Our perceptions change with our evolving experiences, and in a dynamic and fast-changing world, the distinctively visual offers a unique insight into how we discover and form our identities. Ang Lee’s 2000 Chinese-American martial arts film ‘Crouching Tiger Hidden Dragon’, explores many manifestations of the distinctly visual in shaping our perceptions and values through the prism of Confucian, Daoist and other philosophies and cultures. Likewise, Mark Osborne’s animated short film, visually targets a range of audiences, to also explore freedom of expression in the pursuit of happiness. Thus while in vastly different mediums, both texts employ an array of visual techniques, illustrating the powerful effects of the distinctively visual to convey …show more content…
Lee has successfully applied establishing shots of Yu through the use of windows and cropped shots within frames. Close up shots of her inside frames highlights her lack of freedom and entrapped nature. Her personality disclosed in the opening scenes describes her as a gentle, highly cultured teenager who is completely satisfied with her life. Ironically, however, half way through the movie, Lee exposes her hyper-masculinity once she dresses like a ninja to steal the Green Destiny. The filming of Jen in pure black outfit situated in a dark, low-pitched region highlights the buildup of negativity and emphasizes on her hunger for independence. Lee visually acknowledges Jen’s radical thoughts of her willing to remove herself from the institution of the Chinese aristocracy and its Confucius beliefs through the flashback of her in the desert. While she lived with Lo, her lover, her inner character had automatically emerged out. The love story between Jen and Lo is all fiery passion and lack of restraint. Eventually, her true representation as a proud and fierce young girl had appeared on screen, concealing the innocent wallflower she was in the opening scenes. Contrariwise, Shu Lien continues to be attorney for the Confucius thoughts, even though it is highly evident that throughout the film, this belief has destroyed some of the strongest bonds between individuals. Shu Lien demonstrates the criticism and depreciation of human nature through her stubborn personality in a two shot of her and Li Mu Bai. Mu Bai, framed within walls of the bamboo tea house with Shu Lien, confesses “I want to be with you”. Sticking to her thoughts and beliefs, Shu Lien ignores his emotional admittance and abruptly reminds him that “as a woman”, she must “abide by tradition”. Lee frames the two lovers within narrow walls and employs their feeling of oppression. This proves that the film pits Eastern philosophy against the
‘How beautiful you look,’ the people said. ‘How beautiful she looks’” (36). Fa Mu Lan has to dress as a man, because in China she is not allowed to fight in an army. She pursues what she wants even though she must dress as a man to do so. Fa Mu Lan decides to do what she wants to do without regarding what society thinks she should do because that’s what will make her
Introduction When I was asked to do a movie review of the film entitled Antwone Fisher I was hesitant as to what to write. However, as I watched the movie there was a flood of emotions and thoughts that entered my mind. Antwone Fisher the movie was based on a true story of a man, who ended up writing a screenplay about his experience. The movie was based on Antwone Fisher’s life who is an African-American in the United States Navy that was stationed in California.
In the first panel on page 188 it shows an image of Jin kissing Wei Chen’s girlfriend at the time. This deeply affected Wei Chen in a way that he could never look at a human the same and became deeply disgusted by them. He felt as if Jin broke his heart more than his girlfriend ever could, Wei Chen was completely betrayed by his friend who he looked up to in such a high manner. Wei Chen learns from his father about what a human means to an emissary when Wei Chen asks, “That includes humans?” and his father responds with, “Yes, Tze-Yo-Tzuh considers them the pinnacle of his creation” (Yang 188).
Xiong Fei was the cook for the Chens. He was kind to Si-yan; he helped her overcome her difficulties. He helped her and comforted her when she was sad. However, Mrs Chen, the ‘wicked witch’ as Xiong Fei called her, fired him for daring to stand up for Si-yan. This clearly shows the personality of Mrs Chen – she was angered that he would dare to contradict and criticize her.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
When most people feel like they are close to God; they usually make good moral decisions. In Doubt by John Patrick Shanley; Sister Aloysius tells Sister James that “In the pursuit of wrongdoing, one steps away from God. Of course, there’s a price.” When stepping away from God someone is committing sins and they are doing things that are usually not accepted. As the main characters stepped away from God, they had to pay the price of making wrong choices and the price of being pressured by those choices.
Lion, directed by Garth Davis, is a compelling interpretation of a remarkable true story of Saroo Brierley, lost as a child and reunited with his family 25 years later. Throughout Davis explores the unique circumstances under which Saroo is separated and reconnected with his family and his journey along the way. At some points of the film, I was confronted by how Saroo, a five-year-old boy, expertely navigates, with great instinct and genuine innocence, through an extended, yet life threatening ride. To put it in other words, Lion is a journey that grabs you entirely; whether you want it or not, and you are involved in each and every scene. I instantly fell in love with the connection and relationship between Saroo and his older brother
INTRODUCTION Everyone needs entertainment to take their minds away from the boring life style of everyday life. This entertainment can be in many form, for example music, movies, games and so on. However, the most common forms of entertainment that people will choose are movies. However, watching a movie could bring many effects to people like change a person’s thinking way or mind.
Ethical challenges are of universal span; many people including police officers are confronted with the opportunities for violating organizational rules and norms daily. Most of the stories about police officers in the media, including Cops and Criminal Minds, are about respectable police officers, but the intense 2001 movie Training Day is not. Alonzo Harris, a veteran police officer with the Los Angeles Police Department (LAPD), is training Jake Hoyt, a rookie officer on his first day with the narcotics unit. Harris’ character is an example of police officers’ potential for corruption. For instance, when Harris misuses the police authority and uses some fake arrest warrant seizing millions of dollars from a former LAPD veteran, now an informant
Throughout the course of one’s life, there is a constant search for some form of happiness. We may not always realize we are on the quest for it, but it’s part of human nature. In “Silver Linings Playbook” we see this happen throughout with Pat and Tiffany, who are both searching for happiness. The film is relatable to us all in that many times we go looking for happiness only to come up empty-handed.
Once Shug is able to feel acquainted with Celie they find themselves doing everything together. Shug teaches Celies about herself mentally, spiritually, and physically with her body. The book captures the feelings held between the Celie and Shug with vibrant words and sentences between the two characters. ¨She say, I love you, Miss Celie. And then she haul off and kiss me on the mouth (Walker, 1982).¨
The fall of Hong Kong gives this couple some spaces to live together, to have an ordinary life. As the poem from the Book of Song says, humans are not able to control all the events, "but through natural turns of events and against all expectations" (Louie 23), the couple holds each other 's hands and gets married. Chang gives the story rather a happy ending, Fan Liuyuan is able to marry the woman he loves, and Liusu gets remarried, she gains back her social status. However, many scholars question that if wealth and social status are all Liusu desires. She achieves what the society expects of her, but maybe this is not what she desires in her deepest heart.
In Duong Thu Huong’s Paradise of the Blind, Hang has been placed on a path of self-sacrifice and duty by her family. Her life unfolds in stages- childhood, young adulthood, and her eventual role as an exported worker in Russia. With each of these shifts in her life comes a shift in setting and a shift in her emotional state. Hang’s changing emotional state depicts her “coming of age” and her growth as a character. Setting is important to creation of shift in the novel, and is often described in detail.
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
The two important themes that I identified within this extract are beauty and love. Firstly, beauty is conveyed via descriptions of Ling’s wife. This is evident in the line “ une épouse et la prit très belle”. I think that the beauty of the wife mirrors the appreciation for aesthetics that is clearly evident in the text as if the wife herself, was as beautiful as one of Wang-Fô ‘s paintings. The latter theme is evident in the love for his wife as well.