside Will, this tracking shot has been used before, when Will was running to work, to earn time, he is also now running to get time to live. The tracking is used together with high-key, bright lighting to show that there is light at the end of the tunnel, and the light at the end is time in Leons car. The high-key bright lighting with the tracking shot also gives Will a bold, dark shadow behind him as he runs and bright gold light in front of him as he runs to the car, this could mean that Will is leaving his previous lifestyle behind him and pursuing a new life. Niccol uses this scene to represent the true human nature of Will and to reflect what human nature looks like while also showing us the flaws. He uses this scene to bring out the true human nature