Tragic Outcomes of Delusion
Oxford dictionary defines delusion as an idiosyncratic belief or impression maintained despite being contradicted by reality or rational argument (Oxford Dictionary). While it is easier for someone to cope with change and loss by denying reality, it results in negative and dangerous outcomes that can be avoided with a simple reality check; a concept explored in novels Passing and The Great Gatsby. Passing was written in 1929, by Nella Larsen, describing life in the United States during the 1920s. Larsen accurately portrays social climate during the Harlem Renaissance through characters Irene Redfield and Clare Kendry, both of ethnic backgrounds who could pass for white. Clare uses her skin tone to leave her family
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Gatsby says “just tell him the truth - that you never loved him - and it’s all wiped out forever” (Fitzgerald 132), Daisy tries to lie and say that she never loved Tom, but deep down, she once had feelings for him, and Gatsby is not willing to accept the fact that she does not have any feelings for Tom now, for him, it is only enough if she never had feelings for him, even when Gatsby was out of the picture. Eventually, Daisy breaks down and cries “oh, you want too much, I can’t help what’s past. I love you now - isn’t that enough” (Fitzgerald 133). Old money defines Tom, making him a symbol of elegance and luxury, whereas Gatsby comes from new money, associating him with illegal activity and rum running, a reputation that is evidently not adequate for Daisy: “she was appalled by West Egg [...] appalled by its raw vigour that chafed under the old euphemism” (Fitzgerald 108), yet, Gatsby tricks himself into believing that he is worthy of Daisy and he expects that she will leave Tom and her lavish, upscale life behind. Likewise to Gatsby’s desire to ascend the social ladder, Clare Kendry wants to pass for white and pursue a luxurious life with John Bellew, but also wishes to keep in touch with Irene and her race without his knowledge, a desire that impractical and unreasonable. Initially, Clare leaves her entire family and heritage behind in order to pass and lead a classy, elegant life. Her desire to marry a rich white man was fulfilled, but conflictingly, she now longs for her own people. The blame for her dissatisfaction is put on Mr. Bellew: “damn Jack! He keeps me out of everything. Everything I want. I could kill him!” (Larsen 56). As Irene states “the trouble with Clare was, not only that
At the suite, Fitzgerald shows us Gatsby’s desperate hope for Daisy as he states to Tom, “She never loved you, do you hear?” this dialogue shows us how desperate Gatsby is to take Daisy from Tom. Fitzgerald uses detail to contradict Gatsby’s statement, by having Tom explain intimate moments between Daisy and himself. Gatsby’s hope for Daisy is causing him to damage Daisy’s marriage with Tom, because he is so desperate to take her away, that he eagers her to make a choice. Daisy is unable to admit to Gatsby’s claim, “Oh, you want too much!”
She chooses the extravagant lifestyle that Tom is capable of providing instead of patiently waiting for her true love. The self-centered desires she displays demonstrates the lack of authetic love she promised Gatsby. Instead, she marries Tom “without so much as a shiver”, demonstrating her hedonistic mindset (76). Since Tom treats Daisy with minimal care, she thoughtlessly dives into an adulterous affair with Jay Gatsby. With no severe intentions towards marriage, she always “ought to have something in her life” to fulfill her heart (79).
She uses the words ‘died’, ‘terror’, ‘fear’, ‘dark’, ‘risk’, ‘strain’, and ‘hellish’; which are all words associated with danger or negativity. In contrast, Irene enjoys being a mother and always thinks about her children when making decisions. She feels motherhood is a strong life-long responsibility that can definitely be stressful, but is worth it in the long run. She feels such an obligation to her children that she puts their needs before hers. “Nor did she admit that all other plans, all other ways, she regarded as menaces, more or less
Imagination, it cures desires and provides satisfaction to some people who can not have everything they want. Although providing a temporary positive effect, it also can distort the reality. In The Great Gatsby, Gatsby spends five years watching Daisy from across the lake, creating an imaginary future for them in his head. Gatsby ultimately dooms their relationship by creating this abstract world and standards that they simply can not meet. The world in which Gatsby believed in, required the past to be repeated, something in which Daisy had moved far away from.
Firstly, being selfless and accommodating to others needs and wants is not something that the society in this time period can be proud of. Daisy, Tom and Gatsby develop the trait of selfishness in many ways throughout the novel. Daisy Buchanan is a wealthy woman who lives in the East egg and is married to Tom Buchanan. Tom, Daisy, Gatsby, Jordan and Nick all go to town when Tom and Gatsby break into an argument because Tom finds out that Gatsby and Daisy are having an affair. Gatsby tells Tom the truth about Daisy and himself because Tom bombards him with questions when he says, “’She never loves you, do you hear?’
It is known that Daisy resides in the East Egg, full of people of old wealth and superficial standards. Gatsby lives in the West Egg, where residents of new money live and he gathers income through illegal means. Daisy’s East Egg personality shines through when asked by Gatsby if she loves Tom and responds with, “I never loved him” (133). This quote proves she is self-centered because in the end she chooses Tom and the comfortable, secure life he gives her. Whereas Gatsby lives a life of illegal activity that ruins her status.
The Great Gatsby is an American novel written by Scott Fitzgerald. On the surface, the book revolves around the concept of romance, the love between two individuals. However, the novel incorporates less of a romantic scope and rather focuses on the theme of the American Dream in the 1920s. Fitzgerald depicts the 1920’s as an era of decline in moral values. The strong desire for luxurious pleasure and money ultimately corrupts the American dream which was originally about individualism.
This demonstrates how Jay Gatsby never married Daisy but instead married Tom Buchanan, who is old money. Jay Gatsby had to create his wealth, which Daisy never waited for since he did not have that wealth at first. Ultimately showing how Jay Gatsby’s greediness leads to wanting Daisy all to himself. Furthermore, Tom Buchanan's wealth is seen through as old money, he has inherited all his money instead of working for it. Daisy takes a liking to Tom Buchanan for his wealth while Tom Buchanan is shown to cheat on her with Myrtle, “And what’s more, I love Daisy too.
(99) In this moment, Gatsby makes it clear to Daisy that he could easily provide her with the same lifestyle she shares with Tom. Once Gatsby captures Daisy’s affection, he becomes full of greed and doesn’t want to believe she ever gave any of her love to Tom. “He wanted nothing less of Daisy than that she should go to Tom and say: ‘I never loved you.’” (118) When Daisy states “‘Even alone I can’t say I never loved Tom,’ (142), Gatsby begins to feel a “touch of panic” (142). All of his parties, stories, and entire persona were all fabricated to win Daisy back.
Gatsby has spent his whole life trying to prove to Daisy and everyone around him that he is worthy of her. The only way to be on the same social level as her is to turn himself into new money. Since this is not possible, he has to try to convince to others that he truly is old money. To do this, he becomes rich, and lies about his past, but the only way for him to complete this idea is if he is with Daisy. She is the final piece in his American dream.
This earns her Irene’s compassion, empathy and closure. Irene portrays her as an emotionless and catlike creature who has a difficult emotion to understand. Perhaps her father’s death has altered her psychology, hence making her more prone to danger. Clare searches for thrill by chasing after danger and freedom to make her life more exciting and fill the void created by her race and the death of her father. Her daringness gives her courage to pass, which she considers a way to tackle the obstacles her race exposes her to.
In today’s duplicitous society, men often pursue the “perfect woman”. This woman is construed to be; fit, provocative and ravishing. However, in greatly distinguished American novel, The Great Gatsby, the men have strayed from stalking women for their looks. Instead, Gatsby chases Daisy to achieve her as a prize of his bounty and any affection Gatsby demonstrates toward her, is simply to appease to her sense of status and wealth. The author F. Scott Fitzgerald, exhibits Gatsby’s these feelings for Daisy through the clever usage of connotation, symbolism and metaphors.
Once Daisy begins to see Gatsby on a regular basis, Gatsby begins to encourage Daisy to leave Tom and create a life with him. In the novel, Nick observes, “He wanted nothing less of Daisy than that she should go to Tom and say: "I never loved you." After she had obliterated four years with that sentence they could decide upon the more practical measures to be taken. One of them was that, after she was free, they were to go back to Louisville and be married from her house—just as if it were five years ago.” Gatsby believes he can provide Daisy with a lavish and happy life that her unfaithful husband could never give
“And what's more, I love Daisy too. Once in a while I go off on a spree and make a fool of myself, but I always come back, and in my heart I love her all the time” (Fitzgerald 138). These words, spoken by Tom Buchanan in F. Scott Fitzgerald’s classic novel The Great Gatsby, exemplify the personality traits that are omnipresent throughout the novel. Tom is Daisy Buchanan’s husband whom she marries after her first love, Jay Gatsby, leaves for the war.
A tragic hero is defined as a literary character who makes an judgement error that inevitably leads to his/her destruction. These criterias categorize Jay Gatsby, the protagonist of F. Scott Fitzgerald's novel, The Great Gatsby. Gatsby's tragic flaw lies within his inability to realize that the real and the ideal cannot coexist. His false perception of certain people of ideas lead him to his moral downfall and eventual demise. Gatsby's idealism distorts his perception of Daisy.