Film Review: Formal/Avant-Garde Style Of Film

Everyone needs a superhero, someone to be inspired by, or to want to be like that certain individual. Bigger, Stronger, Faster is a documentary directed by Christopher Bell that presents the widespread use of steroids in sports as a sign of winning at whatever cost it takes to be better. The Bell brothers have been drawn into perceiving that performance enhancing drugs is the way to realizing the American Dream. This documentary demonstrates various interviews with coaches, politicians, doctors, and bodybuilders. Bigger, Stronger, Faster informs people the use of steroids and issues of taking steroids.

To the Pi Taus credit, it was an exceedingly well-edited video. With each frame carefully spliced for maximum effect, the end result told an erotic tale of uninhibited passion, the reenactment a far cry from the horror of the actual event. The first movement of Beethoven’s Moonlight Sonata projecting softly through the speakers, the powerfully dark piano concerto having a profound effect on both men, capturing their imaginations in an auditory meditation of the soul. As the visual story played out on Tom’s 25” television, Booker sat forward in his seat, his clenched fists resting stiffly on his knees. When Tom’s face filled the screen, there was no sound except the melodic whisper of one of the finest pieces of music ever composed.

Under their Thumb Questioning the credibility of the Queensland Police Force is unheard of, but when an Aboriginal man is found dead in his cell, who is held responsible? Director Tony Krawitz uncovers this tragedy in his documentary, The Tall Man writes Paige Smith. On November 19th, 2004 at 10:20 am Cameron Francis Doomadgee was taken into police custody and forty-five minutes later was found dead in his cell. Senior Sergeant Christopher Hurley was the arresting officer. This occurred in an established Aboriginal community off the coast of North Queensland on Palm Island.

One of the most audacious Hollywood films of the late 1970s was ‘All That Jazz’ and the music to match was just as cheeky. Music used throughout the film in ‘All That Jazz’, some of the songs had a very 80 's beat, which of course was en vogue when it was made. It combined musical theatre and elaborate flights of fancy to enthralling effect, employing a wide range of musical styles and compositions in the process. The music style used divides its time between jazzy pop classics ("Everything Old Is New Again" and "On Broadway") and a combination of classics handled by composer/arranger Ralph Burns. The jazzy pop songs made for fun listening from classical music, lushly-orchestrated pop classics to easy listening styled songs.

The hardest thing to try and do in this situation is to label Kevin Smith with a directing style, considering his style has been self-described as “having no style .” But I do believe over time he has developed his own way of making films, considering he dropped out of the Vancouver Film School after only four months, he has had industry experience to help him grow into his own way of creating movies. Smith`s composition is very similar in all three films. There is a lot of lighting going on, whether we are seeing natural or set lighting to illuminate the actors in the frame; Smith brings natural light in all the exterior day shots, and set lighting in the interior shots and set shots. There is a very low key and high contrast style in Clerks,

Double Indemnity Clip Analysis The purpose of this paper is to explain and describe the stylistic choices of the selected clip from the movie Double Indemnity (1944.) Consisting of five shots, the features of the clip serve to cast feelings of uncertainty and intrigue upon the viewer. The introductory shot of the clip starts as two men enter an elevator.

Film noir is a cinematic style that began in the early 1940s that focused on the crime and corruption that occurs in everyday life. Film noir was influenced by two major film movements, German Expressionism and French poetic realism (Schrader 8). While German Expressionism influenced lighting techniques, realism affected narrative and cinematography. The Great Depression and World War II shaped film noir’s cynical tone that fate is uncontrollable. A classic example of film noir is the 1945 film Detour, directed by Edgar G. Ulmer.

The stage design gives the impression of the characters being in two separate rooms, the positioning of blocks and pillars helps again to demonstrate this. This intricate attention to detail enables the performance to be compared so similarly to the movie adaptation of Shakespeare’s classic, although the ‘big screen’ enables more room for a fast change in setting and shots, Rourke does a phenomenal job trying to create this illusion which works so brilliantly. The night before the wedding or you could refer to it as the ‘stag and hen do’ was an unexpected twist that the audience definitely did not see coming. Again, the revolving stage was used to represent the divide between the women and the men and to compensate for the lack of space that the stage could carry.

The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.

Mystery of a Lifetime (Film review on Citizen Kane by Orson Welles) Our life is full of mysteries; we arrived in this world with unsure purpose. Death comes in our life in its most untimely visit. A story about being told to answer a subtlety death of a well-known English man is now claimed as one of the greatest films in cinema history.

Like a gothic mastermind, Tim Burton incorporates dark, grotesque, child-like themes in his cinematic style. A director’s cinematic style is how their film is recognized and the techniques in their films to give their work value. Tim Burton is known for his unique cinematic style that has made his films one of a kind. Tim Burton’s style is made so unique through his use of sound tracking, lighting, and costuming for his films such as Charlie and the Chocolate Factory and Edward Scissorhands. Tim Burton applies sounds such as background music and sound effects to add reality and emphasis to the film and to create a certain, precise moods.

Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”.

First of all, Guido is super confidence compared to Schlomo. He is confidence in virtually every aspect of his life, foremost in his ability to 'control ' his surroundings. By using tricks, his smooth tongue and quick-thinking mind, Guido had demonstrated an extraordinary capability to manipulate his surroundings thus create seemingly magical events out of pure coincidence, such as created this fantasy of her being a princess and himself being a prince when Dora fall into his arm when they first met; or when he appeared out of nowhere, steal her from her fiancee Amico and let her enter this world of imagination where ' Virgin Marry ' will granted you the key to heaven if you stood calling her name below the window, where a stranger will

German Expressionism deals with many characteristics ranging from storyline, to bold artistic styles, to dealing with “intellectual” topics, to set design & location, and even character appearance. All of these if not more, The films starts out with a simple yet creative storyline of a real estate agent (Thomas Hutter) who is sent to Transylvania to visit a new client (Count Orlok) to convince him to move to Wisburg. Now this “client”is also rumored of bringing a plague to this quiet town. During Hutters travels it is revealed the connection between Thomas Hutter, and the Count's new found obsession with Hutter's wife, Ellen – who happens to be the only one with the power to end the evil Count Orlok (aka Nosferatu).

Abstract: Iranian films have a unique space in the realm of cinema. They are exceptional, simple, innovative and inspirational. Abbas Kiarostami is a prominent figure of Iranian cinema whose films received international acclaim. His extremely minimalist directorial mode, experimental style and unconventional narrative patterns make his films oppositional to the traditional feature films. He is one of the pioneers of Iranian New Wave cinema.