Chimamanda Ngozi Achidie's The Danger Of A Single Story

She uses pathos by referring to herself and her audience as one group. She also expresses that African Americans are growing with their country, subtly stating that in order for America to progress they need to improve themselves “As the great country grows, we grow with it…” This is to show that they are all

She was regretful for not being an African. She was considered the “un-missionary” (Kingsolver 525). Her role was to change the lifestyle of others; however, she changed herself

She evokes the negativity and gives a critical point of view on how the Americans view African Americans. She gives us her reason on why we should believe what she believes or the way she

The essence of the speech relies on Chisholm’s fundamental ability and her own personal

She wants her audience to see how much this means to women in society and how it is a dream for women. She wants them to see it is bigger than many things and not something to ignore. She is effective also in the sense that she is referring to MLK’s speech and thus showing the importance of her words she is stating. She also uses power in her tone to almost attack the values of the members on the International Olympic Committee. She does this by saying that the “IOC’s vote will be a fundamental test of its commitment to women and its own core Olympic values, particularly equality” (Finch).

Chimamanda was a girl with many stories. She begins to use a lot of emotion in her talk to pull the audience in and successfully does this through real life stories. She talked about how despite popular belief, not all Africans came from a broken family and that not all Africans are poor. Everyone in their lifetime goes through hardships and it’s all about how a person reacts to those hardships. She talked about how her cousins died in refugee camps, because the health care was so poor.

From his years of stereotypes came the need to write a narrative where he is able to convey this message regarding stereotypes by creating a persona and emotional appeals. Assumptions created from stereotypes can often lead to one’s

1. Single stories are stereotypes that are based off of one perspective of a group of people. Single stories are built upon each other and define people;however, single stories aren't always true. There is a saying "don't judge a book by its cover". However, people of all generations are very judgmental.

How powerful is a single story? At Ted Global 2009, Chimamanda Ngozi Adichie, a Nigerian novelist, expresses her view of single stories and the ways in which they are used to create stereotypes and divides us as a people. Adichie’s talk, “The Danger of a Single Story”, stimulates careful consideration to what happens when people and situations are reduced to a single narrative. She believes single stories are highly correlated with the power structures of the world and have the ability to strip people of their humanity.

Chimamanda Ngozi Adichie’s coming-of-age novel Purple Hibiscus narrates the story of Kambili, a girl in Nigeria, who deals with religious hypocrisy and abuse of her father, a product of the British colonization. She and her brother, Jaja, visit their aunt and receive a different perspective on their family’s lives. This novel takes place in the Igbo region of Nigeria, after the Nigerian Civil War that ended in 1970 and colonialism of the 1900’s. In Purple Hibiscus, Adichie conveys her views of the Nigerian Civil War to the reader by using the setting, specific events reciprocated in history, and contrasting characters within the novel. Purple Hibiscus is set in post-colonial Nigeria- where incidentally Adichie grew up- in a time of government, economic, and social struggle, after the Nigerian Civil War, also known as the Nigerian-Biafran War.

Chimamanda Ngozi Adichie had to live with the only perception Americans had of her. This single story that Adichie was identified by acts as the basis for her speech. She proved to her audience that limiting a people to a single

We, humans, tend to daily communicate with one another, through the art of storytelling. What we have not yet all come to realize, are the dangers that storytelling can actually cause. Everyone including myself, is guilty of believing and adding on to the weight of the single stories we are told. The same single story that could have the power to break someone 's dignity, is capable of fixing it as well.

In her TED talk called “The danger of a single story” Chimamanda Ngozi Adichie, speaks about the negative effects, single stories can have on a certain people. A single story is created when the same discourse is being repeated over an over again in books, TV shows or in the news. The single story creates a stereotypical, one sided perception of a group of people. Chimamanda Ngozi Adichie tells a story about how she, came to believe a single story in her childhood. When she was a child she read many American and English books, about people, with whom she had very little in common.

In a country where as late as the 1860’s there were laws prohibiting the teaching of slaves, it was essential for the oral tradition to carry the values the group considered significant. African- American folklore has since been taken to new levels and forms. Writers have adopted these themes and have fit them into contemporary times. Most recently author Toni Morrison has taken African-

He outlines the life she lived in the past century, when their were no cars on the road and no planes in the sky, when someone like her could not vote, due to her being a woman and being light skinned, she saw the country when their was a huge depression, she was their when the first person landed on the moon and she was their through the pain and the hope, the struggle and the progress, she saw America developing and progressing for a century. Obama also made reference to his popular campaign chant, “Yes, We Can”: “And tonight, I think about all that she’s seen throughout her century in America — the heartache and the hope; the struggle and the progress; the times we were told that we can’t; and the people who pressed on with that American creed: 'Yes, we