To be closed is to conceal the end from those who do not seek. To be opened is to allow the devotee to find salvation. The Metropolitan Museum of Art’s Shrine of the Virgin Mary, from Rhine Valley, Germany circa 1300 AD, is a Vierge ouvrante which is “a form of devotional sculpture, whose exterior resembles traditional cult figures of the Virgin and Child, yet is fashioned so as to open at the center,”. The outside of this sculpture features a “tender representation” of the enthroned Virgin Mary nursing the Christ Child. The Virgin Mary does not engage with her son, though. She looks beyond him and the viewer as if she is seeking the end. The Christ Child, meanwhile, reaches his palm out to display what was once the dove of the Holy Spirit, …show more content…
Each element in the creation of the sculptures was used to effect the viewer in a spiritual manner; the faithful would be able to recognize, at first glance, the chance for miracles, the chance for salvation. One such type of sculpture is that of shrine figures and small-scale statues. Because of their size, they are portable. The devoted could go on long journeys and carry their faith with them as the Holy Family did on their flight to Egypt. The Metropolitan shrine figure is 14 1/2 x 5 x 5 1/8 inches when closed. This indicates that at least two hands would be needed to hold it. Because of this intimacy, the viewer’s experience changes, “access to the interior is achieved only by touching the sculptures, making the viewer's experience both haptic as well as optic, as handling is necessary in order to view the figure's interior.” The viewer is unable to be passive if he or she wants to obtain the secrets within the …show more content…
In the Metropolitan Shrine’s case, “the narrative fluidity of the scenes, which oscillate between the days of Christ’s Infancy and the moment of his birth, and the cyclical nature of Christ’s sacrifice and the moment of his death on the cross allow for different visual and devotional possibilities.” The viewer has the ability to choose his or her own path to follow; the viewer has the ability to take a mental journey with Christ away from the earthly realm; the viewer has the ability to find ultimate salvation with Christ and God the Father within the heart of the Virgin Mary. The viewer becomes a dynamic partaker in the passages set out before his or her
Her relationship and love of Christ makes her the perfect spiritual mother for Christians, a role she began to fulfill after Jesus was buried and she was no longer the Mother of the Physical Body of Christ. As the Mother of Christ, the woman who said yes to carry God’s son in her womb; Mary proves to be the new Eve, possessing a direct opposite of Eve’s disobedience to God, and become the compliment to Christ as the new Adam on the cross. At the foot of the cross, the new Eve watched her son die for the sins of the world. As depicted in Michelangelo's Pietà, Mary holds her son just as she did in the manger, but “between Bethlehem and Calvary our sins had intervened” (Zia 90). Yet Mary accepted her role as the Mother of God even in his death, and always remained the person who loved Christ the most and the person Christ loved the most, making Mary worthy of the greatest veneration and the woman whose intercession will lead us the closest to
In the image, his ethos is depicted in multiple ways. One of these is thought the flood and fire. As mentioned above, the flooding and fire rest at the feet of everyone in the church—except the preacher. He instead stands slightly above the congregation, and appears to be standing on the hand of God. Additionally, he is made larger than everyone else in the room.
Religious Iconography Analysis “Creation and Temptation of Adam and Eve” by Wiligelmo Throughout decades, religious iconography has become a unique language of art, confound into religious art pieces to convey a deep implicit meaning of depicted objects. The term “icon” came from a Greek word, meaning image. An icon was originally a picture of Christ on a panel used as an object of devotion in the orthodox Greek Church from at least the seventh century on. Hence the term icon has come to be attached to any object or image that is outstanding or has a special meaning attached to it (Tate, n.d.).
After that, she saw a figure of archangel Michael and many angels surrounding the archangel. She was scared at the first time. However, the figure soon faded away. That figure showed to her day after day. When she be familiar with that, Michael gave her comforting and peace then promised her that God will help her.
“You can't judge an album by a single song; it's like judging a book by only reading a single chapter” Trevor Rabin. Although the short stories Cathedral and A Rose for Emily have completely different plots, they both have morals that are described in this quote. Cathedral follows around a blind man named Robert visiting an old friend and her husband, who does not care for the Robert. A Rose for Emily is about Emily, a woman who is perceived as a local oddity but soon the townspeople realize she is not just odd, but also a little bit crazy. Both Emily from the short story, A Rose for Emily by William Faulkner, and Robert from Cathedral by Raymond Carver, portray characters that become of the targets of premature assumptions, but
In the work, Roberts, donning the robes of a Pope, perversely splays himself beneath an archangel’s uncertain gaze, as he reaches for the angels’ genitals. The artist uses his work to ironically question ‘otherness’ and ‘Christ-consciousness’ (Berry 2005, p. 82). Roberts has created this work as a reflection of his religious past, his sexuality and childhood alienation. Raised in a Catholic household, Roberts has stated, in conversation with Doug Hall, that he, “…attended church almost daily” and was, “…very much the ideal candidate for priesthood” (YouTube 2008). However, the artist suffered a ‘religious crisis’ whilst attending art school and coming to terms with his sexual identity (YouTube 2008).
“Come, come with me, and we will make short work, for, by your leaves, you shall not stay alone till Holy Church incorporate two in one.”(2.6.35-37). This secret left untold conveyed and enhanced a fresh and unreasonable love. This event also led to secrecy within the two families, a secret that would prove to be deadly for many involved. “These violent delights have violent ends”(2.6.9).
Introduction Saigon Notre-Dame Basilica is one of the most famous antique architecture works in Vietnam that were built during the time of French colonisation, that is nowadays a religious venue as well as a tourist attraction. It is special not only because of its long-lasting Romanesque-Gothic beauty that pops up in the middle of a busy boulevard in Ho Chi Minh City, but also because it has been standing for 135 years, witnessing the ups and downs in the history of Vietnam; how French colonialists left, how Chinese annexationists came, and how Vietnamese people themselves fight against each other. Moreover, it was one of the victims in World War II, which caused the 59 windows and pieces of shingles to break. Though I am not a Catholic, I am still attracted to its beauty.
“Cathedral” The essay “Cathedral”, by Robert Carver, is about a man who is unsure of a blind gentleman named Robert that is coming to stay in his home for the weekend. His wife met Robert when she was reading to the blind. The narrator of the story who remains unnamed through the essay is not happy about Robert coming to stay in his home. He thought all blind people were the same and Robert taught him what it was like to be blind.
Gian Lerenzo Bernini’s, The Ecstasy of Saint Teresa, sculpted in 1647 to 1652. The piece is of Saint Teresa being struck by an Angel’s
More specifically, it represents Christ’s triumph over death, the act necessary for the redemption of humanity’s sins. Knowing
The following passages and their following explanations are excerpted from Flannery O’Connor’s “A Temple of the Holy Ghost “. The excerpts are an attempt to summarize what I believe to be the significance of this short story. The significance then of these passages are the representation of the struggle that one faces between being a “good person” and just being naturally imperfect and often not realizing that it is our imperfections that do make us perfect. Through the mischievous behavior and thoughts of our main character in the story, we are shown that these imperfections cannot be ignored and in fact are given to us by the Holy Ghost himself. It is through the cousin’s visit that the narrator realizes that it is ok to imperfect and
Aspects of Liminality in the Post-partum Ritual of the Twelve Apostles Church Introduction The purpose of this essay is to explore Victor Turner’s ideas on liminality. A description of the setsetse ritual of new mothers in the Twelve Apostles Church has been provided. Definition of Ritual, Liminality and Rites de Passage Every society has further divisions within it, whether by age, gender or rank.
Inside the Louvre Museum in Paris, and through its corridors Jacques Saunière the Curator in the Louvre is struggling for his life and for protecting the Holy Grail secret from a monk of Opus Dei known as Silas. Silas was sent to look for the secret place of the Holy Grail and must get it in any way, after threatening him Jacques Saunière reveals the secret. Silas shoots him and leaves him sinking in his blood. But Jacques Saunière fooled him about the truth of this sacred secret, he lied on him. Before he dies, Saunière draws a simple symbol of five lines forming a pentacle on his stomach and draws around him a circle with his own blood and then lies in its center representing Leonardo Da Vinci’s Virtruvian Man, besides this he writes an undecipherable
The mourners scatter about the massive cathedral's ancient chapel, crying tears of mourning over the loss of a man near and dear to their heart. At the front of the chapel, in front of the pews, lay the coffin that holds the corpse of the mourned. Beside the coffin, a little to the left, was a picture of the man, one full of life. He possessed shaggy brown hair, always unkempt, his eyes an anemic silver, seeming to be faded and empty, his simile in a similar state of affairs. In contrast, his body was anything but anemic, seeming to be a pillar of strength, gaining him admiration wherever he so dared to tread.